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elgee

Iscritto in data dic 1999
Ti diamo il benvenuto nel nuovo profilo
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Recensioni13

Valutazione di elgee
La grande fuga

La grande fuga

8,2
9
  • 10 gen 2000
  • Sturges, McQueen and Co. at their best.

    This Film should stir the passions of those that have an affinity with War Movies, with it's telling of the struggle for life and, freedom in one of Germany's P.O.W. Camps in the Second World War. It's not factually correct, some items in Paul Brickhill's book which the film was adapted from were ignored or glossed over, and other events in the Movie which had little to do with actual happenings in the Compound were added by Hollywood, and it's mandatory penchant to entertain. Who cares!! The Great Escape is a great Movie, superbly directed by John Sturges who also skillfully gleaned the best out of the many Stars he had around him at the time and on the payroll. Certainly he was responsible in helping Steve McQueen perform one of his best screen roles as Captain Virgil Hilts, the gung-ho Airman delighting in upsetting his captors who took their work far too seriously, continually asking the mischievous one to spend time in their Cooler. Sturges manages also to capture the many nationalistic traits of the men in the Prison, showing us the stiff upper lip of the British chaps, the laconic Aussie, played brilliantly by James Coburn, the smooth talking American scrounger played by James Garner,the fierce independence of one of the tunnel diggers Danny Velinski, played by Charles Bronson and, of course the Camp Kommandant, Von Luger, ( Hannes Messemer ) expressing typical German efficiency but, perhaps wishing like his prisoners he'd rather be somewhere else. Elmer Bernstein's music also played it's part in making the Movie the success it is, with different mood and tone attached to pivotal scenes such as the opening sequences, the building of the tunnels and eventual escape, and the final stages of the show when we see the lucky ones on their home run. The Great Escape......is a great experience.
    Il padrino

    Il padrino

    9,2
    9
  • 2 gen 2000
  • Stunning!!

    Most of the superlatives have been said about this Movie, adjectives such as magnificent, brilliant and searing all attach themselves to most reviews of the Film and, deservedly so. The Godfather is the definative story of the Mafia and it's bid for legitimacy and respect from Political allies and Law Enforcement groups eager to sympathize in order to capitalize. While the show is informing us, or rather reminding us of time honoured liaisons between the law makers and the law breakers in mid 20th Century America, with scenes of Movie Producers waking up and finding parts of a horses' anatomy sharing satin sheets, employees of the Don getting garrotted in public bars and front seats of company vehicles, the hazards of stopping your car at toll booths, and Police Captains choking over bits of lead during their meal, we learn also of the significence of that well worn cliche..........'Give him an offer he can't refuse.' Yeah..... bloodthirsty stuff indeed, but apparently stuff we all enjoy watching, particularly when it's directed by guys like Francis Coppola and embellished with stars like Marlon Brando, Al Pacino, James Caan, Diane Keaton and Robert Duvall. The Godfather is a milestone Movie, superbly adapted from Mario Puzo's book that dares to explore the depth of Mafia guilt and Political conscience.
    Il gioco del pigiama

    Il gioco del pigiama

    6,6
    7
  • 18 dic 1999
  • Fifties magic

    When it was released in 1957, The Pajama Game joined a long procession of song and dance Movies that grabbed us all who watched them with their energy, vitality and infectious romance. Doris Day bounces and radiates her way across the screen as only she can and has done many times previously in musicals, singing, dancing and looking great, teaming up this time with some of the cast from the Broadway Production, Eddie Foy Jnr., Carol Haney, Rita Shaw and John Raitt. As you would expect from this array of talent something special would arrive, and it didn't take long for us to taste it. In the opening minutes we are treated to one of Choreographer Bob Fosse's routines with Eddie Foy Jnr. and Rita Shaw singing and stepping to 'I'll never get jealous again ' and as the show moves on more memorable sequences appear like Carol Haney dancing to ' Steam Heat,' Doris Day singing ' Seven and a Half cents ' and everyone it seems giving a rousing rendition of ' Hernando's Hideaway.' The Pajama Game is alive with Fiftie's colour, vigour and good old fashioned song and dance, put together by ideas and talent that perhaps in those days we had the chance to take it all for granted. Sadly.....these days, with the absence of musicals we don't have that opportunity.
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