Un padre e sua figlia tredicenne vivono un'esistenza ideale in un vasto parco urbano a Portland nell'Oregon, quando un piccolo errore fa deragliare le loro vite per sempre.Un padre e sua figlia tredicenne vivono un'esistenza ideale in un vasto parco urbano a Portland nell'Oregon, quando un piccolo errore fa deragliare le loro vite per sempre.Un padre e sua figlia tredicenne vivono un'esistenza ideale in un vasto parco urbano a Portland nell'Oregon, quando un piccolo errore fa deragliare le loro vite per sempre.
- Regia
- Sceneggiatura
- Star
- Premi
- 18 vittorie e 92 candidature totali
Thomasin McKenzie
- Tom
- (as Thomasin Harcourt McKenzie)
Jeffery Rifflard
- Vet at VA
- (as Jeff Rifflard)
Derek John Drescher
- Larry
- (as Derek Drescher)
Alyssa McKay
- Valerie
- (as Alyssa Lynn)
Ryan Joiner
- Tiffany
- (as Ryan E. Joiner)
Michael J. Prosser
- James
- (as Mike Prosser)
Recensioni in evidenza
Don't walk in to see this movie expecting any action and excitement. That's not what this is.
'Leave No Trace' is about the relationship between a girl and her father. It's a patient movie and a thorough one. It takes its time unveiling the details of their relationship and their lives.
Dad (Ben Foster, gripping) suffers from PTSD from his time in the military. He cannot function in society, so he chooses to live in the forest. His 13-year-old daughter, Tom (Thomasin McKenzie, a revelation), lives with him.
Though life in the forest provides its challenges-Tom is growing and is often hungry-the two live happily. As Tom says, they "didn't need to be rescued," but living on public land is illegal. They're brought in and assigned to indoor housing so they can re-acclimate themselves with society.
While Tom thrives, her dad struggles. He cannot handle this lifestyle anymore. The strength of their bond is tested, and it keeps them together as they navigate unfamiliar and uncomfortable terrain.
Both actors are terrific-serious and subtle. The whole movie is subtle. There isn't much dialogue, but the subtext says a lot. Director Debra Granik operates with a light touch that lets events unfold without forcing anything upon her audience.
Her film style simply presents moments and allows viewers to actively participate in them. Nothing is shoved in your face. It's up to you to engage, so you can take away from this movie as much or as little as you choose.
This is unequivocally a theater movie. It's not meant to be half-watched on an airplane. To experience it in full-and you should do this-go to a theater and really pay attention and think along with the movie. It's a rewarding experience that gives a lot back, as long as you give a little first.
'Leave No Trace' is about the relationship between a girl and her father. It's a patient movie and a thorough one. It takes its time unveiling the details of their relationship and their lives.
Dad (Ben Foster, gripping) suffers from PTSD from his time in the military. He cannot function in society, so he chooses to live in the forest. His 13-year-old daughter, Tom (Thomasin McKenzie, a revelation), lives with him.
Though life in the forest provides its challenges-Tom is growing and is often hungry-the two live happily. As Tom says, they "didn't need to be rescued," but living on public land is illegal. They're brought in and assigned to indoor housing so they can re-acclimate themselves with society.
While Tom thrives, her dad struggles. He cannot handle this lifestyle anymore. The strength of their bond is tested, and it keeps them together as they navigate unfamiliar and uncomfortable terrain.
Both actors are terrific-serious and subtle. The whole movie is subtle. There isn't much dialogue, but the subtext says a lot. Director Debra Granik operates with a light touch that lets events unfold without forcing anything upon her audience.
Her film style simply presents moments and allows viewers to actively participate in them. Nothing is shoved in your face. It's up to you to engage, so you can take away from this movie as much or as little as you choose.
This is unequivocally a theater movie. It's not meant to be half-watched on an airplane. To experience it in full-and you should do this-go to a theater and really pay attention and think along with the movie. It's a rewarding experience that gives a lot back, as long as you give a little first.
10paul-591
One of my all-time favorite films, but it might not be yours. This is the first film I've actually reviewed after 10+ years on IMDb. Clearly some people are unimpressed by this film and others think it's amazing; I am in the latter category.
I'm also someone who, when I was a kid, fantasized about what it would be like to live off the land and away from people. This is a truly unique film in that it does not spell it out for you; does not have a position; it does not have villains; It is willing to let you make your own conclusions. Clearly this bothers some people, as does the pace. Speaking for myself, I was never bored. I was riveted from beginning to end. I had never seen the trailer, and I would recommend not seeing the trailer.
A main complaint from those who don't like it seems to be there are enough bad people; I actually found this refreshing. I don't meet many bad, evil people in my every day life; most people are pretty cool, I find. I actually felt the fundamental premise of the movie was realistic and I appreciated that it was willing to skip ahead and not spell out every beat. Or fill in the backstory. A good film can choose the story it wants to tell and does not need to fill in every interstitial space or to mimic the way things would necessarily unfold in the real world. I suppose it could be a realistic criticism that things could never quite happen this way, but it certainly did not bother me. I thought this film portrays people - and I mean all the characters in the film, not just the primary two - that are too rarely portrayed in film, but do exist in our world.
As everyone seems to agree, the cinematography and acting are extraordinary. I also thought the story was unique and refreshing, and for me at least, the pacing was perfect. I believe I benefited from having no idea where it was going to go, so I would recommend skipping the trailer and seeing it for whatever reason compels you. Perhaps just the beautiful, green forests of the Pacific Northwest.
I'm also someone who, when I was a kid, fantasized about what it would be like to live off the land and away from people. This is a truly unique film in that it does not spell it out for you; does not have a position; it does not have villains; It is willing to let you make your own conclusions. Clearly this bothers some people, as does the pace. Speaking for myself, I was never bored. I was riveted from beginning to end. I had never seen the trailer, and I would recommend not seeing the trailer.
A main complaint from those who don't like it seems to be there are enough bad people; I actually found this refreshing. I don't meet many bad, evil people in my every day life; most people are pretty cool, I find. I actually felt the fundamental premise of the movie was realistic and I appreciated that it was willing to skip ahead and not spell out every beat. Or fill in the backstory. A good film can choose the story it wants to tell and does not need to fill in every interstitial space or to mimic the way things would necessarily unfold in the real world. I suppose it could be a realistic criticism that things could never quite happen this way, but it certainly did not bother me. I thought this film portrays people - and I mean all the characters in the film, not just the primary two - that are too rarely portrayed in film, but do exist in our world.
As everyone seems to agree, the cinematography and acting are extraordinary. I also thought the story was unique and refreshing, and for me at least, the pacing was perfect. I believe I benefited from having no idea where it was going to go, so I would recommend skipping the trailer and seeing it for whatever reason compels you. Perhaps just the beautiful, green forests of the Pacific Northwest.
Although it feels generally slow-moving and takes a while to really get going, 'Leave No Trace' is a thoroughly compelling, realistic drama that expertly explores the father-daughter dynamic. The exposition-less script is refreshing, allowing the audience to actually think for themselves about the lives of the characters and how they got to where they are at the beginning of the film. All of the dialogue feels entirely natural (a testament to both the screenwriters and the actors) and this, combined with the subtle, yet nuanced direction, gives the film an almost documentary type feel, which fully compels the viewers to engage with the lives and central relationship of the protagonists. 7/10.
The Sydney Film Festival today 16 June 18.
The reason I picked this movie - the memorable 'Winters Bone' by Debra Granik.
'Leave No Trace' continues Graniks theme of disconnected, broken people and communities worn down by war, drugs, poverty, poor health, failing services, disempowerment etc
A strange, intimate world brings together mental health, the beauty of nature, youth, struggles to present normality in abnormal circumstances, strange religion, engaging animals, concrete, christmas trees & doomed .love
Juxtaposition of nature & urban blight is too simplistic. Dig a bit deeper.
Not an easy movie but highly recommended.
The reason I picked this movie - the memorable 'Winters Bone' by Debra Granik.
'Leave No Trace' continues Graniks theme of disconnected, broken people and communities worn down by war, drugs, poverty, poor health, failing services, disempowerment etc
A strange, intimate world brings together mental health, the beauty of nature, youth, struggles to present normality in abnormal circumstances, strange religion, engaging animals, concrete, christmas trees & doomed .love
Juxtaposition of nature & urban blight is too simplistic. Dig a bit deeper.
Not an easy movie but highly recommended.
'Leave No Trace (2018)' is, remarkably, never predictable or on-the-nose. Instead, it soon settles into its own slow rhythm to provide an experience that's refreshing in its ability to show instead of tell. Often, it refrains from saying anything at all, especially during the moments in which it actually speaks volumes. This is a technique - or, rather, way of thinking - it uses to cut to the heart of its scenes and provide some incredibly raw emotional beats. Even in its 'loudest' of moments, it feels marvellously gentle and is brought to life with a steady, self-assured hand. The film is extremely engaging and has an astute ability to render its core relationship with a wonderfully tender realism, examining its father and daughter duo - as well as the former's traumatic background and scarred mental-state - brilliantly and not always blatantly. This, again, plays into its pretty much perfect 'show, don't tell' mentality and allows you to piece together what's going on behind our core players' eyes. It allows for an empathetic and emotive picture that impacts you in essentially every sequence, especially those towards its devastating yet somewhat inevitable end. Overall, the movie is actually highly enjoyable, and affecting, because of this emotional impact. 8/10
Lo sapevi?
- QuizThe newspaper clipping that Tom finds in her father's "important papers" bag was not created as a prop for this movie; it was a real news article titled "A Unit Stalked by Suicide, Trying to Save Itself" by Dave Phillips, which was one of the above-the-fold front-page articles in the New York Times on Sunday, September 20, 2015. The article was about a single Marine unit (the Second Battalion, Seventh Marine Regiment, aka the 2/7) that after returning from deployment in Afghanistan experienced a very high rate of suicide among its veterans. It is never explained in the movie whether the glimpse of this article is meant to imply that Will actually was a member of the 2/7, or if he just kept the article because it related to his PTSD and related medical situation.
- BlooperIn the scene when Tom leaves the cabin to search for her father, a crew member can be seen moving behind the tree to her left just before the scene ends.
- ConnessioniFeatured in WatchMojo: Top 10 Movies You Missed This Summer (2018)
- Colonne sonoreKilling Time
Written by Eric Wikman (as Eric Corser Wikman) & Joseph Michael McGregor
Courtesy of FirstCom
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- Leave No Trace
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Botteghino
- Lordo Stati Uniti e Canada
- 6.046.104 USD
- Fine settimana di apertura Stati Uniti e Canada
- 219.140 USD
- 1 lug 2018
- Lordo in tutto il mondo
- 7.682.928 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Proporzioni
- 1.85 : 1
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