VALUTAZIONE IMDb
6,0/10
3076
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.
- Premi
- 1 vittoria e 5 candidature totali
Don McKellar
- Horowitz
- (voce)
Jennifer Irwin
- Marissa
- (voce)
Moonlyn
- Candi the Receptionist
- (as Moonlyn Coumont)
Giselle Batista
- Twin Girl 1
- (voce)
- (as Giselle Baptista)
Recensioni in evidenza
Alison Pil is a hoot.
Very creative. Mixing animation with real life and a movie. Took me a minute to wrap my head around it but then I was off on such a wonderful ride.
The narrative moves forward quickly but you won't get lost. The music is delightful and energetic, and the doll factory is amazing.
The special order guy from Buffalo is definitely creepy, but you'll love him, and you'll really love how changing one story makes changes in the other two at the same time.
Definitely an unusual piece of movie making and well worth your time.
Very creative. Mixing animation with real life and a movie. Took me a minute to wrap my head around it but then I was off on such a wonderful ride.
The narrative moves forward quickly but you won't get lost. The music is delightful and energetic, and the doll factory is amazing.
The special order guy from Buffalo is definitely creepy, but you'll love him, and you'll really love how changing one story makes changes in the other two at the same time.
Definitely an unusual piece of movie making and well worth your time.
There is some positive and negative things about Zoom but overall it's worth a watch. The positives are the acting, that was quite good, the cinematography that was to me the best part of this movie, the animation parts were also well done and added something special to the story. The story itself is innovative but it's complexity might scare some viewers off. It's basically a story in a story in a story, all related to each other in a weird way. Weird isn't necessary bad, you just have to have an open mind. If not, then maybe this movie isn't for you. I liked it. Could it have been better? Yes sure but still it was entertaining enough to keep my attention.
I feel like I've been stumbling on movies like this a lot lately. Films with an excellent message/concept that suffer from someone just insisting on over the top artistry. In the case of Zoom, we get a movie with some very important commentary on body image, the perceptions we have of ourselves, the way our appearance impacts how others see us and how we see ourselves and our very potential. The problem is, this gets so far up inside of itself that it loses all focus. What could have been a simple and poignant film has to be twisted in a multilayered, contrived mess of a plot that's weirdly part Who Framed Roger Rabbit.
This isn't an awful watch, it's just lacking in focus and restraint. Trim some of the nonessential flourishes and this turns into a pretty poignant movie that I think has a terribly important message to get across. Sadly, we get what we get and that's not a rousing success exactly. It's an interesting watch and I think it's worth checking out for fans of the cast or those who are really caught by the trailer/description but if none of that grabs you I can't say this is a must watch.
This isn't an awful watch, it's just lacking in focus and restraint. Trim some of the nonessential flourishes and this turns into a pretty poignant movie that I think has a terribly important message to get across. Sadly, we get what we get and that's not a rousing success exactly. It's an interesting watch and I think it's worth checking out for fans of the cast or those who are really caught by the trailer/description but if none of that grabs you I can't say this is a must watch.
Even though only a section of the film is animated using rotoscope, the whole movie has an indi comic feel, like Love and Rockets of Ghost World (which was made into a film)
The animation looks like it's the same as A Scanner Darkly, possible done by the same animation team, but in A Scanner Darkly it seems like the animation was a bigger arch.
It's an interesting circle about three people. Emma who works at a Factory that makes sex dolls, draws pictures of herself being a beautiful busty femme fatale, an image that the guy she's sleeping with finds absurd. In retaliation, she draws her dream guy, Eddie, a hot Spanish action film director who's doing a film he plans to use to take himself serious, but comes across a little problem when Emma, unhappy with her new boobs decides to get rid of the "package" that made him a hot commodity in Hollywood, and effects the making of his film about Michelle, a Brazilian model tired of being judge on her looks, who goes home to write a novel that just so happens to be about Emma.
It's a nicely layered story and becomes very surrealistic, as all three story tellers take us through their creative process, and if anyone knows anything about the creative process, the story goes through constant changes which switches the tone in order to make the story work.
It's a very unformulated movie that goes from the tame to the outrageous, and keeps me captivated with some very interesting personas moving on the screen.
cinemagardens.com
The animation looks like it's the same as A Scanner Darkly, possible done by the same animation team, but in A Scanner Darkly it seems like the animation was a bigger arch.
It's an interesting circle about three people. Emma who works at a Factory that makes sex dolls, draws pictures of herself being a beautiful busty femme fatale, an image that the guy she's sleeping with finds absurd. In retaliation, she draws her dream guy, Eddie, a hot Spanish action film director who's doing a film he plans to use to take himself serious, but comes across a little problem when Emma, unhappy with her new boobs decides to get rid of the "package" that made him a hot commodity in Hollywood, and effects the making of his film about Michelle, a Brazilian model tired of being judge on her looks, who goes home to write a novel that just so happens to be about Emma.
It's a nicely layered story and becomes very surrealistic, as all three story tellers take us through their creative process, and if anyone knows anything about the creative process, the story goes through constant changes which switches the tone in order to make the story work.
It's a very unformulated movie that goes from the tame to the outrageous, and keeps me captivated with some very interesting personas moving on the screen.
cinemagardens.com
Emma works at a sex doll factory and in her spare time is writing/drawing a comic book. Edward is a famous movie director, working on his latest movie. Michelle is a model and is writing a novel. The three are connected: Edward and his world are found in the pages of Emma's comic book, Michelle's story is Edward's movie and Emma's story is Michelle's book.
Had heaps of potential. Very novel idea - the story-within-a-story- within-the-first-story - very Christopher Nolan-esque.
However, even from the beginning the movie doesn't really live up to its potential. Only the Emma story was engaging. Edward's story is mildly interesting but not exactly compelling viewing. Michelle's story was pretty dull.
Moreover, when the three stories are tied together it is in chaotic, random fashion. The last few scenes feel clumsy and contrived, and the connection between the three stories is ultimately not used effectively. This largely leaves you with three separate, independent stories. So the novelty is wasted.
Overall, not a total waste of time, but quite disappointing considering the movie's potential.
Had heaps of potential. Very novel idea - the story-within-a-story- within-the-first-story - very Christopher Nolan-esque.
However, even from the beginning the movie doesn't really live up to its potential. Only the Emma story was engaging. Edward's story is mildly interesting but not exactly compelling viewing. Michelle's story was pretty dull.
Moreover, when the three stories are tied together it is in chaotic, random fashion. The last few scenes feel clumsy and contrived, and the connection between the three stories is ultimately not used effectively. This largely leaves you with three separate, independent stories. So the novelty is wasted.
Overall, not a total waste of time, but quite disappointing considering the movie's potential.
Lo sapevi?
- QuizThe animated segment used the rotoscoping technique. This was done frame by frame, using 12 frames per second, so the team had to draw more than 20.000 frames.
- BlooperIn one scene, a camera is dropped, causing the film to fall out, exposing it to sunlight. Gael García Bernal then inspects the film, which appears to be fully developed with images intact. This is impossible, because all images would be lost immediately once exposed to any light.
- Citazioni
Moustache Guy: [while ordering a RealDoll] Perfect. And you can make her look exactly like my wife?
Emma: We can make it - her - look identical. But better!
- ConnessioniFeatured in 2016 Canadian Screen Awards (2016)
- Colonne sonoreDrawn And Quartered
Written and performed by The Slew
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 2784 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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