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IMDbPro

Il labirinto del silenzio

Titolo originale: Im Labyrinth des Schweigens
  • 2014
  • T
  • 2h 4min
VALUTAZIONE IMDb
7,3/10
14.411
LA TUA VALUTAZIONE
Il labirinto del silenzio (2014)
Guarda Trailer [OV]
Riproduci trailer2:04
2 video
97 foto
DrammaStoria

Una storia che rivela il complotto delle prominenti istituzioni tedesche e dei rami del governo atto a coprire i crimini commessi dai nazisti durante la Seconda guerra mondiale.Una storia che rivela il complotto delle prominenti istituzioni tedesche e dei rami del governo atto a coprire i crimini commessi dai nazisti durante la Seconda guerra mondiale.Una storia che rivela il complotto delle prominenti istituzioni tedesche e dei rami del governo atto a coprire i crimini commessi dai nazisti durante la Seconda guerra mondiale.

  • Regia
    • Giulio Ricciarelli
  • Sceneggiatura
    • Elisabeth Burghardt
    • Giulio Ricciarelli
    • Amelie Syberberg
  • Star
    • André Szymanski
    • Alexander Fehling
    • Friederike Becht
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    14.411
    LA TUA VALUTAZIONE
    • Regia
      • Giulio Ricciarelli
    • Sceneggiatura
      • Elisabeth Burghardt
      • Giulio Ricciarelli
      • Amelie Syberberg
    • Star
      • André Szymanski
      • Alexander Fehling
      • Friederike Becht
    • 40Recensioni degli utenti
    • 118Recensioni della critica
    • 62Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 7 vittorie e 18 candidature totali

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    Trailer [OV]
    Trailer 2:04
    Trailer [OV]
    Labyrinth of Lies
    Trailer 1:55
    Labyrinth of Lies
    Labyrinth of Lies
    Trailer 1:55
    Labyrinth of Lies

    Foto97

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    Interpreti principali43

    Modifica
    André Szymanski
    • Thomas Gnielka
    Alexander Fehling
    Alexander Fehling
    • Johann Radmann
    Friederike Becht
    Friederike Becht
    • Marlene Wondrak
    Johannes Krisch
    • Simon Kirsch
    Johann von Bülow
    Johann von Bülow
    • Staatsanwalt Haller
    Robert Hunger-Bühler
    Robert Hunger-Bühler
    • Oberstaatsanwalt Friedberg
    Hansi Jochmann
    Hansi Jochmann
    • Schmittchen
    Lukas Miko
    Lukas Miko
    • Hermann Langbein
    Gert Voss
    Gert Voss
    • Generalstaatsanwalt Fritz Bauer
    Tim Williams
    • Major Parker
    Mathis Reinhardt
    • BKA Mann Fischer
    Hartmut Volle
    • Lehrer Alois Schulz
    Werner Wölbern
    • Hans Lichter
    Timo Dierkes
    Timo Dierkes
    • Peter Mertens
    Michael Schernthaner
    • Alter BKA Mann
    Susanne Schäfer
    Susanne Schäfer
    • Mutter von Johann
    Robert Mika
    • Josef Bichinsky
    Stefan Wilkening
    • Herr Kleiner
    • Regia
      • Giulio Ricciarelli
    • Sceneggiatura
      • Elisabeth Burghardt
      • Giulio Ricciarelli
      • Amelie Syberberg
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti40

    7,314.4K
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    Recensioni in evidenza

    7SnoopyStyle

    compelling history needs more drama

    It's 1958 Frankfurt, West Germany. Johann Radmann is a young by-the-books prosecutor toiling in traffic court and believing his father to be anti-Nazi. Reporter Thomas Gnielka brings the case of Charles Schulz, a teacher suspected of being a Nazi guard in Auschwitz. Nobody cares about what happened there and actively ignores the collective Nazi past. He starts a relationship with Marlene Wondrak. Gnielka introduces him to camp survivor Simon Kirsch. Radmann starts digging into the past and building a case against many. His main obsession is camp doctor Josef Mengele who experimented on the prisoners.

    The history is very compelling. However, the story lacks danger or intensity. It needs some additional drama. There is some professional and personal drama but none of it is that intense. The production and acting is first rate. It is a very compelling watch although there are no big surprises.
    7CineMuseFilms

    An illuminating piece of the historical puzzle and part of a nation's prolonged self-atonement.

    Holocaust stories from Schindler's List (1993) to Son of Saul (2015) penetrate our emotional defences by dragging us right into the horror zone. In Labyrinth of Lies (2014) we are spared this entirely because the horror is of a different kind. The focus is on a nation in denial, desperate to block the collective memories of the generation responsible and prevent the following one from ever knowing. The historical timeframe depicted is critical to grasping the power of this story. Set in 1958 Germany, thirteen years after the war, the economy is booming but the nation's older generation struggle with guilt and anger while the young have not even heard of Auschwitz. Produced in Germany, this film is an illuminating piece of the historical puzzle and part of a nation's prolonged self-atonement.

    The storyline is linear and uncomplicated. A journalist recognises a former Nazi commander of Auschwitz now working as a schoolteacher, but he cannot elicit any interest from public prosecutors. He befriends young lawyer Johann Radmann who processes parking fines but is desperate to take on serious cases. Despite ridicule from colleagues he is made lead investigator and gradually learns about the secret killing factories of Auschwitz. The labyrinth he encounters is one of silence and lies, as large numbers of public servants and others in positions of power were former members of the Nazi Party and many were morally complicit in Hitler's Final Solution. Along the way, he becomes the obsessive hunter as the investigation keeps getting bigger until it is all- consuming. A romantic sub-story is awkwardly woven into the plot both to humanise Radmann and show the destructive impact that the investigation has on his life. The filming and sets convey the period with authenticity, and the directing is tight although the script is heavy. It takes almost the entire film to expose the full-scale truth, and the results of the investigations are dealt with swiftly as a cinematic necessity.

    No doubt some people watch Holocaust films for entertainment, but many more do so searching for understanding of this extraordinary period of history. Labyrinth of Lies is important because it fills the gap between war's end in 1945 and the world's slow awakening to what happened at Auschwitz. In particular, it explains how the truth was kept from young Germans oblivious to what their parents did in the war and shows powerful hands on the blanket of silence. Like Spotlight (2015), the story starts by looking at the tip of an iceberg that grew until it overwhelmed a nation and it maintains an engaging thriller quality to the end.
    9MikeyB1793

    Powerful

    This is definitely one of the more powerful holocaust films. It doesn't have any visual images of the holocaust. It's about the aftermath. To bring the perpetrators on trial, the effects on a Germany (or West Germany) in total denial, of the children of the Nazi era and their latent guilt of what their parents may have done or did. One feels what it was to grow up German during this period of the late 1950's.

    It's very emotional performance by Alexander Fehling. We feel his anguish as he learns the scale of his country's complicity of what happened – and his anger and frustration at the lies to circumvent it all. And this is told at the personal level – it is individuals whose lives were shattered and it is individuals who did the destroying.

    Unique and impressive.
    7alexandraherbersdorf

    A new portrayal of a very important matter for Germany's and the world's history

    The English title "Labyrinth of Lies" should rather be a direct translation from the German title which is more among the lines "Labyrinth of Silence". And that's precisely what the main character is facing in his quest of uncovering the crimes Germany committed during WWII.

    This film poses a not very often portrayed link in the chain of events during and following WWII. People in Germany are used to dealing openly with the crimes committed during WWII to the point where the time when it was not like that is barley remembered. It deals with the topic in a very non sensational way. Awful crimes are not portrayed too visually and yet the film manages to transmit the severity of those. It also explores the German people's psyche after the war and the motivation behind covering up what happened.

    The cinematography is quite nice and the music fits the time and setting.

    A downside to the film is its romantic relationship between the main character and his love interest. It was hard to connect to their relationship and to her. Her relevance for the story was not very clear as well. Also the screenplay felt off at times. Whenever a character had a monologue it was very catching and filled with emotions one could connect to. Unfortunately it failed in delivering meaningful conversations. They were most of the time superficial and felt stiff.

    All in all it was a very interesting film with a relevant message but quite a few downsides in delivery. It feels like the big screen is a little too big for this film but it is quite a nice TV film and a good starter to get into post war history.
    8paul-allaer

    "To remain silent is to poison our democracy"

    "Labyrinth of Lies" (2014 release from Germany; original title "Im Labyrinth des Schweigens" or "In the Labyrinth of Silence" 122 min.) brings the story of the events leading up to the so-called Frankfurt Auschwitz trials in 1963. As the movie opens, we are told it is "Frankfurt-am-Main, 1958", and we get to know a young prosecutor named Johann Radmann, who is just starting his career, doing traffic violations. But soon he gets (and seizes) the opportunity to look into the case of a Waffen SS soldier who was a commander at Auschwitz and is now teaching in grade school as if nothing ever happened. Radmann soon finds that there is widespread resistance to his efforts to prosecute ex-Nazis. At this point, we are 15 minutes into the movie but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Couple of comments: this movie is an important reminder that the sentiment in Germany wasn't always what it is nowadays and has been for decades. It appears that after WW II, the entire country went about its business as if nothing had happened, and collectively tries to whitewash Auschwitz from memory. But as Radmann points out, "to remain silent is to poison our country's democracy". So he speaks up. It is an incredible story. Kudos to the movie's producers for bringing us this important historical reminder. Besides the important moral and historical aspects, the movie does a great job portraying what daily life in the late 50s and early 60s was in West Germany. Check out the great looking cars! "Labyrinth of Lies" was Germany's submission for this year's Best Foreign Language Movie Oscar nominations, which should give you an idea how well the movie was viewed in its home country (the fact that it didn't get the Oscar nomination doesn't diminish the merits of the movie).

    "Labyrinth of Lies" was released over a year ago. I have no idea why it is just now finding its way into US theaters, but better late than never. The movie showed up this weekend at my local art-house theater here in Cincinnati, I figure this won't stick around for long. The Sunday matinée screening where I saw this at was surprisingly well attended, I am happy to report. If you are in the mood for a top-notch quality foreign movie that has a very important lesson and reminder, I urge you to check out "Labyrinth of Lies", be it in the theater, on Amazon Instant Video or eventually on DVD/Blu-ray. "Labyrinth of Lies" is HIGHLY RECOMMENDED!

    Trama

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    • Quiz
      Based on the life of Frankfurt's attorney general Fritz Bauer and three of his prosecutors. They all were instrumental for the holding of the important 'Auschwitz trials' in 1963.
    • Blooper
      (at around 1h 45 mins) The Mourner's Kaddish, the Jewish prayer for the dead, is recited in the film using the modern Israeli Hebrew pronunciation. The version of the Kaddish that Kirsch would have known (and that his prayerbook would've contained) would have used the older Ashkenazic pronunciation used by German and Eastern European Jews. Instead of saying, "Yitgadal v' yitkadash," as they do in the film, they they should be saying, "Yisgadal v'yiskadash."
    • Citazioni

      Major Parker: You were all Nazis. In the Eastern sector, now you are all communists. Jesus, you Germans! If little green men from Mars landed tomorrow, you would all become green.

    • Connessioni
      Featured in Tienes que ver esta peli: La conspiración del silencio (2023)
    • Colonne sonore
      Tipitipitipso
      Performed by Caterina Valente

      Music by Heinz Gietz

      Lyrics by Kurt Feltz

      Courtesy of Edition Rialto Hans Gerig KG, Bergisch Gladbach

      (P) 1957 - Courtesy of Electrola, a division of Universal Music GmbH

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    Dettagli

    Modifica
    • Data di uscita
      • 14 gennaio 2016 (Italia)
    • Paese di origine
      • Germania
    • Siti ufficiali
      • Official site
      • Official site (Japan)
    • Lingue
      • Tedesco
      • Inglese
      • Ebraico
      • Latino
    • Celebre anche come
      • Labyrinth of Lies
    • Luoghi delle riprese
      • Francoforte sul Meno, Assia, Germania
    • Aziende produttrici
      • Claussen Wöbke Putz Filmproduktion
      • Naked Eye Filmproduktion
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 794.452 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 22.101 USD
      • 4 ott 2015
    • Lordo in tutto il mondo
      • 4.574.756 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 4min(124 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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