All Day and a Night

I had a good time watching 'All Day and a Night'. You can see it's well made, has a strong cast and features an engaging story. It isn't perfect of course, but it's a more than decent film.

Ashton Sanders impresses the most in my opinion, he plays Jah excellently - I could appreciate what they were telling about his role, which is thanks to Sanders as much as it is to Joe Robert Cole & Co. Jeffrey Wright, who I like a lot as an actor, is up to scratch as J.D., even if his character comes across, at least to me, a little stereotypical at moments.

It's a story very nicely told, I like how it portrays it mostly via flashbacks. I guess you could argue a few parts are overly entwined, but overall I think they did a very solid job. Well worth a watch.

I'm a Huge Ashton Sanders fan so I really wanted to like this movie but the writing just didn't do it for me. Great cinematography with beautiful colors and textures in the film but the script and storyline was very dry. I feel like this movie was a waste of the actors talents.

The movie had no soul... maybe the writers should do some more research on "the hood"

"All Day and a Night" is an unflinching portrait of cycles of violence and systemic problems that plague urban communities, with the calling card of a very strong central performance from Ashton Sanders. Gritty realism and heartfelt exploration of a single man in his quest to fight through the baggage that fate would have him carry make both poignant and thought-provoking moments. However, this often straddled narrative device between past and present makes it feel disjointed, which bodes well neither for the flow nor the emotional impact. Though well-acted, the supporting characters feel underdeveloped, and some of the story arcs feel underbaked. "All Day and a Night" is still an emotionally moving drama and covers urgent social issues, even if its execution is far from perfect.

Extremely powerful picture. What some may view as your stereotypical black film goes beyond that. The film is nuanced in such a way that those who can't begin to understand the life of a large number of minorities in America, and what they go through, may not appreciate. The film is not meant to be a gangster film, but a film that depicts multigenerational struggles, complex father-son relationships and the fight to break the cycle bred by systemic poverty and the pipeline to prison. A film that simply isn't meant for the ignorant minds of those who wish to stay ignorant, but those who understand the challenges in America.

Jeffrey Wright, per usual, is excellent in his character development and Ashton Sanders continues to flourish and grow as actor.

I see a lot of low ratings and they're probably coming from millenials who aren't familiar with this kind of movie. You see, hood movies haven't changed much in the last 30 years or so (and as a big movie fan I respect that), probably because the hood hasn't changed much either. This movie could've easily be made in 1997 just like One eight seven could've been made in 2020... While for example, teenage movies in the 90s were about this kid who lost his dog or built a treehouse with his friends; and nowadays teenage movies are about teenagers collecting Instagram likes or being recruited by the government and transformed into cyborgs. So if you liked hood movies back in the 90s or 2000s, you will like this one too, if not then go find yourself some nice kid-becomes-a-cyborg movie