Un potente guerriero e un giovane ragazzo cercano l'illuminazione in uno spietato territorio controllato dai baroni feudali.Un potente guerriero e un giovane ragazzo cercano l'illuminazione in uno spietato territorio controllato dai baroni feudali.Un potente guerriero e un giovane ragazzo cercano l'illuminazione in uno spietato territorio controllato dai baroni feudali.
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One of my favourite shows of all time I can't believe they're getting rid of it as it goes from strength to strength. The last season ended perfectly to set up for a game changing 4th season that I absolutely need to see. I pray somebody saves this great program.
The best way to describe Into the Badlands in one word is...underrated. Like so many reviews have already pointed out here this show didn't get the respect it deserved when it was on tv. We're lucky to get the 3 seasons we did and they were able to finish the story in a respectable way but I read the writers had a few more seasons worth of story in them. It's about a boy with supernatural powers in a post-apocalyptic world that's territories are divided by barons. It's one of the rare shows where each seasons gets better and better. The story just draws you into their world and gets you hooked. The fighting, led by the incredibly underrated martial artist Daniel Wu, is just amazing. If you're a martial arts fan or a fan of action in general then give this show a try. You won't be disappointed.
You know the moment you start watching that some series are going to attract something of a cult following. My suspicion is, Into the Badlands, is one such series.
Into the Badlands takes already interesting elements from 19th century Southern USA, cyberpunk, Gung (Kung) Fu and Samurai/Western action series, mystical and medieval epics and drops the whole fruit salad of seemingly incompatible concepts, into the creative blender.
The resulting series is an elaborate and flamboyant cocktail, that works in spite of itself. The primary reason it works, is all these cultural icons are familiar. The futuristic setting is something of an anachronism, reminiscent of any 19th century Southern plantation. Lurid splendor and vice, gained from the oppressive toil of poppy field workers called cogs(cogs in a wheel), who are little better than slaves.
Sitting alongside this, is a little Mad Max-ian magic in terms of machines and vehicles that populate this world. Technology, resurrected from a whispered past that has seemingly been and gone but is not entirely forgotten.
That familiarity contrasts another, the transplanted martial arts arena, reminiscent of classic films like Enter the Dragon, mixed with a dash of Gladiator, a little mysticism and any medieval epic you care to name.
The result is a highly imaginative, visually luxurious, mesmerizing watch, thats instantly engaging and very enjoyable. Provided, that is, you don't over think things and accept this creative work for what it is. I have been addicted from episode one and plan to keep watching. Eight out of ten from me.
Into the Badlands takes already interesting elements from 19th century Southern USA, cyberpunk, Gung (Kung) Fu and Samurai/Western action series, mystical and medieval epics and drops the whole fruit salad of seemingly incompatible concepts, into the creative blender.
The resulting series is an elaborate and flamboyant cocktail, that works in spite of itself. The primary reason it works, is all these cultural icons are familiar. The futuristic setting is something of an anachronism, reminiscent of any 19th century Southern plantation. Lurid splendor and vice, gained from the oppressive toil of poppy field workers called cogs(cogs in a wheel), who are little better than slaves.
Sitting alongside this, is a little Mad Max-ian magic in terms of machines and vehicles that populate this world. Technology, resurrected from a whispered past that has seemingly been and gone but is not entirely forgotten.
That familiarity contrasts another, the transplanted martial arts arena, reminiscent of classic films like Enter the Dragon, mixed with a dash of Gladiator, a little mysticism and any medieval epic you care to name.
The result is a highly imaginative, visually luxurious, mesmerizing watch, thats instantly engaging and very enjoyable. Provided, that is, you don't over think things and accept this creative work for what it is. I have been addicted from episode one and plan to keep watching. Eight out of ten from me.
I get that people want this to be entirely believable and that aspects, such as the lack of guns in a world where other machines exist, appears to be hard to fathom - but think of all the other movies that have unbelievable components - such as why does Obe Wan wear a raggedy robe in a time when they can fly through space? He could still wear a robe, but did it have to look like a potato sack? How can Batman really compete with Superman, seriously?
Anyway the mix of martial arts with supernatural and post- apocalyptic themes would make most people think this is a horrible combination for a TV series ... but not if you are a fan of old Chinese martial arts movies.
The fight scenes in this movie are incredible considering it is made for television. The acting isn't absolutely stunning, but acting never was in many of those Chinese movies and it was never meant to be. The main characters Danny Wu and Martin Csokas both do a satisfactory job in their roles. Emily Beecham's portrayal of the Widow has grown on me and she looks really impressive in some of the fight scenes.
Some of the supporting actors, particularly the fighters, I admit leave a little to be desired acting wise, but generally ... you don't want them to do much more than lose.
I believe if you over think the reality of this TV series, you may miss some of the good aspects of it, but admittedly this type of show isn't for everyone.
Having just watched the first season, I loved the finale and am eagerly looking forward to seeing more.
Anyway the mix of martial arts with supernatural and post- apocalyptic themes would make most people think this is a horrible combination for a TV series ... but not if you are a fan of old Chinese martial arts movies.
The fight scenes in this movie are incredible considering it is made for television. The acting isn't absolutely stunning, but acting never was in many of those Chinese movies and it was never meant to be. The main characters Danny Wu and Martin Csokas both do a satisfactory job in their roles. Emily Beecham's portrayal of the Widow has grown on me and she looks really impressive in some of the fight scenes.
Some of the supporting actors, particularly the fighters, I admit leave a little to be desired acting wise, but generally ... you don't want them to do much more than lose.
I believe if you over think the reality of this TV series, you may miss some of the good aspects of it, but admittedly this type of show isn't for everyone.
Having just watched the first season, I loved the finale and am eagerly looking forward to seeing more.
I'm currently watching season 3 on Prime and this series keeps on being captivating and highly entertaining.
Nick Frost brings lightheartedness to an otherwise dark and bloody piece of art. There is no clear good or bad, but instead every character evolves, changes and fights with their own demons.
Clearly great attention was given to the look & feel with beautiful fights that are like bloody dances with colourful and mesmerising backgrounds and beautiful people.
Of course it's over the top, but that is what creates a world on its own, a world like in a fairy tale as gruesome as they were before Disney took the edge out of them.
I love this series and am sad it was not continued.
Lo sapevi?
- QuizDaniel Wu, who plays Sunny, one of the lead characters in the show, does most of his stunts and fighting scenes himself, unlike some other members of the cast. He has been learning wu shu and other martial arts since he was a young boy, and still practices.
- ConnessioniFeatured in MsMojo: Top 10 Underrated Female TV Villains (2018)
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