Una giovane donna viene reclutata in un'agenzia governativa segreta per inserirsi nelle menti dei recenti defunti, usando i loro ricordi per indagare sugli omicidi.Una giovane donna viene reclutata in un'agenzia governativa segreta per inserirsi nelle menti dei recenti defunti, usando i loro ricordi per indagare sugli omicidi.Una giovane donna viene reclutata in un'agenzia governativa segreta per inserirsi nelle menti dei recenti defunti, usando i loro ricordi per indagare sugli omicidi.
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Well, this is another sci-fi-ish series with the unoriginal idea to examine people's memories to find clues that could help prevent a crime like a bombing. Instantly my mind went to "Source code" (because in the pilot is about hidden bombs too), but if you count that these memories are from ...dead people you may also have an iZombie rip-off (which I stop seeing as I got bored).
There is a secret federal Agency, of course. And a special lab. And some Special hackers and scientists. And the heroine is ...special, with some form of brain dysplasia (like maybe the producers???). And everything is ...special BUT the problem is doesn't feel like it.
Emma Ishta, the lead actress, looks like a cross between a tall Scarlett Johansson and Taylor Swift but she is annoying as @#$&@. A pretty good reason NOT to see the show.
Technically also is sub-par. The graphics during the flashback are uninspiring and you've seen it before a 1000 times.
So. What is the target audience for this? I'm not sure. But I'm pretty sure I'm not in it. I suspect most of you too...
There is a secret federal Agency, of course. And a special lab. And some Special hackers and scientists. And the heroine is ...special, with some form of brain dysplasia (like maybe the producers???). And everything is ...special BUT the problem is doesn't feel like it.
Emma Ishta, the lead actress, looks like a cross between a tall Scarlett Johansson and Taylor Swift but she is annoying as @#$&@. A pretty good reason NOT to see the show.
Technically also is sub-par. The graphics during the flashback are uninspiring and you've seen it before a 1000 times.
So. What is the target audience for this? I'm not sure. But I'm pretty sure I'm not in it. I suspect most of you too...
I think you just don't need to overthink this. There are some irregularities, but they "had to" otherwise they couldn't get the story going. So don't question why things happen as they happen, it is what it is. Lots of predictabilities, so nothing really exciting per episode. They ticked the box to have a difficult family members( brother Camille, father Kirsten etc..), episode of contaminated body (still need to watch season 3)
I am still giving this a 7 because..well...it's nothing creative, but neither are the others that I'm comparing it too. So you know...switch off your brain and have a look. Or have it on the background, whilest doing something else.
The reviews sound like an "I Hate Stitchers" club got together to trash this series. There's precious little sci-fi anymore that isn't some prurient, anything to get the women naked, kind of crap. The characters talk fast, the mental disorder is imaginary (hey, it's fiction people), and some of you don't like it. Don't watch, but to hope it doesn't last longer than the pilot is kind of a crappy attitude - like if you don't like it, no one else should see it. What a load of arrogant, self-serving claptrap. I like the series so far. I enjoy seeing some familiar faces from Eureka and Warehouse 13. I'll watch the series. I like hard SF. There's no sorcery, no swords, no semi-nude barbarian women. Not everybody is a social twelve year old.
I think this show has tons of potential, although I like it just the way it is now. I mean it has the potential to last several seasons, and I hope it does.
Other reviews have given the basic info on what the show is about - a sci-fi crime show starring a bunch of smart young people, sort of like NCIS meet Dr. No. The producers use a sort of TV shorthand: instead of a long, complicated back story, the Federal agency that "recruits" Kristin is merely described as "you can't guess what it is", or words to that effect. Why waste time on yet another series of flashbacks and explanations? We all know what they're talking about. Some of the other reviewers are bothered by the impossibility and "scientific" inadequacy of the work space where the corpses are kept on hand for the stitching process. Again, so what? We've been watching Star Trek and Dr. No for years without worrying about it - the flashing lights and dim floating bodies are all one needs to get it; this is a science fiction detective show, for heaven's sake.
I really like the way the geeks, including Kristin and her abrasive roommate, Camille, communicate. Along with the boys in the lab, they are unapologetically smarter than most of the rest of the humans in the world, and don't bother with the cutesy salutes to normal people that some shows use to make smart people more accessible. House and Monk are both examples of exceptionally unlikable people who nonetheless obtained a loyal fan following based on how their characters solved problems, and I think the same will happen with this show.
I love the way some of the characters in this show zoom through pretty complicated dialogue with no explanation or apology, and call me crazy, but I thought Kristin's first experience stitching was gripping; the hyper- ventilation was a nice touch, and totally believable.
I say give them a couple of seasons to show their stuff; they certainly got my attention.
Other reviews have given the basic info on what the show is about - a sci-fi crime show starring a bunch of smart young people, sort of like NCIS meet Dr. No. The producers use a sort of TV shorthand: instead of a long, complicated back story, the Federal agency that "recruits" Kristin is merely described as "you can't guess what it is", or words to that effect. Why waste time on yet another series of flashbacks and explanations? We all know what they're talking about. Some of the other reviewers are bothered by the impossibility and "scientific" inadequacy of the work space where the corpses are kept on hand for the stitching process. Again, so what? We've been watching Star Trek and Dr. No for years without worrying about it - the flashing lights and dim floating bodies are all one needs to get it; this is a science fiction detective show, for heaven's sake.
I really like the way the geeks, including Kristin and her abrasive roommate, Camille, communicate. Along with the boys in the lab, they are unapologetically smarter than most of the rest of the humans in the world, and don't bother with the cutesy salutes to normal people that some shows use to make smart people more accessible. House and Monk are both examples of exceptionally unlikable people who nonetheless obtained a loyal fan following based on how their characters solved problems, and I think the same will happen with this show.
I love the way some of the characters in this show zoom through pretty complicated dialogue with no explanation or apology, and call me crazy, but I thought Kristin's first experience stitching was gripping; the hyper- ventilation was a nice touch, and totally believable.
I say give them a couple of seasons to show their stuff; they certainly got my attention.
I just finished watching the third episode of Stitchers. I read the bad reviews above and don't agree. This show is interesting. Each episode so far has promised something more to be revealed about the plot. The premise, that a group of young scientists working for a secret organization that can probe the minds of the recently deceased, is an interesting one. If only the dead could talk.... I've enjoyed all the episodes so far - fast-paced goal centered, not a lot of drama (too much drama irritates me), some humor and characters that are slowly being revealed and getting to know each other. I like that there is not a lot of "meaningful conversation", but just the banter that normally passes between coworkers. No it's not philosophically deep or scientifically accurate - but it's entertaining.
Lo sapevi?
- QuizOn September 15, 2017, the show was canceled by Freeform after three seasons, presumably due to low ratings. A large fan campaign to bring back the show was soon launched on Twitter with the full support of the cast and crew. A petition was made and fans tweeted emails of higher-ups at Freeform as well as Freeform's Feedback page on their website. Fans also contacted other networks, specifically SYFY and TheCW, to get them to pick the show up for a fourth season.
- BlooperThroughout the series, actress Emma Ishta's (Kirsten) Australian accent can occasionally be heard slipping through, despite the character being from California.
- ConnessioniFeatured in MsMojo: Top 10 Greatest Sci-Fi & Fantasy Teen Drama Shows (2018)
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- Stitchers Connessioni
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- 984 Everett St, Los Angeles, California, Stati Uniti(Kirsten & Camille's exterior house)
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