The Girl in the Photographs

If you are bored to death and you have no slightest idea what to do with yourself, then you could maybe consider watching this movie. Actually... no. Better observe your walls, there must be some interesting bug stains or something. I mean... something this much useless and unprovoked is rare to find...

3/10

...and even that much only because there are some cute girls in it.

I will pretty much watch anything to give it a chance, especially horror movies because they're my favorite. But, I can't believe I'm still watching this movie right now it's awful lol. It's not the worst movie I've ever seen but it really is a 3 for so many reasons. The worst part about the movie is the acting. It's comical! It's baddddd lol. The main girl has no range of emotions but she reminds me of Ashley Benson (and I wish it would've been her maybe it would've been better then). Also the model who's the "gf" of the photographer was sooooo annoying!! The story just sucks. I only like the photographer because he's an idiot and has a few good lines in it😂 I would say you might enjoy it if you're bored though. Plus it's free on Netflix at least!

Though I would not call this a masterpiece, I did find it interesting on the comical side. I know this is a horror movie, but I really could not resist the villains. You have to give it to them, they were a very comic duo. I have to tend to believe that they were the ones who had the true lead in this thing.

Unfortunately, besides that fact, the characters as always in horror movies tend to be painted as being particularly stupid -; especially the blonds. This movie did not fail to deliver on that side. They always tend to make ridiculous decisions. Obviously, I could enumerate the nonsensical actions that many of the actors had (except probably the couple in the bed) but that would make no sense.

I'm not really sure why the police kept staying in denial when it was obvious that somebody was killing people. In the real world, there would have been an investigation and on that side, I feel this was a huge miss by the movie. Nobody would make such realistic pictures of a crime without getting hooked by authorities and to my mind, being fund myself of fashion photography, I'm not sure I've ever seen something like that pass in reality. In that case, how did they miss that part in the movie?

I would recommend this for a quick laugh but nothing really too extraordinary to see there. I did give it a score slightly above the average review scores because I did not find it THAT bad and it was kind of enjoyable at the end because of the some of the very funny or borderline annoying characters in the movie.

"The Girl in the Photographs" centers on Colleen, a grocery store clerk in small town South Dakota who is the unwitting target of a mysterious local who has been leaving photographs of mutilated women for her to find. The series of bizarre photos go viral, garnering interest from an egotistical Los Angeles photographer (Kal Penn) who is also from the town. The arrival of him and his entourage and their meeting with Colleen sets the killer's plans into motion.

This middling contemporary slasher has received most of its buzz from the fact that it was the last project that the late Wes Craven was attached to (he served as executive producer), and had the maestro's name not been on the bill, it's unlikely the film would have seen as much as attention as it has from genre fans. I was excited about the film irrespective of this, as "executive producer' does not equal "writer" or "director," and also because films done in this tradition are rare these days. Opening on VOD and to a small circuit of indie theaters (I caught the film at Cinema Village in New York), the reviews overall have been lukewarm to terrible, so I went into the film with barred expectations–and was actually somewhat surprised by how much I enjoyed it.

While it is in so many ways a conventional slasher thriller, it's also well-shot and decently-acted by any standards. Is it revolutionary? The advent of contemporary horror? Absolutely not. But as a playful riff on serial killer thrillers, it never ceases to be supremely amusing. The production values are high here, and the film benefits greatly from Dean Cundey's cinematography (a frequent collaborator with Spielberg, and the man who shot John Carpenter's "Halloween"). It's flashy and glossy from beginning to end, and conjures the prototypical small-town-in-terror vibe very nicely.

As far as scariness or suspense goes, that is where the film does lack some bite; jump scares surprisingly are not the route taken here, but "masked men lurking in the shadows" is the film's modus operandi. It's ineffective, but what can you do? The muted suspense is possibly the result of the script not seeming to know where it's quite going, but the ambiguous conclusion reifies the apparent confusion in narrative direction, and is quite disturbing in its own right. The performances overall are solid; Kal Penn is appropriately ridiculous as the egomaniacal photographer (whose persona seems to be culled from the likes of Terry Richardson), and Claudia Lee is serviceable as the leading lady despite having an underwritten character. The rest of the supporting cast manages to pull in some comedic elements that offset the sadomasochistic center of the movie, and the dialogue is efficient and believable.

Overall, I thought this was a decent effort, and it is one of the best modern slasher movies I've seen in quite awhile. Fans expecting something revolutionary or on par with the likes of Craven will be disappointed, and I feel that Craven's name on the project may have something to do with the disheartened fans who expected something more than what this film has to offer. In spite of that, "The Girl in the Photographs" is a fun and indulgent throwback to the eighties slasher. It's conventional, but stylish and entertaining enough that I found it worth my time–and maybe that's enough. 6/10.

Sadly, horror movie maestro Wes Craven died of brain cancer on August 30, 2015. The final film in which he was personally involved was "The Girl in the Photographs" (R, 1:35) (as an executive producer). That movie was first shown publicly at the Toronto International Film Festival (TIFF) barely two weeks after Craven's death, both events marking the end of his 45+ years in the film industry. Although he did some work in other genres, Craven is best known for his innovative and popular approach to horror. Among his cinematic creations are the original versions of "The Last House on the Left" and "The Hills Have Eyes", which led to the "Nightmare on Elm Street" and "Scream" franchises, as well as other sequels and remakes of some of his early films, so they could be updated, and then discovered by new generations of horror fans. Whether you like it or not, "The Girl in the Photographs" (directed by Nick Simon, written by Simon, Oz Perkins and Robert Morast) represents Craven's last direct contribution to horror cinema. So, I guess the questions we have to answer now is what IS there to like about the film, and what… not? Colleen (Claudia Lee) is a bored grocery store cashier in the small town of Spearfish (in west central South Dakota). She's about 20-years-old, pretty, and in a rut. Collen has that job, a weasley jerk of a boyfriend named Ben (Toby Hemmingway) and… not much else. She feels like her life is going nowhere fast and there's nothing worthwhile on the horizon, but her life is about to get a lot more… interesting.

One ordinary morning when Colleen is the first employee to arrive for work, she finds an 8 ½ x 11 inch photograph in the middle of the store's bulletin board. The photo shows a young woman who appears that she has been brutally murdered. Naturally, Colleen immediately takes the ghoulish pic to local law enforcement, but Sheriff Porter (Mitch Pileggi) tells her there's nothing he can do based on that one picture, which might show nothing more than someone's sick sense of humor. "No body, no crime," is how he sums up the situation. He's right, but she grows increasingly frustrated. That photo was only the first of several Colleen finds. They get more and more gruesome, but there is still no evidence of a crime. Besides, Colleen has not been threatened in any way and there's always the possibility that the pictures have nothing to do with her and aren't even for her… until one ends up on the windshield of her car.

Peter Hemmings (Kal Penn) is a Los Angeles photographer who specializes in artistic and often disturbing images. He reads about the very upsetting photos on the internet. Peter's upset too, but not about the subject matter. He's upset that he didn't think of it first. He takes the photographs as a personal affront. He doesn't know who the photographer is or why he would be taunting Peter, but Peter is sure the photos are aimed at him. He was born in Spearfish and, well, he's a famous photographer, so… this has to be personal… right? Peter decides to head home for a photo shoot that will top this "dead model look", as he calls it. His entourage includes his girlfriend, Rose (Miranda Rae Mayo), his long-suffering personal assistant, Chris (Kenny Wormald) and a couple models. They pile in and head for South Dakota.

In Spearfish, world's collide! (Can't you feel that??) Peter and company rent a big cabin in the woods and when they go to the local supermarket to pick up some supplies, they meet Colleen. Peter likes her look and rudely tells the more diplomatic Chris to ask her to the house for a party. Colleen tries to invite her best friend, Jill (Eva Bourne), but can't get a hold of her. Oh, well. Colleen doesn't have anything else going on and this Chris guy is kinda cute – and a lot nicer than Ben. Meanwhile, we meet some of the other residents of Spearfish. There are these two guys named Tom and Gerry (Luke Baines and Corey Schmitt) and they like to take pictures of women. When they discover a new model they… oh, no you don't. Nice try, but you won't get any spoilers out of me. I guess you'll just have to watch the movie.

"The Girl in the Photographs" is smarter and more fun than a lot of people give it credit for. The premise is original and interesting. The cast could have been better, including the "bad guy" characters who were menacing, but should have been more so. However, Kal Penn stands out with his over-the-top version of the quintessential rude and self-important West Coast artist type. Simon's direction is a bit too loose and short on scares. The script should have kept more of its secrets until later in the story, but the clever and surprising ending mostly makes up for that shortcoming. The movie is well edited and very well shot, owing to the fact that the cinematographer, Dean Cundey, also shot the entire "Back to the Future" trilogy, "Who Framed Roger Rabbit?" (for which he got an Oscar nod) and the original films for two classic Hollywood franchises: "Halloween" and "Jurassic Park". In short, this movie's execution is hit-and-miss, but its basic story is right on target. I'll even go so far as to predict that this one will gain some more fans when it comes out on video. Somewhere, Freddy Krueger, Ghost Face and Wes Craven are all smiling… crooked, wicked smiles, but smiles nonetheless. From me, "The Girl in the Photographs" gets a "B+".