orr1551

This is an extensive update to a feature-length biography that was released in 1993 and never seen in its entirety by the general public. In celebration of Warner Bros.' 100th anniversary (in 2023,) filmmaker Gregory Orr re-worked the film about his famous grandfather with new material, and a new soundtrack--all mastered in 4K. The film does not pull punches as to Jack Warner's faults--there were many,--but he presents the man as others saw him at the time, which includes admiration for his moviemaking instincts, his tireless energy to promote the industry (and himself) and his remarkable 50 year reign at the helm of Warner Bros. Studios. It's an insider's account of a Hollywood legend told through extensive interviews with family, friends and co-workers, pristine WB film clips, private home movies, photos and rare archival footage that illuminates in depth a towering American figure. Of course I'm biased, I made the film.

I'm so glad The Tree of Life has both thrilled and annoyed audiences because it's a film that reaches for a very high branch on the cinematic tree. Every filmmaker wants to make good movies--me included--but we create within the confines of our times. Malick seems to have ignored what most of his fellow established filmmakers have been producing, and chosen a course that is both intimate and grand, bordering on grandiose, and outside of what an average audience expects on a Saturday night. He's not being pretentious, because that would suggest an ego in service only to itself; he's being ambitious. It's as if he wants to wrap his arms around the profound questions of creation, both the universal, and the small steps of a baby growing into a man, and share his feelings, visions and memories of it. The movie is like our own memories--sad, sweet, half-remembered,--and told with more originality-per-minute than a stack of blockbusters out this summer. I understand if not everyone can connect to Malick's ambitious film about life and what it feels like for a young family in Texas, but I do hope that critics of it will appreciate the honest heart that made it, and demand more from movies, and movie makers, than just distracting entertainment.

The personal documentary is a well worn, some say "tired," format for young filmmakers just starting out. But in Cynthia Wade's funny and touching portrait of her divorced parents and how their lives shaped her own, the personal film has found an elegant practitioner. Bravely, Cynthia Wade not only exposes her parents' failed marriage, but the lonely life she leads too as she wonders if she'll ever meet a man she can love and marry. The film-making is subtle and painfully funny and uses wonderful Super 8 footage that her father shot in the 1960s and 70s to connect us to the past. This is a film for anyone with "parental issues" (pretty much all humankind) and for those doubting souls who wonder if happiness will always be a harvest reaped by somebody else.