Dio esiste e vive a Bruxelles

This is an amazing film. On the one hand, this is one of the most funny - and fun - movies I've seen, in years, with some great, memorable scenes and lines, superb acting - and very touching. In fact, this is one of a handful of movies that really, literally, made me cry (a bit, just out of emotions, it is a fun movie, not a tragic one!). My shedding few tears is actually funny also as it is related to one of the nice things in the movie - but I'll rather not spoil...

On the other hand: the movie is very thought-provoking (and in some aspects, simply provocative, but IMHO in a good way). It brings a very fresh viewpoint on many issues, esp. domestic abuse and esp. the horrific damages that bad parenthood may cause; but there are several more serious themes (even hactivism!) - all presented in this most joyous film.

And... acting is superb, really by all (although I think Catherine Deneuve was esp. amazing). and the film makes tribute to several classic movies... e.g. to The Truman show ...

Don't miss it!!!!

This is a fantasy, black comedy. Jesus Christ's kid sister Ea is living with their dad, God, and their mum, Goddess, in a city apartment in Brussels in the present day. She is sick of God's cruel and violent ways and at age 10, puts an end to it by freezing his computer and fleeing the apartment into the city.

Her last act before sabotaging her evil Dad is to text everyone with their date of death as her father, God, has fated it. This causes first a media storm, then great changes in the world and for individuals now certain of the imminence or otherwise of their mortality.

It is a wild romp as young Ea sets out with a homeless man as a scribe to find another half dozen disciples to add to her big brother's twelve, and write The Brand New Testament based on details of ordinary people's lives.

It is more whimsical and generous than blasphemous, but still, atheists will be as thrilled as believers will be enchanted, by the new apostles.

The storytelling is exquisite; Amelie-esque might be the best description of the style. Elaborately constructed frames of short bursts of gorgeous, surreal elements pepper the action to ensure that this movie is a very rare delight.

Gloriously inventive, coherent, hilarious, metaphysical, philosophical, big-hearted, and satisfying. This is 5 star entertainment for 15 and up.

Andrew Bunney, Let's Go To The Pictures, Three D Radio, Adelaide

Ladies, this one is for you. Some of you may have suspected it all along, but this film confirms God is a chauvinist pig (well, the clues were all there, come to think of it). Luckily - but unbeknownst to most - God also has a daughter, and she's had enough of her mean-spirited, bad-tempered Father and is about to teach Him a lesson.

With the help of her brother (yes, THAT brother) and a somewhat unorthodox band of newly appointed disciples, she's determined to make her own mark on the universe. Needless to say, God's having none of it and tries to do everything in His - considerable - power to stop His rebellious daughter from undoing everything He's worked so hard for.

This hilarious satire is a firework of inspired ideas and just a blast from start to finish. I highly recommend it to anyone who loves intelligent, absurdist comedy in the vein of 'Life of Brian' or 'South Park' and doesn't get easily offended. 8 stars out of 10.

In case you're interested in more underrated masterpieces, here's a list with some of my favorites:

imdb.com/list/ls070242495

This takes many things that people question about reality and turn them into comedy (bread falling always on the side that has something on it instead of the other side amongst other things). The beginning really has some drive to it and it is overall a fun movie to watch. It does take its time though, especially when it comes to "choosing" people and giving us their back-story.

The acting is good, though some of the themes will rather annoy than offend people. Whether they are atheist or religious won't matter, if you don't think it's funny. And while it's provocative, it's also sort of "respectful" in a way. Still the basic idea alone almost warrants the running time and the viewing itself.

I've just seen the film at the "avant-première" here in Paris. I really wanted to like it as I have great respect for everybody involved and I really loved the premise. First off, the actors are great, hats off to the younger cast. They held their ground until the last scene, but that loss of believability has much more to do with the script and directing as the ending felt artificial and rushed. Now, the beginning is good but what follows, not so much. The main character is underdeveloped, thus her journey at some point becomes repetitive and even though it is visually interesting, story-wise it is boring-ish. Speaking of visuals, the fact that it reminded me of Jean-Pierre Jeunet's Amelié actually bothered me because it made everything sound out of tune - it was both too similar to be original and too different to be a good copy. There are some great ideas and good laughs, but all in all it could have been much much better. What's worse, it deserved to be.