Aggiungi una trama nella tua linguaA black as tar comedy charting the dissolution of a commune for sober living in 90's suburban New Jersey.A black as tar comedy charting the dissolution of a commune for sober living in 90's suburban New Jersey.A black as tar comedy charting the dissolution of a commune for sober living in 90's suburban New Jersey.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Lawrence Novak
- Gene
- (as Larry Novak)
Recensioni in evidenza
This film assaulted my senses in an unpleasant way. Obnoxious noises, nausea inducing visuals, could almost smell the characters.
I didn't enjoy watching this. I didn't get anything positive out of the experience. I'm not going to pretend to see the point of this film. I've basically already forgotten it.
I was quite sleepy while watching which didn't help. It was like an awful sickly fever dream. Just gross and nasty and un-fun.
I didn't enjoy watching this. I didn't get anything positive out of the experience. I'm not going to pretend to see the point of this film. I've basically already forgotten it.
I was quite sleepy while watching which didn't help. It was like an awful sickly fever dream. Just gross and nasty and un-fun.
It's funny when you come across a film this good with such a low imdb rating. Saw this film at a Mezzanine screening a little while back, q&a with Nathan, moderated by Jonathan Lethem. Was taken completely off guard by it in the most pleasant way. Not exactly sure why I'm leaving this review other than the fact that it feels totally disrespectful and misunderstood to have such a low rating here. Never mind any newfound relevancy of the cast (as amazing and talented as they are, and as much as they make the film what it is...), the film stands on its own as a masterpiece. If you're a fan of Cassavetes or the Dogma 95 films you will likely love and respect this film. At the very least it will jibe.
Stumbled upon this movie by accident. Was absolutely floored by it. Nathan Silver and his team have achieved greatness. It possesses a unique and fully formed voice. Hard to believe that this is the first film I've seen from Silver. Shot beautifully, expertly acted and full of gorgeous emotion. At times it is hilarious. However, a strong emotional core pulses throughout. The home video aesthetic served the material incredibly well. The rhythm is wild yet gripping, leading you towards a perfect end. Highly recommended. This picture is one of my all time favorite films. I cannot wait to see what this team does next.
-Andrew
-Andrew
Greetings again from the darkness. This narrative entry at the Oak Cliff Film Festival takes place in a sober living commune located in Passaic, New Jersey around 1990. It's a live-in self-help environment that seems to do everything but help, and probably not far removed from the "protective" environments offered by Jim Jones, Charles Manson and David Koresh.
The rules of the house, as administered by married couple Jim (Keith Poulson) and Lucy (Deragh Campbell) make complete sense on the index card, but seem to have little effect on the residents. Kicking off with a marriage ceremony between two members of the group, followed by a family style dinner the story follows the same path of the origin of the word "Honeymoon" as told by the groom. We see the peak of happiness and then follow the slow descent in bleakness.
Part of the "therapy" involves filming cruel reenactments of life's low point for each of the recovering addicts. Remember, these aren't just flawed individuals, but rather deeply damaged emotionally. They are each weak and insecure, and these emotions make for a tension-packed living environment hardly one that promotes any type of healing.
Director Nathan Silver's ensemble cast is very strong, especially Tallie Medel and Hannah Gross both offering hope for future projects. Having never been an addict, I can't imagine how tough it must be to get clean and stay clean; however, my instincts tell me that group living in a home that makes their own fermented tea in the bathtub may not be the best solution.
The rules of the house, as administered by married couple Jim (Keith Poulson) and Lucy (Deragh Campbell) make complete sense on the index card, but seem to have little effect on the residents. Kicking off with a marriage ceremony between two members of the group, followed by a family style dinner the story follows the same path of the origin of the word "Honeymoon" as told by the groom. We see the peak of happiness and then follow the slow descent in bleakness.
Part of the "therapy" involves filming cruel reenactments of life's low point for each of the recovering addicts. Remember, these aren't just flawed individuals, but rather deeply damaged emotionally. They are each weak and insecure, and these emotions make for a tension-packed living environment hardly one that promotes any type of healing.
Director Nathan Silver's ensemble cast is very strong, especially Tallie Medel and Hannah Gross both offering hope for future projects. Having never been an addict, I can't imagine how tough it must be to get clean and stay clean; however, my instincts tell me that group living in a home that makes their own fermented tea in the bathtub may not be the best solution.
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- Tempo di esecuzione1 ora 10 minuti
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