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Greetings again from the darkness. One of the benefits of watching so many movies each year is the exposure to various generations negotiating their way through a variety of genres. That 'benefit' can sometimes be painful, as in this latest from writer-director Sophie Brooks (THE BOY DOWNSTAIRS, 2017). Despite cringing at the trailer, I agreed to watch this because I'm a fan of the two lead actors.

Iris, played by the film's co-writer, Molly Gordon ("Animal Kingdom", SHIVA BABY, 2020) and Isaac, played by Logan Lerman ("Hunters", THE PERKS OF BEING A WALLFLOWER, 2012), are a couple heading to a rented farmhouse for a romantic weekend getaway. On the drive, each takes the appropriate part (Dolly and Kenny) as they harmonize to "Islands in the Stream". It's a typical rom-com moment for a (so-far) typical rom-com couple. An odd encounter at a roadside strawberry stand puts us on notice, without making anything too obvious. The farmhouse is quaint with a beautiful view ... a perfect setting for the couple to initiate intimacy on the sofa, in the pond, and even in bed.

After Isaac prepares a romantic dinner, including scallops, the two head upstairs to toy around with the actual toys hidden in the closet. Soon Isaac is cuffed to the metal frame bed and the two are arguing quite fiercely about the ground rules for their relationship. In fact, Isaac doesn't believe it's an actual relationship, while Iris argues that he made scallops, so things must be serious! This is where filmmaker Brooks takes a mighty swing, and some will say it's an absurd whiff, while others might view this as maximum creativity. Either way, it's a narrative risk that borders on preposterous.

Iris leaves Isaac cuffed to the bed and tries to bargain for time to convince him that they are the perfect couple and deserve a chance. The next development certainly makes defending the film even more difficult. Iris calls her friend Max (Geraldine Viswanathan, BLOCKERS, 2018) and her beau, Kenny (John Reynolds, "Search Party") to join her in this crime of captivity. When her friends agree to support Iris, soon a witch's spell is conjured in hopes of finding a way out of the crime that Kenny's obsession with "Law & Order" has detailed.

Personally, I prefer my rom-coms with a twist and a dose of dark comedy. I'm not sure what to call this or how to support the efforts. Isaac may not be a great communicator as a partner, and Iris may have some type of mental disorder, but the arrival of friends should have taken this down a different path. Kudos for attempting to salvage the ending, but mostly I would recommend caution when serving scallops for dinner.

Releasing on July 25, 2025.

Greetings again from the darkness. What a downer this one is! That may seem a harsh thing to say about a movie, but it's actually a compliment to writer-director Sasha Nathwani on his first feature film, co-written by Helen Simmons. Few films take on the reality of life that can sometimes be cruel or even savage. This film, and the young(ish) performers never shy away from the tough stuff, and the result is a film that's not a pleasure to watch in the traditional sense, but quite so from a human perspective.

Ziba (the stunning Deba Hekmat, HOARD, 2023) is dealing with a serious (and unspecified) medical issue that requires medication and regular blood tests. The doctor needs her to come in to learn the latest results - the kind that won't be revealed over the phone. Instead, it's A-level results day, where students receive their final term grades. This is followed by a group of friends gathering to hang out and chill. Ziba is Iranian-British and her grades, her friends, and her instructors all recognize her as a brilliant student ... yet she alone carries this secret.

Ziba and her best friends and fellow students: Tara (Lydia Fleming), the rambunctious one; Shea (Solly McLeod), the somewhat self-conscious tough guy; and Merf (Jay Cycurgo), the mysterious one, are joined for the day by Malcolm (Denzel Baidoo), a footballer who just learned that he's been cut by his team. This is the first meeting between Ziba and Malcolm, and everyone senses the immediate attraction.

The day proceeds as the group hangs out and chats. Ziba tosses out a big question, "Are you a good person?" Confessions and self-reflection take over as the group goes down the line. By this time, the others have noticed something is amiss with Ziba. She continues to speak of her future at UCL (University College of London), yet her goody-two-shoes reputation takes a hit or two. It's her love of astrophysics that inspired her to fill out the night section of the day's schedule with the rare celestial event (meteor shower) that will wow the group.

An overall pretty good day leads to a shocking turn and has Ziba questioning the last entry on the day's schedule ... one that only appeared on her copy. Above all, filmmaker Sasha Nathwani captures the power and intimacy of close friends, and how this support is so crucial to life's decisions (even the secret ones).

Available on VOD beginning July 25, 2025.

Greetings again from the darkness. It's frightening to see how societal norms and individual behavior have shifted over the past five years. It seems clear that the COVID Pandemic was a turning point ... or at a minimum, an accelerant. Writer-director Ari Aster (MIDSOMMER, 2019; HEREDITARY, 2018) uses this as a theme in this Neo-noir Western that takes place in a small fictional town in 2020 New Mexico as the pandemic was kicking into gear.

You should know upfront that Aster serves up a giant pot of cinematic vegetable soup. Topics touched on include: politics, racism, pedophilia, Antifa, gun rights, Black Lives Matter, White guilt, envy, divisiveness, murder, conspiracy theories, George Floyd, David Hogg, face masks, social distancing mandates, cults, ambition, abortion, and Native American land rights. If that's not enough for you, the film also includes an abundance of dark comedy and the final act features a barrage of violence. Just writing that is exhausting, yet nowhere near as exhausting as watching this film.

Oscar winner Joaquin Phoenix (JOKER, 2019) stars as Sheriff Joe Cross, an odd man in a white hat who dares challenge his rival, the sitting town Mayor, Ted Garcia (Pedro Pascal) for the office in the upcoming election. Cross is the one who eschews wearing a mask, while Garcia is the smooth-talking type who encourages commitment to the mandates. The differences between the men are obvious when we see Garcia's heart-warming (pandering) TV ad as contrasted to Cross' campaign car sign with "You're" spelled "Your". The two men don't like each other, a situation exacerbated by rumors of a long-ago incident between Garcia and Cross' wife, Louise (two-time Oscar winner Emma Stone).

Being ill-equipped to run an election, even with the assistance of his two deputies, Michael (Michael Ward, EMPIRE OF LIGHT, 2022) and Guy (Luke Grimes, "Yellowstone"), isn't the extent of Cross' problems. His marriage to Louise is rocky at best, and having her mother, Dawn (Deidre O'Connell, a talented actor in TV and movies since the 1980's) live with them and spew her conspiracy theories only adds to the bumpy ride. Things get worse for Joe when Louise grows close to charismatic but vacuous cult leader Vernon (Austin Butler) ... a guru who manages to calmly say things that rile folks up in a hollow-cause kind of way.

Cinematographer Darius Khondji works his magic with a film that bounces all over the place thematically. In traditional Westerns, it was always good versus evil; however, this contemporary version is more political and seems to lack any people who are actually good. Joaquin Phoenix goes all in for his role, and Pedro Pascal continues to prove he can play just about any character. Emma Stone and Austin Butler take on minor roles, while Deidre O'Connell gets to shine in a couple of scenes. Don't believe for a second that filmmaker Aster is attempting to explain how we've reached this moment. It's more a snapshot in time of how people react under extreme pressure and how everyone has a snapping point. Is the film provocative or is Aster just having fun stirring the pot? Talk amongst yourselves (after watching).

Opens in theaters on July 18, 2025.