Mary Shelley - Un amore immortale

Frankenstein is one of the greatest novels ever written. It was brilliantly conceived and executed and significantly ahead of its time. The Hollywood-ization of this novel is usually lacking all merit of the work, missing the novel's primary question: who was the greater monster-- the creature or the doctor?

This movie takes great liberties in dramatizing the life of the author prior to her writing the book. It does so fairly well-- to the point of discomfort in how women were viewed and treated in those intellectually stimulating but socially dark times. The climate of England and surrounding areas was one of bigotry, inequality and extreme prejudice. This film presents the despair of such times quite well, drawing the viewer into the potential feelings of the author when writing the book.

That is the weakness of the film: it is largely conjecture. As a work of fiction it does reasonably well. Lovers of gothic romance may be entranced (if unsettled) by the presentation and emotional darkness of the film. For what the writers and directors were attempting, they achieved to an extent. However the storytelling is somewhat interrupted and set back by unwarranted flashbacks and other film gimmicks that detracted from the reality of the story. One such gimmick is nowhere more obvious than at the very end of the film where they present a spoken line quite important to the movie-- AFTER text blurbs discussing the lives of the main characters. Such was poorly done and interrupted the flow of the movie right at the end-- in my opinion an unforgivable sin in movie making. (I might have given this another star were it not for that significant flaw in directing.)

As to the accuracy, that is likely irrelevant. This is a dramatization, and that's the simple truth of it. Whether the story is accurate or not is secondary to achieving its purpose. It tells the intended story decently-- just not well enough to draw in the viewer and make itself believable. It focused too greatly on inconsequential things of no matter to the story, and too little on issues of potential greatness. As such it was worth watching, but viewers might not expect storytelling anywhere near the expertise of the original novel.

To the viewer who wrote of hating the novel and enjoying the Hollywood monster movies much more-- everyone has personal opinions, but it is a sad situation when a novel the quality and impact of Frankenstein is not understood and appreciated, more so when publicly boasted.

A wonderfully adapted script & casted perfectly for Elle Fanning & Bel Powley. The movie does great justice & entertains you with a wonderful script with flowing poetry and proper English as spoken in the years past. The motivation, inspiration of ones passion, desires and disappointment's allowing Mary to pen her words to a great story are told and performed exquisitely by Elle Fanning who is truly becoming an incredible actress. So if you want a good movie for an adult date night, here you go. Enjoy!

Mary Shelley: This film is a tad confused as it tries to fit so much into a 2 hour running time. There is the romance between Percy Shelley (Douglas Booth) and Mary Wollstonecraft (Elle Fanning); her freethinking father William Godwin (Stephen Dillane); her deceased mother Mary Wollstonecraft the author of A Vindication of the Rights of Woman; the affair between Mary's stepsister Claire Clairmont (Bel Powley) and Lord Byron (Tom Sturridge); then there is the tale of the Swiss villa where the Frankenstein story was conceived. Mary even has a nasty stepmother (Joanne Froggatt).

Booth and Fanning both look exceedingly pretty and it's certainly lust if not love at first sight but somehow there are no real sparks in the relationship. Shelley is a cad who has deserted his wife and child and now hopes to have free love with Mary and more on the side. The real fire rages between Powley and Sturridge even if his Byron portrayal is somewhat reminiscent of Jason Isaacs plying Zhukov. The Swiss scenes where Frankenstein was thought up are surprisingly low key with Polidori (Ben Hardy) providing the main interest.

This might have worked better as a six hour TV mini-series. 6/10.

Overly romanticised and clean version with far too much of a modern interpretation. I could telate to it if I was a starry eyed innocent teenager.

This film deserves more than 6.3 on IMDB. Douglas Booth and Fanning present two people who the audience may perhaps have preconceptions of their characters- without feeding to their expectations which results in two genuine characters both with flaws but both human as apposed to the figures history created out of them.