Aggiungi una trama nella tua linguaThe affluent farmer's son is everything Billy desires. The farm is everything the head drover wants. A story of forbidden love, revenge and a family torn apart, inspired by true events.The affluent farmer's son is everything Billy desires. The farm is everything the head drover wants. A story of forbidden love, revenge and a family torn apart, inspired by true events.The affluent farmer's son is everything Billy desires. The farm is everything the head drover wants. A story of forbidden love, revenge and a family torn apart, inspired by true events.
Peter Hansen
- Danny
- (as Pete Hansen)
Phil Adams
- Older Billy
- (as Philip Adams)
Patricia Wichman
- Phyllis Williams
- (as Patricia Vichmann)
Recensioni in evidenza
An intelligent thoughtful film. If you like European or British films you will enjoy West of Eden. A film was written with sophistication and realised with integrity. This caliber of a film has been a long time coming, no flippant script or two-dimensional characters found in this piece of cinematic charm. The one thing I would say is that I think the film would be best promoted as a period drama rather than a gay love film, there are many strands to this story - Rialto channel viewers this is for you. It is not just a story about gay love but one about true love set against societal constraints, a reminder that individual freedom and rights are a cause worth fighting for. Especially relevant in our present time. Mr. Space Waltz, you have yet again excelled - may your glam and glitter shine on. When's your next film?
Not being around in the 1950's in NZ I thought the film was quite an eye opener.
The cast is fairly young so great to see young talent coming through the ranks. Plenty of eye candy for the ladies 😛
I really enjoyed the film, the cinematography was fantastic and it really showcases the NZ country side.
The cast is fairly young so great to see young talent coming through the ranks. Plenty of eye candy for the ladies 😛
I really enjoyed the film, the cinematography was fantastic and it really showcases the NZ country side.
OK I was going to give this movie four stars but as it was beautifully photographed, with some exceptional art direction and amazing visual detail created by the set decorator and costume designer, I upped my rating to five.
This is a bit of a glimpse into my own early childhood. Not quite the same way as described in the movie but the same scenario took similar forms in New Zealand in the fifties and early sixties.
Although the film is hinted as being a gay love story, it is more a secret and lies drama with the action played out, not in some North England town, but on a farm out in the sticks of rural New Zealand.
OK, this all sounds like everything is great and we are in for two emotional hours of pretty good film making. Things started to fall down during the (unnecessary) prologue with some bad post sync dialogue. This slightly stilled dialogue continued throughout a lot of the movie. The script was great but listening to the dialogue made me feel quite uncomfortable. This wasn't helped by the music score which was recorded so loud as to drown out a lot of what I was trying to hear.
The wonderful period costumes and props were marred by some of the worst movie makeup on a non-vampire movie I have ever seen. Almost every cast member looked like they had escaped from 'Spookers'.
The director decided to film every scene involving the actors from every angle possible. The editing room didn't help by trying to edit in every angle too. This was not an action movie and looking at a person's head from every angle starts to make you physically sick.
Some of the scenes could have been trimmed a tad - especially where the camera seemed to focus a bit too long on minor characters who were really not that important in keeping the story going.
This all sounds rather hash but I think this movie would have benefited from some public screenings, for feedback purposes, before hitting the circuit.
This is a bit of a glimpse into my own early childhood. Not quite the same way as described in the movie but the same scenario took similar forms in New Zealand in the fifties and early sixties.
Although the film is hinted as being a gay love story, it is more a secret and lies drama with the action played out, not in some North England town, but on a farm out in the sticks of rural New Zealand.
OK, this all sounds like everything is great and we are in for two emotional hours of pretty good film making. Things started to fall down during the (unnecessary) prologue with some bad post sync dialogue. This slightly stilled dialogue continued throughout a lot of the movie. The script was great but listening to the dialogue made me feel quite uncomfortable. This wasn't helped by the music score which was recorded so loud as to drown out a lot of what I was trying to hear.
The wonderful period costumes and props were marred by some of the worst movie makeup on a non-vampire movie I have ever seen. Almost every cast member looked like they had escaped from 'Spookers'.
The director decided to film every scene involving the actors from every angle possible. The editing room didn't help by trying to edit in every angle too. This was not an action movie and looking at a person's head from every angle starts to make you physically sick.
Some of the scenes could have been trimmed a tad - especially where the camera seemed to focus a bit too long on minor characters who were really not that important in keeping the story going.
This all sounds rather hash but I think this movie would have benefited from some public screenings, for feedback purposes, before hitting the circuit.
The premise of the story... Uncle Billy why have you kept this hat all these years?... was never really answered.
The story that I think they were trying tell, or at least advertised was only really told on the surface. You kind get that Billy falls in love with the farmers son... but there is so much else going on that the waters are so muddied with multiple plots that you are not really sure which plot is the real one if there is one. If I hadn't read that it was a story about a farm had falling in love with the farmers son, I might have just thought it was another of the plots that rambled through the movie.
And then there was the seemingly endless periods of dead scenes that didn't appear to have any purpose.
Sorry it could have been a good movie but it wasn't.
The story that I think they were trying tell, or at least advertised was only really told on the surface. You kind get that Billy falls in love with the farmers son... but there is so much else going on that the waters are so muddied with multiple plots that you are not really sure which plot is the real one if there is one. If I hadn't read that it was a story about a farm had falling in love with the farmers son, I might have just thought it was another of the plots that rambled through the movie.
And then there was the seemingly endless periods of dead scenes that didn't appear to have any purpose.
Sorry it could have been a good movie but it wasn't.
The film was beautifully shot and I think the story line managed to show the 60s as they were in small towns. The mind sets of the older generation being challenged by new ideas. The trouble is often such challenges can lead to disagreements and hostility and then as with this story sometimes to tragedy. Well written, acted and produced by a group of people with lots of talent but little money to back up the talent. If you haven't seen it go to the Rialto and see what hidden talent we have here in New Zealand.
Lo sapevi?
- Quiz(Seen onscreen) "Inspired by actual events"
- BlooperEarly in the movie Billy is hitch-hiking. He exits a car on a rural road that has road markings down the center and on the sides. In the next shot the road markings have completely disappeared. The likelihood of any road markings on a rural New Zealand road in the 1960s is very remote.
- ConnessioniReferences Il re dei pellirosse (1936)
- Colonne sonoreCakewalk Into Town
Written by Dave Burgess
Performed by Dave Burgess and Alastair Riddell
(control-Dave Burgess)
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Dettagli
- Tempo di esecuzione1 ora 58 minuti
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