Cinque operai del carnevale vengono rapiti e tenuti in ostaggio in un complesso infernale abbandonato dove sono costretti a partecipare a un gioco violento, il cui obiettivo è sopravvivere d... Leggi tuttoCinque operai del carnevale vengono rapiti e tenuti in ostaggio in un complesso infernale abbandonato dove sono costretti a partecipare a un gioco violento, il cui obiettivo è sopravvivere dodici ore contro una banda di pagliacci sadici.Cinque operai del carnevale vengono rapiti e tenuti in ostaggio in un complesso infernale abbandonato dove sono costretti a partecipare a un gioco violento, il cui obiettivo è sopravvivere dodici ore contro una banda di pagliacci sadici.
- Premi
- 2 vittorie e 8 candidature totali
- Sex-Head
- (as E.G. Daily)
- Fat Randy
- (as Michael 'Redbone' Alcott)
- Snoopy
- (as Esperanza America)
Recensioni in evidenza
There are certainly moments that make 31 worth watching. But those moments just aren't enough to make it a good movie. Much of the criticism of 31 has been directed at the lack of character development. My comment to that is "who cares?". This is a movie where I wanted to sink into my seat and cover my eyes due to the extreme and unrelenting gore. I wanted to feel like I did when I first saw Dawn of The Dead in theaters in 1980 - unable to look, but unable to look away utterly horrified by images I'd never seen before walking out exhilarated, out of breath, and laughing at myself for being so freaked out by a movie. If anyone could do it, Rob could.
Alas, most of 31 is just another quick-cut, shaky-cam exercise that does manage to force the viewer to look away - just not out of disgust, but to keep from getting a headache from the excessively annoying hand-held shots and machine-gun editing. More often than not, you can't even tell what's going on in the action scenes. There are lots of half second images of blood- soaked faces, and blood-soaked clothing, and blood-soaked weapons but we can't tell who's getting chopped up and who's doing the chopping.
31 opens with a monologue from villainous clown Doom Head. It's a great scene that draws you in. The idea that he was, of course, going to show up again by the end of the film was the only thing that kept me from walking out. He does show up in the final 15 minutes, but it's too little, too late. It was already to the point where I couldn't care less what happened to these people and I knew however the inevitable deaths were played out wasn't going to be anything interesting or inventive. I was right. In between the opening and closing Doom Head bookends there is absolutely nothing of interest. A little unsuccessful character development silly villains that are far too easy for our heroes to kill pompous ringmasters that add nothing and could have been cut out completely it all made me want my $150 back.
I assume there will be an unrated version somewhere down the line that I'll watch and re- evaluate, but I can't imagine it saving this waste of fake blood and Malcolm McDowells talent. If you want to see an interesting, scary clown movie try 2014's Clown (he eats children!) if you want gut-wrenching gore watch the Evil Dead remake again. The only reason to see 31 is it's an RZ flick and to be properly schooled in modern horror you need to see all RZ offerings - at least for now. A few more throwaways like this and Rob will just be another straight to Netflix hack director.
What we have in "31" is an attempt to mash together aspects of TDR and his Halloween remake and the result is a confusing, lackluster ride you've already been on.
The problem is you don't feel for any of the characters. There is not one likable character, sans Doom-Head, who is nearly the only bright spot in this movie. Sherry, was better in this film than in past RZ movies, but that isn't saying much.
Another issue I had was how this was hyped up as maniacs dressed up as clowns, which is great, clowns are creepy right? The concept art for the characters especially Sick-Head and Death-Head were amazing. What we got on screen were absolute jokes compared to what we should have gotten. The all but did away with the clown gimmick especially if you look at the concept art.
The opening scene is by far the best in the movie, and honestly one of the best scenes RZ has ever directed. But don't let it fool you, the rest of the movie goes downhill from there.
As you can expect from a RZ movie, it's got that dirty 70's feel, every other line of dialogue is profanity, more so than usual actually, the setting is run of the mill for RZ, and while I could go on, if you have seen a RZ film, than you have already seen a better version of this film.
The score and soundtrack however are delightful in an otherwise grim movie. RZ needs to get back to basics and let someone help him write his scripts. He's got talent and a good eye, but his dialogue is way too over the top and downright cliché at this point. It takes you out of the movie.
Lo sapevi?
- QuizRob Zombie's first crowdfunded film.
- BlooperIn the opening credits montage, presumably set in 1976, an obviously modern (21st century) truck front fender is seen in one of the cuts.
- Citazioni
Doom-Head: Smoke in times of rest is a great companion to the solitary soldier. You know who said that? Do you know who said that?
Charly: Do you really think I give a fuck?
Doom-Head: It was everyone's favorite revolutionary Marxist, Che Guevara. Except I think he smoked a pipe. I always thought I'd appear rather pretentious with a pipe.
- ConnessioniFeatured in In Hell Everybody Loves Popcorn: The Making of 31 (2016)
- Colonne sonoreCall It A Day
Written by Peter Mendoza
Performed by Roy Fox and Al Bowlly
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
I più visti
- How long is 31?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Thirty-One
- Luoghi delle riprese
- Downtown, Los Angeles, California, Stati Uniti(Murderworld)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 779.820 USD
- Lordo in tutto il mondo
- 850.419 USD
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1