Aggiungi una trama nella tua linguaThe affluent farmer's son is everything Billy desires. The farm is everything the head drover wants. A story of forbidden love, revenge and a family torn apart, inspired by true events.The affluent farmer's son is everything Billy desires. The farm is everything the head drover wants. A story of forbidden love, revenge and a family torn apart, inspired by true events.The affluent farmer's son is everything Billy desires. The farm is everything the head drover wants. A story of forbidden love, revenge and a family torn apart, inspired by true events.
Peter Hansen
- Danny
- (as Pete Hansen)
Phil Adams
- Older Billy
- (as Philip Adams)
Patricia Wichman
- Phyllis Williams
- (as Patricia Vichmann)
Recensioni in evidenza
OK I was going to give this movie four stars but as it was beautifully photographed, with some exceptional art direction and amazing visual detail created by the set decorator and costume designer, I upped my rating to five.
This is a bit of a glimpse into my own early childhood. Not quite the same way as described in the movie but the same scenario took similar forms in New Zealand in the fifties and early sixties.
Although the film is hinted as being a gay love story, it is more a secret and lies drama with the action played out, not in some North England town, but on a farm out in the sticks of rural New Zealand.
OK, this all sounds like everything is great and we are in for two emotional hours of pretty good film making. Things started to fall down during the (unnecessary) prologue with some bad post sync dialogue. This slightly stilled dialogue continued throughout a lot of the movie. The script was great but listening to the dialogue made me feel quite uncomfortable. This wasn't helped by the music score which was recorded so loud as to drown out a lot of what I was trying to hear.
The wonderful period costumes and props were marred by some of the worst movie makeup on a non-vampire movie I have ever seen. Almost every cast member looked like they had escaped from 'Spookers'.
The director decided to film every scene involving the actors from every angle possible. The editing room didn't help by trying to edit in every angle too. This was not an action movie and looking at a person's head from every angle starts to make you physically sick.
Some of the scenes could have been trimmed a tad - especially where the camera seemed to focus a bit too long on minor characters who were really not that important in keeping the story going.
This all sounds rather hash but I think this movie would have benefited from some public screenings, for feedback purposes, before hitting the circuit.
This is a bit of a glimpse into my own early childhood. Not quite the same way as described in the movie but the same scenario took similar forms in New Zealand in the fifties and early sixties.
Although the film is hinted as being a gay love story, it is more a secret and lies drama with the action played out, not in some North England town, but on a farm out in the sticks of rural New Zealand.
OK, this all sounds like everything is great and we are in for two emotional hours of pretty good film making. Things started to fall down during the (unnecessary) prologue with some bad post sync dialogue. This slightly stilled dialogue continued throughout a lot of the movie. The script was great but listening to the dialogue made me feel quite uncomfortable. This wasn't helped by the music score which was recorded so loud as to drown out a lot of what I was trying to hear.
The wonderful period costumes and props were marred by some of the worst movie makeup on a non-vampire movie I have ever seen. Almost every cast member looked like they had escaped from 'Spookers'.
The director decided to film every scene involving the actors from every angle possible. The editing room didn't help by trying to edit in every angle too. This was not an action movie and looking at a person's head from every angle starts to make you physically sick.
Some of the scenes could have been trimmed a tad - especially where the camera seemed to focus a bit too long on minor characters who were really not that important in keeping the story going.
This all sounds rather hash but I think this movie would have benefited from some public screenings, for feedback purposes, before hitting the circuit.
I saw this film last night and I was pleasantly surprised at how beautiful and well crafted it was. The cinematography was beautiful creating an atmosphere that captured the 1960s. Costumes were excellent and the makeup and hair perfect for the era, something I am very particular about. The acting was great and the casting spot on, and the two leads are hot! I hope I get to see more of these actors in New Zealand films. They got the music right too adding to the film's atmosphere. The film was labeled a 'Gay love story' but I think this is a bit misleading - it is really a story about love, relationships, and social restrictions in 1960, especially in conservative rural New Zealand. It is a complex but beautifully written story with full real characters. I loved this film, keep making them, director, Alastair Riddell.
Beautiful to watch, with a story I can't stop thinking about. A great cast that did justice to strong and memorable characters. All the 1960s cars and costumes were so perfect (what a stylish era). I love the way the film looks so beautiful but the farm is full of dark secrets. Billy, the main guy, is adorable but the family he gets involved with has got some serious problems. I would have liked more big countryside scenes but I guess they didn't have the money for it - I read it is an independent film. I enjoyed the brooding story about family feuds and the struggle with being gay in 1960 combined with the ever present small town gossip and society expectations - what a toxic mix. Overall - definitely a good New Zealand film that I would watch again.
This is the New Zealand version of Brokeback Mountain. Nowhere as good as that and spoiled by low budget, poor production poor editing, and a really, really bad script. Nothing about the story was believable. Such a shame as it could really have been a good movie.
An intelligent thoughtful film. If you like European or British films you will enjoy West of Eden. A film was written with sophistication and realised with integrity. This caliber of a film has been a long time coming, no flippant script or two-dimensional characters found in this piece of cinematic charm. The one thing I would say is that I think the film would be best promoted as a period drama rather than a gay love film, there are many strands to this story - Rialto channel viewers this is for you. It is not just a story about gay love but one about true love set against societal constraints, a reminder that individual freedom and rights are a cause worth fighting for. Especially relevant in our present time. Mr. Space Waltz, you have yet again excelled - may your glam and glitter shine on. When's your next film?
Lo sapevi?
- Quiz(Seen onscreen) "Inspired by actual events"
- BlooperEarly in the movie Billy is hitch-hiking. He exits a car on a rural road that has road markings down the center and on the sides. In the next shot the road markings have completely disappeared. The likelihood of any road markings on a rural New Zealand road in the 1960s is very remote.
- ConnessioniReferences Il re dei pellirosse (1936)
- Colonne sonoreCakewalk Into Town
Written by Dave Burgess
Performed by Dave Burgess and Alastair Riddell
(control-Dave Burgess)
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Dettagli
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
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