Tenant_Uen

Though I gave it an 8 out of 10, I am very fascinated with this flick (I intended to rate it 9). This film again consolidates my theory that the British really knows how to offer the first class romance without humiliate the audience¡¦s intellect. Many of American romances appeal to the sensual attraction, with poor performance and terrible story, while English counterparts usually carry on with extraordinary casting and more serious implications. B.J. is no exception. Again we see the energy and power of British actors and actresses, with whose excellent jobs enrich the texture of the whole film. Of course Renee Zellweger is brilliant, who actually enlivens the woman with all kinds of foibles but at the same time makes it impossible for viewers to dislike her. The songs fit into the story seamlessly, and cinematography and composition of certain shots are unforgettable. However there is one reason that keeps me from rating it higher. While I expected to see a female enlightenment in this film, I found the ending quite disappointing in this dimention. B.J.¡¦s success in her career is a gift offered by Darcy, and her happiness, obviously, relies mainly on her love life. I don¡¦t know what other feminists think of this film, but I really think it¡¦s a setback.

October Sky is a highly lauded movie, and it¡¦s easy to see why. The story is easy to comprehend and many turning points are gripping, the actors and actresses do fairly good jobs, especially Jake Gyllenhaal and Chris Cooper, the hero finally gets what he wants, and it¡¦s a true story. Frankly I think the director¡¦s achievement is not comparable to the sparks and heat the original story generates. We don¡¦t see any special narrative or cinematography; the power of the movie relies much on the riveting plot and tough situation the young hero is trapped in that most audience will find themselves identify with the characters. We feel Homer¡¦s desire to earn his father¡¦s recognition and create his own future, and his resilience wins our respect. ¡§October Sky¡¨ reminds me of a later 2001 Japanese production of mini series ¡§Rocket Boy,¡¨ which might owe some of the inspiration from this movie. Actually these two works shot from two different cultures provide interesting comparison. When October Sky unfolds a story of a young man crying out loud to claim his right over his own destiny, ¡§Rocket Boy¡¨ offers a more compromised description that could sometimes constitute an acrid criticism of modern society. Starring the outstanding actor Yuji Oda, ¡§Rocket Boy¡¨ focuses on three men as ordinary as can be: a travel agent who has a dream of becoming an astronaut, a boastful advertising agent who is on the brink of being torn apart by his inferiority complex resulted from the extreme success of his father and older brother (like what Homer feels in his family), and a food company employee who is about to getting married but scared of this idea. The collected social consciousness superimposes its definition of success on its constituents and steps further to force them suffocate their dreams by claiming them ¡§impossible.¡¨ To compensate for his lost ideal, Kobayashi (Yuji) works in the tour operator because it¡¦s called ¡§Galaxy.¡¨ When his client fails him and his girlfriend decides to leave him, he finally finds strength from his father¡¦s words, who had determined to be a sailor but later found life on the sea less attractive as he had presumed. ¡§But I don¡¦t regret it,¡¨ his father told Kobayashi, ¡§at least I tried.¡¨ It is his father¡¦s confession that encourages him to resign his job and apply for astronautships despite the fact that he hurts his legs and needs to move around on a wheelchair. Kobayashi¡¦s effort finally fails, and he goes back to the travel agency. But his ¡§crazy¡¨ courage inspires his friends, and everyone loves him more. Just before the end of the series, Kobayashi is on the job as a guide of a space camp meant to let children learn more about astronauts. After the tour is over we see him leaning against a tree, unfolding a sheet of poster he tears from the bulletin board that says: ¡§Astronauts Wanted for 2004.¡¨ Kobayashi looks at the piece of paper and laughs and laughs, just like a kid looking at his ticket to Disneyland. Kobayashi may never get what he wants, but he dares his destiny and ¡§just does it.¡¨ This series is so heart-gripping not because the hero exhibits any heroic deeds, but his ordinariness and unstoppable urge to realize his dream which make us wonder and envy. Unlike Dilbert or other sarcastic writings, this show enlightens us and teaches us something. Homer and Kobayashi both have the dream, and they do what they can despite other people¡¦s opinions. I recommend other IMDB users to see the Japanese TV series. If you are a nine-to-fiver, you will feel more touched. I feel sorry that IMDB doesn¡¦t have its data, maybe you can ask somebody from Japan to help you.

I can't believe there are only so few comments on this unbelievably funny show! It must be that it ended too early before audiences remember to put their comments on IMDB. I heard many people commend ¡§Friends¡¨ or ¡§Mad About You,¡¨ but I find little fun when I actually watch these shows. ¡§Murphy Brown¡¨ is by far the most intelligent and hilarious series I¡¦ve ever watched, maybe the only sitcom ever interests me, because I generally prefer more serious shows such as ¡§Homicide: Life on the Street¡¨ or ¡§thirtysomething.¡¨ Murphy Brown has all the incredible cast. I especially prefer the interaction between the cranky Murphy and the panicky Miles. I¡¦m not sadistic, but I always roll to the floor every time Murphy torments Miles with her disastrous ideas. Like one IMDB user says, I really miss all of the characters. When can they make a show like this?