Skutter-2

Hide and Go Shriek is probably a slightly better than average slasher movie. Kind of damning with faint praise really but it does what one would want from a slasher movie and doesn't really excel or stand out in any particularly negative or positive way. The plot revolves around a group of eight teenagers, four couples, who decide to have a post-graduation party in the furniture store, which is owned by the father of one them, one night. Unfortunately for them there is a killer in the building along with a scary looking ex-con who is an employee of the store and living there temporarily who might have some connection with the killer. Naturally they get up to the usual slasher teen hijinks and are picked off one by one.

It would kind of redundant to go into a detailed plot description of Hide and Go Shriek as it follows the standard formula or the slasher pic with little straying from the formulas. It begins with a pre-credits sequence in which we see the killer, a dude in cruddy tenement slum putting on a suit and liberally applying makeup to his face, although we don't actually see a proper shot his face, before picking a prostitute and knifing mid-coitus. I initially thought that there would be some kind of twist revealing the identity of the gender confused killer given they make such a point of not giving us a good look at his face but nothing like that happens. After this we are introduced to our leads before they move quickly to the slaughter point, were they are to be locked in for the night and are slaughtered. There're a fairly unremarkable bunch, complete with eighties big hair and styles, all quite bland and whitebread- there are no token dorks or ethnic minorities and are conceivably a group of individuals who might actually hang out together. I will give the director credit for casting a slightly hotter than average group of actresses and for getting three out of the four naked during the movie, with the fourth coming close. I think he should have, purely for the completion's sake.... no other reasons, honest.

For the first two thirds of the movie the plot seems to revolve around reason for the group of characters to split up. Playing hide and seek (Twice- once would have seemed a strange thing for a group of supposedly seventeen year olds to be doing but twice, even stranger), splitting off to have sex and looking for the missing members of the group once the killer finally starts to pick off some of their number. It actually takes a while and the kills are fairly thin on the ground as the killer spends a lot of time hanging around and acting creepy and menacing in the shadows watching the teens. The setting is actually quite good but the building seems like an odd choice for a furniture store- multiple stories, a seemingly labyrinthine layout, a clunky service life. The cat and mouse stuff is kind of fun. The killer has a penchant for disguise, namely dressing in the clothing of his victims in order to lure the others to their deaths. He particularly favours the woman's clothing, making use of the wigs from the store manikins, and at one point puts on the lacy black lingerie one of the girls had brought to surprise her boyfriend. Needless to say he is surprised. Just another thing you will never see Jason or Michael ever doing. For the most part he keeps to the shadows and when we do get a good look at him in the climax he is again wearing a lot of makeup and in S&M getup. He is certainly one of the more memorable killers from a generic eighties slasher.

To the films credit once it hits the fan and the teens realise what is happening they act in a reasonable manner for this kind of movie. They actually stay as a group and don't split up, even the more panicky ones don't completely spaz out and run off on their own at any point, and try to get out of the building. Despite a few bad decisions they do behave in a fairly rational manner for characters in this kind of dreck. The conclusion is over a bit too quickly and there is a very predictable 'twist'.

On the whole Hide and Go Shriek is an amusing runaround if you're in the mood for a cheesy and derivative eighties slasher. It has all the components you could ask for- gore, cheesy synth music (Reminded me of the works of John Carpenter), bad acting, gratuitous nudity, eighties fashion victims and a memorable and hammy bad guy.

I had sinking feeling when I put the tape of Netherworld on and the first thing I saw on the screen were the words Full Moon Entertainment. An oxymoron if there ever was one. Netherworld isn't that bad. It isn't that great either but it's more watchable than one would expect for a Full Moon production.

The plot revolves around a young man called Corey Thornton who inherits a property in the bayous of Louisiana after his long lost father dies. When he arrives there to check out his property he finds a set of instructions written down in a journal by his father explaining how he had been involved in black magic and detailing how Corey can bring him back to life. Strangely enough Corey isn't all that freaked out about this and without much prevarication sets about in bringing his old man about from the dead. Corey's lack of reluctance to use magic to bring his father back from the dead might have something to do with the fact it involves having sex with an attractive woman. Thornton senior, or old man Thornton as the staff of his mansion refer to him, gained his abilities with magic through having sex with local prostitute and shaman Delores. I was worried that this premise might an excuse for lots of softcore shenanigins but it restrains itself on the erotic thriller front.

Not a lot happens, and the running time of 84 minutes is breezed through. There is a subplot involving the housekeeper and her 'jailbait' daughter, who looks like she is in her mid twenties- by the standards set in this movie most guys are pederasts or potential pederasts. The daughter falls for the handsome young Corey but her mother understandably disapproves, given Corey seems to be sinking further and further into the black arts and tries to use her own magic against him. There is also some stuff with Delores having encounters with local low-lives. The introduction deals with her dispatching a would be rapist by summoning a flying stone hand that can pass though walls. The mysterious flying stone hand is definitely the coolest thing in the movie. There is a whole bunch of scenes involving Delores and her cronies and acting creepy and also some stuff with a big, weird and probably gay guy, who used to work for Thornton senior, intermittently helping Corey in his quest to find out more about his father and threatening him with violence and/or unwarranted sexual advances. The character completely disappears from the story about halfway having done very little. There is a rather brief mystical showdown ending which seems rather abrupt and unless Hughie Lewis is involved somehow the whole 'power of love' resolution doesn't fly with me.

Netherworld is a serviceable piece of entertainment. It is quite succinct and it doesn't quite go in the direction I was expecting but on the flipside not a lot does actually happen and when it does it is all over with a bit too quickly. There are few mildly cool things about it. As mentioned, the flying stone hand. The movie has a distinctive atmosphere with an oddly laidback vibe and good use made of the eerie bayou setting. A fair amount of the movie is set in the whore-house and attached bar, which is an interesting, if goofy, location. There are brawls breaking out there constantly, weird masked figures roaming the corridors, it is big and creepy with a system of tunnels underneath, a jazz band playing constantly, lots of weird mystical trappings and a crazy prostitute who claims to be Marilyn Munroe brought back from the dead. Though to be honest if I were inclined to go to brothels I would probably pick one less creepy and weird, even if the prostitutes are as unfeasibly attractive as the ones at this place. There are a few other touches I liked, such as the bird motif. It is indicated the victims of Delores and her flying stone hand have their souls trapped in the birds she keeps caged about the place and those somehow affect by her magic find feathers growing out of the side of their heads, just above the ears. There is also a creepy lawyer (The best kind), who doesn't do much in the movie other than provide some exposition, who wears for no obvious reason protective leather gloves all the time, who is kind of cool. The soundtrack is quite good and there is an amusing post credits joke that you would have to watch the movie to understand. On the downside protagonist Corey Thompson is played and scripted in the ways of the bland is better school of characterisation and is pretty useless. There is also a really bad voice-over near the start of the movie which tries to be deep and mysterious by constantly using two or three adjectives when only one would suffice e.g. 'It was unknowable, unimaginable, inconceivable. Fortunately, or unfortunately depending on your tastes, it disappears for most of the film.

On the whole, you could do better but you could do worse. I just wish they had made a sequel focusing the flying stone hand.