Strange Empire

There is much to like about Strange Empire. Character driven by relatively unknown actors, the fact that it is gritty and flawed works well within the context of the strange world of trauma and loss these women find themselves thrust into. Those who want to nitpick about historical accuracy or whatever else are missing the thrust of the piece. I applaud the fact that a chance was taken with this story by Laurie Finstad-Knizhnik. There is a deeper and darker truth about what it is to be human when faced with survival, and this series does a damn good job of giving the viewer a window into it. Word of mouth could very well elevate the series to some level of cult status.

This is one of the worst shows I have ever watched. I gave it all 13 episodes and was left wanting. There is absolutely no redeeming character on the show at all. Even the righteous Kate Loving who is good with a gun with her moral compass; she is weak and ineffective. She couldn't stop the miners from brawling and then she was working for the mine. Isabelle is ruthless and greedy with no shame or remorse. She was willing to kill the young mother just to keep her father-in-law on the hook. Which brings us to John Slotter who posses no charm, no wit, no vision and no sense. I don't just hate his characterization I really find the actor not very good either. It is a quagmire of bad writing and almost claustrophobic in the stylization of 1880s. If we are to believe this is the Canadian wilderness where is it? The smaller, simpler charters are not completely fleshed out but at least allow for some kind of hope of manna in the wilderness.

Okay, maybe the young doctor wanting to do right is not too bad...

My husband and I have enjoyed binge-watching this show! Recently, we have seen a lot of post civil war America period pieces on Netflix. They all have the similar theme of civil war trauma (ptsd) and its subsequent violent effects in a frontier landscape. I like this because it's NOT a typical western. I felt that the themes in the story were universal. I loved the costumes! They could almost be "steampunk." If I were to write the second season, I might go that route as engineers work out issues on the railroad and in the mines using technology. I can almost see a Johnny Depp style character partnering up with Dr. Blithely. Of course, this show wouldn't go as far as the steampunk fantasy world, I suppose. We are very disappointed that the show is cancelled. I hope Netflix decides to produce the story.

The one review I read, missed the point of the series. Years ago, Gene Siskel would say: don't watch a movie to see if it meets your expectations of how you would make that movie, but rather to see what the film-makers intended, and how well then did they succeed.

This is not a Western, although it "looks" like one. Having little money to spend, a story gets told of women in the West, and how hard it could be from their point of view. The women here are not the eye- candy of a typical Western. These women are the heart of a struggle to survive the vagaries of male impulsiveness, in a physical environment where there are no effective laws.

It is carefully photographed, with plays of light and dark that evoke mood, sometimes even mystical. Sure, the cast is weak against the wiles of the Hollywood pros, but scene after scene is sure in its emotions, and internal dilemmas faced, where something must be done, and no hero is going to ride in and save the day.

The women, old, young, babies, drunks, angry, scared, find a way to be together, and it is neither a romantic fairy tale, nor an story with all the lines straight and easy.

It is visually superb. Draws you along, while containing a realism that is not easily dismissed, or easy to watch. If you don't watch it alone, you'll have plenty to talk about.

Unlike muffin munro, I don't look to TV for history lessons or historical accuracy. I look for entertainment and new spins on the hackneyed, which Strange Empire delivers. Westerns are generally cheesy glorifications of a violent time in North American history. The ten or so years it took for settlers to migrate from the east to the west coast gave free-reign to greed and brutality.

In SE, the women of Janestown continually redefine their alliances as they cope with the brutality of the man who killed their husbands in order to strand them as whores for a mining community. All the old male western stereotypes--marshal, miner, cowboy, doctor, bounty hunter, etc.--are trotted out at their creepy worst. And the women, despite beauty, money, intelligence and deadly aim, are flawed and periodically reduced to some form of prostitution by brute strength. No shiny heroes here, but enough tension and drama to make occasionally awkward syntax forgivable.