Semih
Iscritto in data set 2000
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Distintivi6
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Recensioni65
Valutazione di Semih
During the main titles sequence, a montage of vinnets about how a dwarf's life is so complicated because he is center of attention and at the same time he's too short to be noticed, I already found myself in a plot based on acting out what it is destined to. A film with a dwarf, apparently, must showcase the challenges he must go through during life. Well, why not stick a montage explaining this during the main title sequence? Nice, but I already lost any hint of respect for originality at this point.
Along the way some interesting characters come in, but the sincerity of their conflicts are left at a Cuban guy, developed as if only to provide comic relief and become the anti-thesis of a dwarf: he who looks like a man but acts like a kid (while the dwarf looks like a kid but acts like a man), who claims he can't stand his sick dad. While a woman who has relationship problems due to her tragic past, becomes woven in as if only to be able to justify some of her weak-founded comments later in the film.
The actors are good. But the characters written only feel like dentures: from a distance they look pretty and interesting, but you can take them out and place them in a water glass over nite. That's how disposable they are. I congratulate the filmmaker for receiving awards, but seeing the film makes me question the jury, or the quality of the other competing films. Because nothing about this film, that it won the awards for, stands out as being innovative and original enough. But let's not forget other crew's accomplishments: The cinematography was a success. Works great and no flaws. The music score by Stephen Trask is the right idea: Acoustic guitar, harmonica, percussion, but is very amateurly handled. The spotting is poorly done (where music begins, and ends). But that's what happens when a songwriter ends up scoring the film. Overall, a simply forgettable film.
Along the way some interesting characters come in, but the sincerity of their conflicts are left at a Cuban guy, developed as if only to provide comic relief and become the anti-thesis of a dwarf: he who looks like a man but acts like a kid (while the dwarf looks like a kid but acts like a man), who claims he can't stand his sick dad. While a woman who has relationship problems due to her tragic past, becomes woven in as if only to be able to justify some of her weak-founded comments later in the film.
The actors are good. But the characters written only feel like dentures: from a distance they look pretty and interesting, but you can take them out and place them in a water glass over nite. That's how disposable they are. I congratulate the filmmaker for receiving awards, but seeing the film makes me question the jury, or the quality of the other competing films. Because nothing about this film, that it won the awards for, stands out as being innovative and original enough. But let's not forget other crew's accomplishments: The cinematography was a success. Works great and no flaws. The music score by Stephen Trask is the right idea: Acoustic guitar, harmonica, percussion, but is very amateurly handled. The spotting is poorly done (where music begins, and ends). But that's what happens when a songwriter ends up scoring the film. Overall, a simply forgettable film.
