Una prostituta attraversa Tinseltown alla vigilia di Natale alla ricerca del magnaccia che le ha spezzato il cuore.Una prostituta attraversa Tinseltown alla vigilia di Natale alla ricerca del magnaccia che le ha spezzato il cuore.Una prostituta attraversa Tinseltown alla vigilia di Natale alla ricerca del magnaccia che le ha spezzato il cuore.
- Regia
- Sceneggiatura
- Star
- Premi
- 24 vittorie e 42 candidature totali
Richard-Lael Lillard
- Miss Willy
- (as Richie Lillard)
Recensioni in evidenza
Aside from being a thoroughly enjoyable film, "Tangerine" has the remarkable distinction of being shot entirely on an iPhone 5S. How such a feat was accomplished is beyond me for while it does appear to be a low budget piece it looks fantastic. Furthermore, maybe because of the unique film techniques, it feels very real, like you were just tagging along for the duration.
The story takes place over the course of about 12 hours, following the lives of two transgender prostitutes on Christmas Eve. Sin-dee has just been released from jail, and her best friend Alexandra lets slip that her boyfriend/pimp picked up with another women while she was away. This sets Sin-dee off on a rampage as she scours the L.A. streets looking for the new girl and her cheating man. The story weaves from Sin-dee's quest, to Alexandra picking up a few tricks throughout the day, and subtly follows a cab driver who has a thing for Sin-dee, while his family works out his proclivities. Through all of this, the film is not condescending, preachy, or insensitive to anyone. It is brutally honest, hilarious at times, realistic, even touching and sad.
I loved this movie. From the colorful characters to the perfect pacing to the creative cinematography, "Tangerine" is one film every lover of cinema should watch at least once. Oh, and a super soundtrack! I hope to add it to the collection one day.
The story takes place over the course of about 12 hours, following the lives of two transgender prostitutes on Christmas Eve. Sin-dee has just been released from jail, and her best friend Alexandra lets slip that her boyfriend/pimp picked up with another women while she was away. This sets Sin-dee off on a rampage as she scours the L.A. streets looking for the new girl and her cheating man. The story weaves from Sin-dee's quest, to Alexandra picking up a few tricks throughout the day, and subtly follows a cab driver who has a thing for Sin-dee, while his family works out his proclivities. Through all of this, the film is not condescending, preachy, or insensitive to anyone. It is brutally honest, hilarious at times, realistic, even touching and sad.
I loved this movie. From the colorful characters to the perfect pacing to the creative cinematography, "Tangerine" is one film every lover of cinema should watch at least once. Oh, and a super soundtrack! I hope to add it to the collection one day.
I saw this Premiere at Sundance 2015. This is what a Sundance film should be. You start watching at a distance. The subject matter of prostitutes, pimps, drugs, sex, homosexuality and gender roles is foreign to most and even repulsive to some. But that's the beauty. It draws you in...you start to care about the characters, you start to laugh with them. You then admire their pluck. You feel their frustration, sadness and even shame. Then you identify with it. Then, eventually, you admire it. Finally, what you see are human beings with the same, or even better, values that you have. The music is cutting edge street sound that propels you along the LA sidewalks and, combined with the colors of the film (i.e. tangerine), it pulls you into the brash and jolting life on some of the worse streets of LA. The power of the film is that, in powerful ways, that street community seems a better home than you have in safe suburbia. This is what indie film should be.....it takes a different subject matter, perhaps something disturbing, draws you in and changes the way you view the world. Forever. Not just during the course of a film festival.
Even better, this film was shot entirely on three iPhone 5s. At the Premiere, the audience audibly gasped when this fact rolled on screen during the credits. Another thing an indie film should do...change the way you look at how films can be made. (I'm actually going to try to make a film this summer...seriously).
This film should have won the Sundance NEXT award....and probably would have if it was not by audience vote. This is not mainstream..it is an independent film. This film will change your life.
P.S. Both female leads were powerful and legitimate, in every sense of that word. But Kiki Kitana Rodriguez has screen presence and karma enough to fill Dodger Stadium one hundred times over. I could watch her for yours, and hope we all have a chance to do so again.
Even better, this film was shot entirely on three iPhone 5s. At the Premiere, the audience audibly gasped when this fact rolled on screen during the credits. Another thing an indie film should do...change the way you look at how films can be made. (I'm actually going to try to make a film this summer...seriously).
This film should have won the Sundance NEXT award....and probably would have if it was not by audience vote. This is not mainstream..it is an independent film. This film will change your life.
P.S. Both female leads were powerful and legitimate, in every sense of that word. But Kiki Kitana Rodriguez has screen presence and karma enough to fill Dodger Stadium one hundred times over. I could watch her for yours, and hope we all have a chance to do so again.
My friend put me on to this, with no mention at all of what it was about... so totally unexpected. What I really liked about Tangerine is that it didn't pull its punches. None of the main characters are 100% hero or villain... everyone is sad/funny/cruel/kind at some point. I can't say I'd want to hang out with ANYONE in this movie... but they're all presented as complex characters, people, which is great.
I can see why John Waters liked it, it does remind me a bit of his earlier films with their various crazed characters in crazed worlds... though Tangerine feels much more real and gritty than any of those Waters films, which were heavy with fantasy.
Anyway, it's excellent... I hope it garners a huge following and we start getting more films like this and less superhero trash.
I can see why John Waters liked it, it does remind me a bit of his earlier films with their various crazed characters in crazed worlds... though Tangerine feels much more real and gritty than any of those Waters films, which were heavy with fantasy.
Anyway, it's excellent... I hope it garners a huge following and we start getting more films like this and less superhero trash.
Really liked 2012's 'Starlet', so 2015's 'Tangerine' was definitely going to be seen. Just in case anybody is wondering what my incentive was for seeing the films, it's for getting acquainted with director Sean Baker's work before seeing his recently released film 'The Florida Project'.
Found myself liking 'Tangerine' even more. A few parts are still a little forced and written and resolved somewhat too neatly, but there is not much to criticise a film that is a little texturally richer and more intimate in detail than to 'Starlet'. Like with 'Starlet', the faults are fairly minor and are eclipsed by everything else that is done right. 'Tangerine' is most interesting for its unique visual style and using real life transgenders for actors, but despite how this sounds this is not a gimmick film and has much more to it than that.
Visually, it won't appeal to all, some may find it amateurish. With me though, the shot entirely on three iPhones look was surprisingly naturalistic and added a high-voltage intensity and realism to a story that is often confrontational in manner. The music has some nice atmosphere too.
Like with 'Starlet', 'Tangerine' really stands out in the writing, with a great balance of funny comedy, charming warmth, understated sweetness and touching drama. The story likewise, it really made me feel warm inside, it made me laugh, it surprised me, it charmed me and it moved me. There is some explicitness and some vulgarity, but it felt raw and any shock drama just added another layer to the drama. The Christmas fairy-tale feel that is at times adopted is not sugary, if anything it's got a lot of attitude which was surprising in a good way.
Once again, Baker's direction is adroit and he paces everything beautifully. Would go as far to say that his direction is even better and more comfortable here than it is in 'Starlet', it's richer, more intimate and more detailed.
'Tangerine's' acting is not quite as good as 'Starlet's', but it is still surprisingly very good. Especially from Mya Taylor who fully succeeds in making her character come over as a real-life person with strengths and flaws rather than a caricature or stereotype.
Altogether, a very good film, very different to 'Starlet' but has many of what made that film as impressive as it was. 8/10 Bethany Cox
Found myself liking 'Tangerine' even more. A few parts are still a little forced and written and resolved somewhat too neatly, but there is not much to criticise a film that is a little texturally richer and more intimate in detail than to 'Starlet'. Like with 'Starlet', the faults are fairly minor and are eclipsed by everything else that is done right. 'Tangerine' is most interesting for its unique visual style and using real life transgenders for actors, but despite how this sounds this is not a gimmick film and has much more to it than that.
Visually, it won't appeal to all, some may find it amateurish. With me though, the shot entirely on three iPhones look was surprisingly naturalistic and added a high-voltage intensity and realism to a story that is often confrontational in manner. The music has some nice atmosphere too.
Like with 'Starlet', 'Tangerine' really stands out in the writing, with a great balance of funny comedy, charming warmth, understated sweetness and touching drama. The story likewise, it really made me feel warm inside, it made me laugh, it surprised me, it charmed me and it moved me. There is some explicitness and some vulgarity, but it felt raw and any shock drama just added another layer to the drama. The Christmas fairy-tale feel that is at times adopted is not sugary, if anything it's got a lot of attitude which was surprising in a good way.
Once again, Baker's direction is adroit and he paces everything beautifully. Would go as far to say that his direction is even better and more comfortable here than it is in 'Starlet', it's richer, more intimate and more detailed.
'Tangerine's' acting is not quite as good as 'Starlet's', but it is still surprisingly very good. Especially from Mya Taylor who fully succeeds in making her character come over as a real-life person with strengths and flaws rather than a caricature or stereotype.
Altogether, a very good film, very different to 'Starlet' but has many of what made that film as impressive as it was. 8/10 Bethany Cox
Covering a day in the lives of two trans sex workers, Tangerine is an offbeat surprise that's hilarious, heartwarming & heartbreaking, is bursting with energy & style from start to finish, and offers an unusual glimpse into Los Angeles' sex-trade subculture. As unconventional in content as it is in the way it's shot, this is one comedy that defies everything in its path.
The story of Tangerine unfolds on Christmas Eve and follows two trans sex workers who are also best friends. One of them is Alexandra who's inviting friends all over the town to attend the gig she has secured for the night. The other is Sin-Dee Rella who just tears through the town to find her pimp boyfriend after learning that he cheated on her while she was locked up.
Written & directed by Sean S. Baker, Tangerine is crafted with rigour & passion and shatters many filmmaking norms over the course of its runtime. Filmed entirely on iPhone with more enhancements coming from easily available apps, the film gleams with colour filters & warm palette that gives it a distinctive look. And although the first act requires some getting used to, it only gets funnier as the plot progresses.
While the primary focus is on Sin-Dee & Alexandra, the subplots related to other characters connected to these two are also interesting in their own ways. The film also breaks tradition in the casting department by employing two transgender actresses in the given roles & both of them deliver fantastic performances, with Mya Taylor playing her character in a balanced manner while Kitana Kiki Rodrigues going full crazy as Sin-Dee.
On an overall scale, Tangerine is an inventive, distinctive & hysterical piece of indie cinema that allows its audience to settle down in the first act after which it instantly changes gears, gets more wild & vibrant with every passing minute, goes absolutely bonkers in its final act when all its different threads combine together to form a single whole, and finally concludes with a touching ode to friendship. In a sentence, Tangerine works because its heart is at the right place. Definitely worth a shot.
The story of Tangerine unfolds on Christmas Eve and follows two trans sex workers who are also best friends. One of them is Alexandra who's inviting friends all over the town to attend the gig she has secured for the night. The other is Sin-Dee Rella who just tears through the town to find her pimp boyfriend after learning that he cheated on her while she was locked up.
Written & directed by Sean S. Baker, Tangerine is crafted with rigour & passion and shatters many filmmaking norms over the course of its runtime. Filmed entirely on iPhone with more enhancements coming from easily available apps, the film gleams with colour filters & warm palette that gives it a distinctive look. And although the first act requires some getting used to, it only gets funnier as the plot progresses.
While the primary focus is on Sin-Dee & Alexandra, the subplots related to other characters connected to these two are also interesting in their own ways. The film also breaks tradition in the casting department by employing two transgender actresses in the given roles & both of them deliver fantastic performances, with Mya Taylor playing her character in a balanced manner while Kitana Kiki Rodrigues going full crazy as Sin-Dee.
On an overall scale, Tangerine is an inventive, distinctive & hysterical piece of indie cinema that allows its audience to settle down in the first act after which it instantly changes gears, gets more wild & vibrant with every passing minute, goes absolutely bonkers in its final act when all its different threads combine together to form a single whole, and finally concludes with a touching ode to friendship. In a sentence, Tangerine works because its heart is at the right place. Definitely worth a shot.
Lo sapevi?
- QuizThis film was shot exclusively on three iPhone 5s smartphones, along with the Moondog Labs' anamorphic clip on lens and a $8 app, FiLMiC Pro in addition to Steadicam Smoothee Mounts. Director Sean Baker revealed this at the Sundance Film Festival.
- BlooperThe cameraman and camera's shadow can be seen on the ground and taxi cab as Razmik drags out the vomiting drunks from his cab.
- ConnessioniFeatured in Film '72: Episodio #44.9 (2015)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Tangerine: chicas fabulosas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 100.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 702.354 USD
- Fine settimana di apertura Stati Uniti e Canada
- 60.683 USD
- 12 lug 2015
- Lordo in tutto il mondo
- 840.318 USD
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti