The Spectacular Spider-Man
Iscritto in data ago 2000
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Valutazione di The Spectacular Spider-Man
I've never been fond of GoldenEye. However, I now realise that I didn't enjoy it previously because I wasn't looking at it in context. Coming off the Dalton and Moore films, I was expecting something similar and was disappointed. It was only watching it this time, after Goldfinger, that I realised GoldenEye is trying for the style of the classic 60's Bonds, not the Moore era.
Literally, when I watched the scene of Brosnan dispose of a henchman with a towel, then dab his face, it clicked. That was a deliberate attempt to mimic the sophisticated, witty style of Terence Young and Guy Hamilton. Obviously, GoldenEye has to update this for the 90's, and that's the movie's other bullseye. GoldenEye feels more realistic than before, a world of genuine consequences. Subsequent Brosnan movies clearly lost this, and it's alarming to compare the almost cartoonish figure of 007 from Die Another Day with the believable government killer of GoldenEye. Did I say The World is Not Enough is Brosnan's best performance? It isn't, it's GoldenEye. He's lucky that the script was written for Dalton's more volatile portrayal, and he not only gets to play Bond's genuine hurt at his friend's betrayal, but also open up to Natalia about what makes him what he is. In some corners it is suggested Brosnan didn't live up to his potential as Bond, and this is more the fault of the scripts than the actor. They just didn't build on what was achieved in GoldenEye.
The movie has great villains; an evil Bond in Alex Trevelyan's 006, perfectly played by Sean Bean (who is always great). Famke Janssen takes the classic Bond bad girl and makes her into a ferocious femme fetale. A beautiful woman who gets aroused by killing people? Is there anything more Bond than that? And the Russians are always worthy villains for Bond.
One thing Campbell can do as good as any other Bond director, is action. There is a scene where Bond and Natalya escape from a Russian cell, only seconds, but really poetry in motion as far as action goes. Fast, powerful, unflinching. I'd even say GoldenEye needs more action. Some people think a good action movie simply depends on the budget. To them, I would suggest watching GoldenEye, and then The World is Not Enough or Die Another Day. Campbell is a master of the action scene, those who followed where not. Roger Spottiswoode (Tomorrow Never Dies) is good enough, but his set-pieces lack the precision of Campbell's.
As for the nagative details; the locations lack the glamour of Bond. Campbell is not one for attractive visuals. Alan Cumming's character Boris is just annoying. Bond gets a bit too much criticism for being un-PC, the audience is beaten over the head with it, almost. Judi Dench's M is basically just there for that speech. The music isn't very Bond-esquire, but it is exciting enough.
So to sum up; the combo of the classic Bond style, with the more real world feel, and great bad guys and action, really elevate this to one of the best of the series. There are two absolutely fantastic Bond moments in the pre-credit sequence - the bungee jump and the freefall into a falling plane - that the series has not been able to match since.
So I'm now a fan of GoldenEye, and it only took thirteen years.
Literally, when I watched the scene of Brosnan dispose of a henchman with a towel, then dab his face, it clicked. That was a deliberate attempt to mimic the sophisticated, witty style of Terence Young and Guy Hamilton. Obviously, GoldenEye has to update this for the 90's, and that's the movie's other bullseye. GoldenEye feels more realistic than before, a world of genuine consequences. Subsequent Brosnan movies clearly lost this, and it's alarming to compare the almost cartoonish figure of 007 from Die Another Day with the believable government killer of GoldenEye. Did I say The World is Not Enough is Brosnan's best performance? It isn't, it's GoldenEye. He's lucky that the script was written for Dalton's more volatile portrayal, and he not only gets to play Bond's genuine hurt at his friend's betrayal, but also open up to Natalia about what makes him what he is. In some corners it is suggested Brosnan didn't live up to his potential as Bond, and this is more the fault of the scripts than the actor. They just didn't build on what was achieved in GoldenEye.
The movie has great villains; an evil Bond in Alex Trevelyan's 006, perfectly played by Sean Bean (who is always great). Famke Janssen takes the classic Bond bad girl and makes her into a ferocious femme fetale. A beautiful woman who gets aroused by killing people? Is there anything more Bond than that? And the Russians are always worthy villains for Bond.
One thing Campbell can do as good as any other Bond director, is action. There is a scene where Bond and Natalya escape from a Russian cell, only seconds, but really poetry in motion as far as action goes. Fast, powerful, unflinching. I'd even say GoldenEye needs more action. Some people think a good action movie simply depends on the budget. To them, I would suggest watching GoldenEye, and then The World is Not Enough or Die Another Day. Campbell is a master of the action scene, those who followed where not. Roger Spottiswoode (Tomorrow Never Dies) is good enough, but his set-pieces lack the precision of Campbell's.
As for the nagative details; the locations lack the glamour of Bond. Campbell is not one for attractive visuals. Alan Cumming's character Boris is just annoying. Bond gets a bit too much criticism for being un-PC, the audience is beaten over the head with it, almost. Judi Dench's M is basically just there for that speech. The music isn't very Bond-esquire, but it is exciting enough.
So to sum up; the combo of the classic Bond style, with the more real world feel, and great bad guys and action, really elevate this to one of the best of the series. There are two absolutely fantastic Bond moments in the pre-credit sequence - the bungee jump and the freefall into a falling plane - that the series has not been able to match since.
So I'm now a fan of GoldenEye, and it only took thirteen years.
