DaveLB-3
Iscritto in data gen 2000
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.
Distintivi2
Per sapere come ottenere i badge, vai a pagina di aiuto per i badge.
Recensioni2
Valutazione di DaveLB-3
Instead of having a filmmaker attempting to be painterly, this poetic gem boasts both a major painter (Sheeler) and a major photographer (Strand) collaborating.
This is the earliest view of Manhattan we have that is neither simple-minded documentation nor backdrop to melodrama. The visuals are striking, and stand up well to later, more gimmicky, film realizations of what makes Skyscraper National Park so special.
The Walt Whitman title cards would probably have worked better as voiceover narration in the sound era, but offer a strong romantic framework for the powerful imagery. A classic, not to be missed.
This is the earliest view of Manhattan we have that is neither simple-minded documentation nor backdrop to melodrama. The visuals are striking, and stand up well to later, more gimmicky, film realizations of what makes Skyscraper National Park so special.
The Walt Whitman title cards would probably have worked better as voiceover narration in the sound era, but offer a strong romantic framework for the powerful imagery. A classic, not to be missed.
There's lots of humor here, subtle and obvious. I'm sorry it's not in wider distribution in the States - I've seen a print with English subtitles, and it was very, very funny.
The stagehand's comment when Banderas is inadverdently exposed is by itself worth the price of admission.
The stagehand's comment when Banderas is inadverdently exposed is by itself worth the price of admission.