ScripTeach
Iscritto in data nov 1999
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Distintivi9
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Recensioni2
Valutazione di ScripTeach
No description really relays the experience that is this film; it's not about plot, it's about how writer/director Rosario Garcia-Montero takes an offbeat character and situation, one that should make us completely aghast, and makes us laugh (albeit nervously) while also moving us as we watch the protagonist go about his very unorthodox way of finding connection with the opposite sex.
That Baadi works in a morgue only heightens the sense of alienation he experiences while also setting the stage for his inappropriate action that he undertakes with such unabashed ardor. And a great use of the title of one of Elvis' biggest hits!
A real treat that shows cinema is not always about the plot points, but also about character and a director's unique outlook.
That Baadi works in a morgue only heightens the sense of alienation he experiences while also setting the stage for his inappropriate action that he undertakes with such unabashed ardor. And a great use of the title of one of Elvis' biggest hits!
A real treat that shows cinema is not always about the plot points, but also about character and a director's unique outlook.
This cute short film starts off really strong with a fun little montage that quickly brings us up to date on the story: a mysterious composition, AIR, written by a composer who promptly hung himself upon its completion, has frustrated composers down through the years -- not to mention destroying them much like SPINAL TAP destroys drummers -- finds its way on to a bowling alley jukebox and insinuates its self into the head of the lead character when he is a boy. He becomes obsessed with it and begins his pursuit of becoming a conductor.
But once this montage is over and we jump to the present day, things s-l-o-w down and a lot of the fun of film is dragged down with the pacing. The story moves too slowly toward a nice but sappy ending. Why do filmmakers nearly always think longer is better? Short films should be _short_; get in as quickly as you can, make your point and get out while the getting is good! That's why they're called _shorts_. Had this film been edited down to under 20 minutes it would have been much more enjoyable. A much snappier editing pace would have glossed over the simplistic story and spotty acting and highlighted the good qualities that are definitely there.
The camera work is nice, the sets are beautiful and colorful -- if a bit too obviously set-like -- and Seth Meyers as the protagonist is engaging ... but not quite up to the task of really bringing us inside the character; he's more of a sketch comic than a true empathetic actor. And the music used to represent AIR was a very funky choice. A repeated refrain from a U2 song? I love U2 but using something so modern and well known does a disservice to this story about a supposedly rare, complicated and overwhelming classical composition.
Still, a cute idea with some moments of nice execution. The filmmaker's next film is worth looking out for.
But once this montage is over and we jump to the present day, things s-l-o-w down and a lot of the fun of film is dragged down with the pacing. The story moves too slowly toward a nice but sappy ending. Why do filmmakers nearly always think longer is better? Short films should be _short_; get in as quickly as you can, make your point and get out while the getting is good! That's why they're called _shorts_. Had this film been edited down to under 20 minutes it would have been much more enjoyable. A much snappier editing pace would have glossed over the simplistic story and spotty acting and highlighted the good qualities that are definitely there.
The camera work is nice, the sets are beautiful and colorful -- if a bit too obviously set-like -- and Seth Meyers as the protagonist is engaging ... but not quite up to the task of really bringing us inside the character; he's more of a sketch comic than a true empathetic actor. And the music used to represent AIR was a very funky choice. A repeated refrain from a U2 song? I love U2 but using something so modern and well known does a disservice to this story about a supposedly rare, complicated and overwhelming classical composition.
Still, a cute idea with some moments of nice execution. The filmmaker's next film is worth looking out for.