VALUTAZIONE IMDb
5,1/10
2634
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young girl in Nevada becomes romantically involved with a female drifter who introduces her to a life of stripping, drugs, and metaphysical experiences that teach her what happens when rea... Leggi tuttoA young girl in Nevada becomes romantically involved with a female drifter who introduces her to a life of stripping, drugs, and metaphysical experiences that teach her what happens when real life catches up with dark fantasy.A young girl in Nevada becomes romantically involved with a female drifter who introduces her to a life of stripping, drugs, and metaphysical experiences that teach her what happens when real life catches up with dark fantasy.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Recensioni in evidenza
Greetings again from the darkness. The debut feature of writer/director Natalia Leite takes on the all-too-familiar territory of a disenchanted teenager being smothered by a claustrophobic small town, and twists it into a nocturnal awakening that changes some lives, while leaving others forever jogging in place.
Sarah (Dianna Agron, "Glee") is a bored, young local in a small Nevada town. She gets fired from her job as a supermarket checker and spends her time hanging out with her boyfriend (Chris Zylka) and their group of equally unambitious friends. One day she stumbles upon Pepper (Paz de la Huerta, "Boardwalk Empire") who is sleeping in an abandoned store owned by Sarah's father. Intrigued by the drifter, Sarah allows herself to be drawn into Pepper's world of drugs and strippers. A quick trip to Las Vegas really opens up Sarah's eyes to the great big world, and also leads to some amorous feelings toward Pepper.
Clichés abound here as the mysterious stranger awakens the spirit of the small town dreamer; the taboo love story; the judgmental family and friends; and the "one last shift" to earn enough money to flee this small town and discover one's true purpose while living a carefree life. Pepper tosses out some philosophical musings and Sarah falls hook, line and sinker. We fully expect this to end badly for both.
Filmmaker Leite does a nice job of creating the feel of the night without judging its participants too harshly. Dianna Agron has the screen presence to pull off the innocent girl's self-discovery, while Paz de la Huerta has the mysterious quality of one to whom someone like the Sarah character would be drawn. It's interesting how Sarah is allowed to choose her own path, and explore the possibilities of what might be. At best, the film is one for a sleepless night, and it does provide two disparate female leads and a director who has earned more opportunities.
Sarah (Dianna Agron, "Glee") is a bored, young local in a small Nevada town. She gets fired from her job as a supermarket checker and spends her time hanging out with her boyfriend (Chris Zylka) and their group of equally unambitious friends. One day she stumbles upon Pepper (Paz de la Huerta, "Boardwalk Empire") who is sleeping in an abandoned store owned by Sarah's father. Intrigued by the drifter, Sarah allows herself to be drawn into Pepper's world of drugs and strippers. A quick trip to Las Vegas really opens up Sarah's eyes to the great big world, and also leads to some amorous feelings toward Pepper.
Clichés abound here as the mysterious stranger awakens the spirit of the small town dreamer; the taboo love story; the judgmental family and friends; and the "one last shift" to earn enough money to flee this small town and discover one's true purpose while living a carefree life. Pepper tosses out some philosophical musings and Sarah falls hook, line and sinker. We fully expect this to end badly for both.
Filmmaker Leite does a nice job of creating the feel of the night without judging its participants too harshly. Dianna Agron has the screen presence to pull off the innocent girl's self-discovery, while Paz de la Huerta has the mysterious quality of one to whom someone like the Sarah character would be drawn. It's interesting how Sarah is allowed to choose her own path, and explore the possibilities of what might be. At best, the film is one for a sleepless night, and it does provide two disparate female leads and a director who has earned more opportunities.
I should have taken notice of the "real" reviews! I didn't really feel in the mood for an action movie or something which would need my deep attention, so I thought I'd give this a go. This movie was just bad. I can't see the point of making it except that whoever wrote the story, whoever directed it, whoever it appeals to must have had, or know a couple of women in that situation! I doubt it would appeal to a wider audience. The only people, women, it may appeal to are those who either lead such a life, want such a relationship, have been in that business, use drugs, are Bi or Lesbian... Guys, don't even think of wasting time with this!
I cannot believe PDLH is allowed in movies, she looks like hell, and gives the most cliched bogus performance ever. Hideous. It is sad to see an addict just be herself, awful-looking. You've seen this movie 100 times, don't bother. It makes no sense that a blond babe would even give the tramp a second glance.
This is not exactly a glowing review, but I do want to address something before I get down to any critique.
Giving a film one star even though you think it deserves more is just a crass and cynical thing to do, and the guy who admits he did so should be ashamed of himself for doing it. There are people who absolutely loved this movie. Fans of the actors in particular, which is to be expected. I myself absolutely loved it when I first saw it at its world premiere, and even rescheduled my flight to go back and watch it again a few days later. The cinematography is brilliant, and the role that Dianna Agron plays is far removed from anything else she's done. Her character is very passive and quiet, and thus it falls on her to act as much with her body language and expressions as her spoken words. She pulls it off brilliantly. If you're like me, you may very well come away with an 8-star feeling on your first viewing.
Having said that, after watching it a few more times I've started to see some of the shortcomings, though I do still think it's a good film. First of all, I think it helps to be able to relate to or imagine growing up not just in a small town, but in a town with literally nothing to offer besides mind-numbing lack of social life and completely menial nowhere jobs. If you can't put yourself in those shoes, you likely will not get a lot of the film's impact. If you've ever had a time in your life where drinking beer by the dump and then shooting at the cans was the highlight of your week, you'll definitely see where this comes from. That's not really a shortcoming, but it does limit what a lot of people can really get out of the story.
As I said above, the cinematography was generally brilliant. The cameras and the way this movie was shot do a great deal to set the scenes, often as much or more than the actors. There are, however, times when this attempt at making art with the cameras actually resulted in scenes that were difficult to understand simply because they were too subtle. Too artistic rather than advancing the narrative. There are also a few times when the narrative is just plain interrupted with awkward dialogue that really could have been either done away with or done better in a perfect world. More on that below.
The main actors, including Sarah's family and friends, were all brilliant with the exception (in my mind) of Paz de la Huerta. She was almost right for the role, but in the end her mannerisms just became too much; too distracting. There were a few scenes where her portrayal was almost like a record skipping in the middle of a song, and honestly she could have toned things down a bit and been better.
One last issue is simply because of what the film is. An indie by a first-time director shot on a very tight budget and a very limited time frame. When you consider that, this really is an amazing end product. Having talked to the producers, I know there were scenes they wish they could have re-shot, dialogue they wish they could have smoothed out, things they wish they'd done differently. But unlike with major studio productions, you often only have one real shot at it. There's not room in the schedule to scrap a day of shooting and try it over again. There's not room in the budget to pay for the use of a location or the crew salaries to go back and do it over. You have to get it right the first time.
They mostly did, and if you look at it like that this is definitely an achievement. It's a story that's overall well told and beautiful to look at. Of course it's not a brand new story nobody's ever told before, but it is overall well done and I think this one has enough going for it (and enough different about it) to be more than worth watching. Give it a try and see for yourself. It won't be some cinematic epiphany or holy experience, but you may just be glad you did.
Giving a film one star even though you think it deserves more is just a crass and cynical thing to do, and the guy who admits he did so should be ashamed of himself for doing it. There are people who absolutely loved this movie. Fans of the actors in particular, which is to be expected. I myself absolutely loved it when I first saw it at its world premiere, and even rescheduled my flight to go back and watch it again a few days later. The cinematography is brilliant, and the role that Dianna Agron plays is far removed from anything else she's done. Her character is very passive and quiet, and thus it falls on her to act as much with her body language and expressions as her spoken words. She pulls it off brilliantly. If you're like me, you may very well come away with an 8-star feeling on your first viewing.
Having said that, after watching it a few more times I've started to see some of the shortcomings, though I do still think it's a good film. First of all, I think it helps to be able to relate to or imagine growing up not just in a small town, but in a town with literally nothing to offer besides mind-numbing lack of social life and completely menial nowhere jobs. If you can't put yourself in those shoes, you likely will not get a lot of the film's impact. If you've ever had a time in your life where drinking beer by the dump and then shooting at the cans was the highlight of your week, you'll definitely see where this comes from. That's not really a shortcoming, but it does limit what a lot of people can really get out of the story.
As I said above, the cinematography was generally brilliant. The cameras and the way this movie was shot do a great deal to set the scenes, often as much or more than the actors. There are, however, times when this attempt at making art with the cameras actually resulted in scenes that were difficult to understand simply because they were too subtle. Too artistic rather than advancing the narrative. There are also a few times when the narrative is just plain interrupted with awkward dialogue that really could have been either done away with or done better in a perfect world. More on that below.
The main actors, including Sarah's family and friends, were all brilliant with the exception (in my mind) of Paz de la Huerta. She was almost right for the role, but in the end her mannerisms just became too much; too distracting. There were a few scenes where her portrayal was almost like a record skipping in the middle of a song, and honestly she could have toned things down a bit and been better.
One last issue is simply because of what the film is. An indie by a first-time director shot on a very tight budget and a very limited time frame. When you consider that, this really is an amazing end product. Having talked to the producers, I know there were scenes they wish they could have re-shot, dialogue they wish they could have smoothed out, things they wish they'd done differently. But unlike with major studio productions, you often only have one real shot at it. There's not room in the schedule to scrap a day of shooting and try it over again. There's not room in the budget to pay for the use of a location or the crew salaries to go back and do it over. You have to get it right the first time.
They mostly did, and if you look at it like that this is definitely an achievement. It's a story that's overall well told and beautiful to look at. Of course it's not a brand new story nobody's ever told before, but it is overall well done and I think this one has enough going for it (and enough different about it) to be more than worth watching. Give it a try and see for yourself. It won't be some cinematic epiphany or holy experience, but you may just be glad you did.
This is the worst movie I've ever been forced to sit through. Not sure how this even got made, luckily the general public will be spared as it won't ever be in a real movie theater.
Diana Agron and Paz De la Huerta are good actors but not in this film. It is pretty to look at, yet has absolutely no real direction or vision. There is no story, just fragments and half ideas thrown together. And despite being made by a woman director, it is full of the male gaze and old stereotypes. It's also extremely white and lacks diversity.
Plot synopsis: Poor young white woman in a small town who thinks her only way to escape is to become a stripper.
This is a very narrow-minded and contrived film with a formula we've seen a million times in bad 80s films. It's like the director just replaced the stereotypical bad-ass guy in a leather jacket with Paz De la Huerta.
Diana Agron and Paz De la Huerta are good actors but not in this film. It is pretty to look at, yet has absolutely no real direction or vision. There is no story, just fragments and half ideas thrown together. And despite being made by a woman director, it is full of the male gaze and old stereotypes. It's also extremely white and lacks diversity.
Plot synopsis: Poor young white woman in a small town who thinks her only way to escape is to become a stripper.
This is a very narrow-minded and contrived film with a formula we've seen a million times in bad 80s films. It's like the director just replaced the stereotypical bad-ass guy in a leather jacket with Paz De la Huerta.
Lo sapevi?
- QuizDianna Agron worked in disguise at the same strip club (that caters primarily to truckers) featured in the movie before filming began. She introduced herself as a Texan visiting a cousin who lived nearby and took ballet training to dance in a particular way. She got to pick her own music to dance to (songs like "Mezzanine" by Massive Attack and "Hey Now" by London Grammar).
- BlooperIn the fast food restaurant scene when Jenny gets angry at her boyfriend for burping in her face, she gets up and leaves angrily. He gets up and follows her, leaving trash on the table (cup, napkins, etc). In the very next shot, the table is completely clean.
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Dettagli
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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