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gtzam

Iscritto in data apr 2000
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Valutazioni68

Valutazione di gtzam
Elysium
6,67
Elysium
Starship Troopers - Fanteria dello spazio
7,38
Starship Troopers - Fanteria dello spazio
Il cavaliere oscuro
9,18
Il cavaliere oscuro
Ricatto d'amore
6,81
Ricatto d'amore
Vivere
8,310
Vivere
Godsend - Il male è rinato
4,81
Godsend - Il male è rinato
Harakiri
8,610
Harakiri
Una casa alla fine del mondo
6,61
Una casa alla fine del mondo
Andrej Rublev
8,010
Andrej Rublev
Stalker
8,010
Stalker
Mulholland Drive
7,910
Mulholland Drive
Apocalypse Now
8,410
Apocalypse Now
Il fantasma dell'opera
4,31
Il fantasma dell'opera
Charlie's Angels
5,61
Charlie's Angels
Hannibal
6,81
Hannibal
Brazil
7,810
Brazil
8½
8,010
8½
La rivincita delle bionde
6,51
La rivincita delle bionde
Inseparabili
7,210
Inseparabili
La maschera di Zorro
6,81
La maschera di Zorro
Velluto blu
7,710
Velluto blu
What Women Want - Quello che le donne vogliono
6,51
What Women Want - Quello che le donne vogliono
Le margheritine
7,21
Le margheritine
L'uomo che non c'era
7,510
L'uomo che non c'era
Il verdetto della paura
5,41
Il verdetto della paura

Recensioni27

Valutazione di gtzam
Le tre sepolture

Le tre sepolture

7,3
  • 21 nov 2005
  • Powerful and moving modern western

    The "Three burials of Melquiades Estrada" is a multi-layered story of death, retribution, loneliness, and remembrance. Although it takes place in modern day Texas, its main character Pete Perkins, superbly played by Tommy Lee Jones, seems to be living resolutely in the past. He is determined to seek justice for his best friend's death and forces the guy responsible for to a journey across the borders in Mexico to locate the village of the deceased for a proper burial. This journey will bring forward the stark contrast between the values of two ways of life and the landscape transversed is both geographical and emotional.

    Modern civilization throughout the film is mainly represented by 4WD cars, sniper rifles, dinners, shopping malls, trailers, and TV-sets incessantly showing soap operas, while the characters revelling into those manifestations are invariably emotionally numb, disaffected people, trapped to a perfunctory life from which they seem unable or unwilling to escape. Concomitantly the values of the old west, based on friendship, loyalty and commitment have ebbed, though they are still existent as embodied by the relationship of Pete with his best friend. Pete is forced to pursue his own sense of justice after being repeatedly scorned by the contemptuous behavior of the authorities towards him and his demand for rightful punishment of the culprit, a cool, violence prone and emotionally detached border-guard.

    The story is masterly told in a sturdy manner that perfectly serves the complexity of the excellent screenplay by an apposite use of flashbacks and wonderfully shot sequences. All the performances are top notch in their expressive minimalism, greatly contributing to the lasting emotional impact of this outstanding film.
    Oliver Twist

    Oliver Twist

    6,8
  • 10 nov 2005
  • Excellent adaptation

    Roman Polanski's film is an authoritative take on Dickens' classic. It is expertly paced, slowly immersing the viewer into the plight of the young orphan and its predicament in Victorian England. Through a meticulous period reconstruction, superb acting, and effective characterization (all the secondary characters are memorable), the typically Dickensian theme of the survival of Innocence against all odds is dramatized with utter conviction. The omission of the excessively melodramatic elements from the original story (Oliver's family back-story for instance) contributes greatly to the story's strength by minimizing any trace of implausibility or mawkishness, thus providing a wide-ranging portrait of the Victorian society with its intrinsic inequalities and its rather warped sense of justice. The visuals are splendid and the prevalent detached and non-judgmental approach to an easily emotive story is simply the signature of master director Roman Polanski, who is functioning here on top form.
    Tutti i battiti del mio cuore

    Tutti i battiti del mio cuore

    7,2
  • 3 ott 2005
  • Riveting, first-class film-making

    The "The Beat that my heart skipped" is an immaculately crafted and relentlessly gripping film. Its existential premise (a dodgy estate broker feels a sudden urge to rekindle his long abandoned passion for piano-playing whose rarefied world comes in contrast with his everyday life and seedy activities) is rooted in the world of film-noir. The escalating conflict between his "duties" and his lofty aspirations is unerringly captured while maintaining an eye for subtle but telling characterization of the supporting characters. Through his inner turmoil, the main drama materializes and the theme of unfulfilled potential due to a multiplicity of factors not always within somebody's control poignantly emerges.

    Jacques Audiard, not the most famous but certainly one of the most talented french directors of the last ten years, has remarkably transcribed the mythology and some of the most eminent film-noir themes onto the modern era. The framing, lighting, music (especially its juxtaposition), mood and plot development are spot-on while the main performance my Romain Duris is career defining. The film stands out as one of the best modern neo-noir -a film with a rather singular style, akin to the director's equally commendable previous works.
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