Cucumber

This show is widely criticized for its stereotypical portrayal of gay characters as over-sexed, immature, sleazy and shallow. I could not agree more - the main character (as well as almost everyone on the show) is unlikeable for exactly those reasons. Nevertheless, I feel that the show (just like any other morality tale, which Cucumber basically is) uses its anti-hero to convey a message that is, in its core, a warning. What we see throughout the show, are characters who are unable to truly bond and in a desperate calling for closeness (or is it regaining lost youth, at least for some?) chase after random sex. This chase usually leads them to pathetic begging or self-commodification which, in this fictional universe, is seen as something inescapable and "normal"( like in the subplot with the video- mogul nephew). In effect, their hunger to be loved (via sexual intercourse) leads one of the characters to his death, the other to a existence of vacuous survival and endless desire. The plight of the elder generation is mirrored in the story lines of the young (in Cucumber as well as in its spin- off, Banana), who don't even consider forming any kind of durable bond, let alone expressing any kind of basic human concern (as personified in the truly repulsive character of walking "emptiness behind a pretty face" Freddie.) What I see as emblematic scene of the show is when the protagonist suggests creating a 60'-style commune, only to be met with incomprehension and laughter. The sense of togetherness that once prevailed within the gay culture has been dismantled (is it because of the embracement by the majority culture?),the social interactions take place within a strictly competitive market. Or is it a battleground?

All of this might be lost on some due to the strong comic nature of the show, but to me, the light over-tone of the whole thing only makes the tragedy more approachable to general audience.

I 'box-set-blitzed' this drama when it first came out and absolutely loved it, then did the same with it's companion piece, Banana. This time around, seven years later, I watched it as intended: one episode of Cucumber, one episode of Banana and found that I enjoyed it even more. Apart from the odd old IPhone model it hasn't dated and still hits hard even if you know what's coming. Davies at this point understood humans completely, (a gift that seems to have faded into 'woke cliché' territory in more recent dramas like Years and Years and It's a Sin). The acting is superb, especially Cyril Nri who gives an outstanding performance. (The one exception is Julie Hesomndhalgh who basically plays her own self righteous, patronising self with her own accent; which is completely different from her on-screen brother's). Vincent Franklin is also excellent, swapping emotional drama for comedy and back again at exactly the right moment. If you haven't seen Cucumber then I'd definitely recommend it.

The main character, Henry, is as unapologetic as it gets. He couldn't care less about what others think of him, and doesn't crave approval at all. At least, that's what he projects and how he'd describe himself. The whole series is like that. Daring and totally unafraid to be offensive (and this will be very offensive to some) Cucumber is an extraordinarily raw and honest look at gay sexuality in an over-sexualized world. A world where the bad one and the victim aren't necessarily who you think, at first. A very worthwhile journey.

This is no "Queer as Folk", which had an actual story based around a set of main characters, who continuously evolved with the seasons. Of course, that ended abruptly in the UK and the US version became a bigger hit. Cucumber tried to do that but seemingly got hijacked along the way. There are many subplots, some of which come to fruition, others just fizzle out or are never mentioned again. The editing leaves much to be desired with scenes just stuck together in some random order. The dialog and sexual scenes are quite raw, and the depicted behavior of the Manchester scene does explain why this was/is a hard hit area for STIs etc. After a while, one does get bored with the story as it does not seem to follow a smooth trajectory. The final episode is a rush to bring the story arc to the end. It was OK, but not great....and could have been so much better!

My exposure to the work of Russell T Davies has been quite limited, as I never watched a lot of his stuff from years past. I watched Cucumber out of interest, as it did seem like a large 'event', although I did not watch the supporting shows of Banana or Tofu (I think the former followed minor characters and the latter was more of a discussion show around the issues). Set within the Manchester gay community, we follow older Henry as a series of moments see him and his long-term partner breaking up, and him living with a small group of much, much younger (and adventurous) gay men.

From the start the show has a lot of energy, with plenty of colorful characters, excessive language, dialogue, and of course full-frontal male nudity. To some this will be enough to put them off whereas if the show had straight characters and female nudity, they would not be. I was unsure how I felt about this element of the show for some time – was it the fact that I saw this as 'alternative' the issue that meant the sexual material seemed like an issue? For me personally it was not, but for sure the show's obsession with sex was a barrier in and of itself. Perhaps it is my distance from this community that meant it felt over-the-top and a little tiresome in its constant sexual energy, however it remains that it did feel this way.

It is a shame because there are some real people in here, and the show is really driven by Franklin's performance as Henry. Too often he is thrown around in the sea of sex, with its fast edits, its boundless energy, and polished presentation. However at times the script gives him space to be a person within this world, and in those moments his performances works really well. It is a shame that the same was not said for the others and too many just felt like easy caricatures without any fleshing out. Even those characters which have more to work with, they still don't really manage to fight their way through the energy and bustle to make a mark.

It is a shame, because I did also quite enjoy elements of the energy, sex, and sense of lifestyle. However it does feel like these elements were always first and foremost on the agenda, and it always seems like the characters and moments of genuine feeling just came about for the purpose of having a frame for all of the main material, not the other way round.