Cinque operai del carnevale vengono rapiti e tenuti in ostaggio in un complesso infernale abbandonato dove sono costretti a partecipare a un gioco violento, il cui obiettivo è sopravvivere d... Leggi tuttoCinque operai del carnevale vengono rapiti e tenuti in ostaggio in un complesso infernale abbandonato dove sono costretti a partecipare a un gioco violento, il cui obiettivo è sopravvivere dodici ore contro una banda di pagliacci sadici.Cinque operai del carnevale vengono rapiti e tenuti in ostaggio in un complesso infernale abbandonato dove sono costretti a partecipare a un gioco violento, il cui obiettivo è sopravvivere dodici ore contro una banda di pagliacci sadici.
- Premi
- 2 vittorie e 8 candidature totali
- Sex-Head
- (as E.G. Daily)
- Fat Randy
- (as Michael 'Redbone' Alcott)
- Snoopy
- (as Esperanza America)
Recensioni in evidenza
What we have in "31" is an attempt to mash together aspects of TDR and his Halloween remake and the result is a confusing, lackluster ride you've already been on.
The problem is you don't feel for any of the characters. There is not one likable character, sans Doom-Head, who is nearly the only bright spot in this movie. Sherry, was better in this film than in past RZ movies, but that isn't saying much.
Another issue I had was how this was hyped up as maniacs dressed up as clowns, which is great, clowns are creepy right? The concept art for the characters especially Sick-Head and Death-Head were amazing. What we got on screen were absolute jokes compared to what we should have gotten. The all but did away with the clown gimmick especially if you look at the concept art.
The opening scene is by far the best in the movie, and honestly one of the best scenes RZ has ever directed. But don't let it fool you, the rest of the movie goes downhill from there.
As you can expect from a RZ movie, it's got that dirty 70's feel, every other line of dialogue is profanity, more so than usual actually, the setting is run of the mill for RZ, and while I could go on, if you have seen a RZ film, than you have already seen a better version of this film.
The score and soundtrack however are delightful in an otherwise grim movie. RZ needs to get back to basics and let someone help him write his scripts. He's got talent and a good eye, but his dialogue is way too over the top and downright cliché at this point. It takes you out of the movie.
The carnies themselves had the potential for being the sort of interesting protagonists I'd pull for... and I DID like that they weren't just a bunch of squealing teenagers (Meg Foster especially was fascinating to look at. Older women like her are so seldom allowed on screen in heroic roles). But they're mostly reduced to just goofing around and swearing at each other... maybe it was just bad improv because the writer couldn't think of what to do with them?
This is BY FAR the least interesting thing I've seen come from Mr. Zombie. I'm still a fan of his previous films, I'll still watch whatever he makes next... but this one is the bottom dweller. Not that it's such a bad generic horror movie, as just that alone it's fairly average... but it's certainly a bad Rob Zombie horror movie. And being that, it's pretty disappointing.
Lo sapevi?
- QuizRob Zombie's first crowdfunded film.
- BlooperIn the opening credits montage, presumably set in 1976, an obviously modern (21st century) truck front fender is seen in one of the cuts.
- Citazioni
Doom-Head: Smoke in times of rest is a great companion to the solitary soldier. You know who said that? Do you know who said that?
Charly: Do you really think I give a fuck?
Doom-Head: It was everyone's favorite revolutionary Marxist, Che Guevara. Except I think he smoked a pipe. I always thought I'd appear rather pretentious with a pipe.
- ConnessioniFeatured in In Hell Everybody Loves Popcorn: The Making of 31 (2016)
- Colonne sonoreCall It A Day
Written by Peter Mendoza
Performed by Roy Fox and Al Bowlly
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Thirty-One
- Luoghi delle riprese
- Downtown, Los Angeles, California, Stati Uniti(Murderworld)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 779.820 USD
- Lordo in tutto il mondo
- 850.419 USD
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1