snake77
Iscritto in data gen 2000
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Recensioni48
Valutazione di snake77
The best thing ever made for television, and really more complex and entertaining than all but a handful of movies as well. It's hard to know where to begin to praise this series - there really hasn't been anything like it before. Imagine if your all-time favorite movie, with the most compelling characters and interesting story, could go on for another 48 hours and only get better and you start to get the idea. When it starts you think it's going to a standard tale of noble cops versus sinister bad guys, but that's only the surface and you are about to see so much more.
A "wire" is police shorthand for a wiretap a way to observe and record people without their knowledge. Soon you realize this is also a metaphor for the show itself you as the viewer are getting a chance to be a hidden observer into the workings of a modern American city at all its levels, from the streets to the corridors of power. It's really like a televised novel - a realistic, complex exploration of the characters and the world they inhabit. As episodes build the hidden web of interdependence between the people and institutions from the lowest to the highest levels in the city of Baltimore is vividly brought to life. And as in life, the quick conclusion you make after seeing the surface of a person or institution is often revealed to be a completely different truth when you start peeling back the layers.
The people who write the Wire seem to be determined to pull no punches. Realistic violence, sex, and language are a main theme of this show and will no doubt turn off some potential viewers. But the beauty of The Wire is that all of these things are put in context due to the length (five seasons) of the series, and they are never gratuitous. Actions both large and small are shown to have consequences - sometimes far down the line, sometimes far beyond what was intended.
For me one of the most outstanding aspects of this series has to do with race. The Wire manages to make race both the focal point and just a starting point for the story at the same time. Although racial realities are never avoided and hang as an omnipresent backdrop just as they do in real life, as the series progresses the hugely diverse cast proceeds to lay glorious waste to many of the stale, narrow stereotypes Hollywood has been selling us for all these years. For this alone The Wire is far ahead of its time.
Nothing this epic or comprehensive could have been so amazingly well done with out superb efforts from everyone involved, and they are more than up to the task. Every member of the cast seems destined to play their role - McNulty, Bunk, Lester, Greggs, Omar, Prez, Bunny, Stringer, Avon, Bubbles, Bodie - there are too many great performances to pick a favorite. Superb writing, terrific direction, real sets, everything top notch. Despite being little-seen by mainstream TV audiences and being nearly ignored by the Emmys, this series will one day get the credit it deserves as a towering achievement and a true ground breaker.
A "wire" is police shorthand for a wiretap a way to observe and record people without their knowledge. Soon you realize this is also a metaphor for the show itself you as the viewer are getting a chance to be a hidden observer into the workings of a modern American city at all its levels, from the streets to the corridors of power. It's really like a televised novel - a realistic, complex exploration of the characters and the world they inhabit. As episodes build the hidden web of interdependence between the people and institutions from the lowest to the highest levels in the city of Baltimore is vividly brought to life. And as in life, the quick conclusion you make after seeing the surface of a person or institution is often revealed to be a completely different truth when you start peeling back the layers.
The people who write the Wire seem to be determined to pull no punches. Realistic violence, sex, and language are a main theme of this show and will no doubt turn off some potential viewers. But the beauty of The Wire is that all of these things are put in context due to the length (five seasons) of the series, and they are never gratuitous. Actions both large and small are shown to have consequences - sometimes far down the line, sometimes far beyond what was intended.
For me one of the most outstanding aspects of this series has to do with race. The Wire manages to make race both the focal point and just a starting point for the story at the same time. Although racial realities are never avoided and hang as an omnipresent backdrop just as they do in real life, as the series progresses the hugely diverse cast proceeds to lay glorious waste to many of the stale, narrow stereotypes Hollywood has been selling us for all these years. For this alone The Wire is far ahead of its time.
Nothing this epic or comprehensive could have been so amazingly well done with out superb efforts from everyone involved, and they are more than up to the task. Every member of the cast seems destined to play their role - McNulty, Bunk, Lester, Greggs, Omar, Prez, Bunny, Stringer, Avon, Bubbles, Bodie - there are too many great performances to pick a favorite. Superb writing, terrific direction, real sets, everything top notch. Despite being little-seen by mainstream TV audiences and being nearly ignored by the Emmys, this series will one day get the credit it deserves as a towering achievement and a true ground breaker.
El Aura has a slow, almost hypnotic pace that Americans might have some trouble getting used to. But this Argentinean tale of a epileptic taxidermist who dreams of the perfect crime seems to me the closest anyone has ever come to successfully filming a American-style pulp crime novel from the 40's or 50's - it could have easily been written by Jim Thompson.
Ricardo Darin gives a fantastic performance as a emotionally repressed and marginalized man who fantasizes about stealing. He fancies himself smarter than everyone, but is so insecure he never takes any action. When he is presented with an opportunity to realize his dreams, he quickly finds he has overestimated his intellect and his bravado. But he has just enough luck and guile to keep himself afloat as the situation spins slowly out of control.
The direction and cinematography masterfully establish a mood of slightly uncomfortable inevitability. El Aura is lifelike in the sense that there are long periods of slow movement broken by sudden bursts of messy action and violence that don't have time to be reflected on or resolved in a nice tidy way before something else happens and attentions are directed elsewhere. A really interesting film, worth watching if you can find it doesn't appear it's going to be released in the States.
Ricardo Darin gives a fantastic performance as a emotionally repressed and marginalized man who fantasizes about stealing. He fancies himself smarter than everyone, but is so insecure he never takes any action. When he is presented with an opportunity to realize his dreams, he quickly finds he has overestimated his intellect and his bravado. But he has just enough luck and guile to keep himself afloat as the situation spins slowly out of control.
The direction and cinematography masterfully establish a mood of slightly uncomfortable inevitability. El Aura is lifelike in the sense that there are long periods of slow movement broken by sudden bursts of messy action and violence that don't have time to be reflected on or resolved in a nice tidy way before something else happens and attentions are directed elsewhere. A really interesting film, worth watching if you can find it doesn't appear it's going to be released in the States.
Spotted this DVD on eBay and bought it on the cheap from someone in the UK. Watched it last night and all I can say is what a great surprise! This is a really well done political thriller in the tradition of Traffic. Daniels, Spader, de Rossi, and especially Clifton Collins do some terrific acting. The direction is tight, the story is interesting, the political angle is provocative, the Mexican sets are authentic. All in all a very good film for what was obviously a smallish budget.
Why this movie isn't on video in the US (was it ever shown in a theater?) is beyond me. Especially considering all the crap that IS on video. Does anyone know what happened to this movie?
Why this movie isn't on video in the US (was it ever shown in a theater?) is beyond me. Especially considering all the crap that IS on video. Does anyone know what happened to this movie?