La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.
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- Candidato a 2 Oscar
- 24 vittorie e 85 candidature totali
Recensioni in evidenza
I am watching this movie for the first time after watching Andor's finale.
For me there is a new great trilogy, Andor S1, Andor S2 and Rogue One, which has rivalled the brilliance of the Original Trilogy.
The ending was devastating for me but definitely cemented Cassian Andor as one of the most memorable characters. K2SO was perfect in every way possible and Jyn Erso was also fairly a good character, along with the other supporting casts. The movie kept me hooked start to finish and I love that we start exactly where we left off in Andor's finale.
I would for sure suggest anyone else yet to watch; to watch these 3 chronologically, because the emotional investment I had in Cassian was what made this film great for me.
For me there is a new great trilogy, Andor S1, Andor S2 and Rogue One, which has rivalled the brilliance of the Original Trilogy.
The ending was devastating for me but definitely cemented Cassian Andor as one of the most memorable characters. K2SO was perfect in every way possible and Jyn Erso was also fairly a good character, along with the other supporting casts. The movie kept me hooked start to finish and I love that we start exactly where we left off in Andor's finale.
I would for sure suggest anyone else yet to watch; to watch these 3 chronologically, because the emotional investment I had in Cassian was what made this film great for me.
This is almost perfect Star Wars. By far the best Star Wars of the new era (including the prequels). Hard to find any fault with it. If only Abrams, Johnson and other took more note of this it might have saved us from some of the faults in those other movies.
Rogue One stands head and shoulders above every other Disney-era Star Wars film. While The Force Awakens, The Last Jedi, The Rise of Skywalker, and Solo struggled to find a fresh identity or narrative weight, Rogue One succeeds by doing exactly that, grounding the saga in the grit and gray of war.
The film boldly shifts perspective, focusing not on Jedi or chosen heroes, but on ordinary people caught in extraordinary circumstances. It masterfully fills a major plot gap: the Death Star's fatal weakness; while telling the gripping story of the Rebel Alliance's first true victory. With morally complex characters like Cassian Andor and Galen Erso, Rogue One paints a world where good and evil aren't so easily defined. Diego Luna brings depth and ambiguity to Cassian, while Mads Mikkelsen's Galen shows how even those within the Empire can resist in subtle, powerful ways.
Visually, the film is stunning, with rich, immersive worlds and breathtaking battle sequences. Michael Giacchino steps up to score the first Star Wars film without John Williams, and while the maestro is missed, Giacchino delivers a memorable soundtrack that captures the emotional core of the story.
Though the pace occasionally feels rushed, leaving some character arcs a bit underdeveloped, the film's grounded tone, compelling narrative, and bold, tragic ending elevate it far above its peers.
Rogue One dares to be different, and in doing so, it succeeds brilliantly. It's dark, emotional, smart, and unforgettable. A must-watch that proves Star Wars can evolve without losing its soul.
The film boldly shifts perspective, focusing not on Jedi or chosen heroes, but on ordinary people caught in extraordinary circumstances. It masterfully fills a major plot gap: the Death Star's fatal weakness; while telling the gripping story of the Rebel Alliance's first true victory. With morally complex characters like Cassian Andor and Galen Erso, Rogue One paints a world where good and evil aren't so easily defined. Diego Luna brings depth and ambiguity to Cassian, while Mads Mikkelsen's Galen shows how even those within the Empire can resist in subtle, powerful ways.
Visually, the film is stunning, with rich, immersive worlds and breathtaking battle sequences. Michael Giacchino steps up to score the first Star Wars film without John Williams, and while the maestro is missed, Giacchino delivers a memorable soundtrack that captures the emotional core of the story.
Though the pace occasionally feels rushed, leaving some character arcs a bit underdeveloped, the film's grounded tone, compelling narrative, and bold, tragic ending elevate it far above its peers.
Rogue One dares to be different, and in doing so, it succeeds brilliantly. It's dark, emotional, smart, and unforgettable. A must-watch that proves Star Wars can evolve without losing its soul.
Without exaggeration, this is easily the best offering in the franchise since 'Return of the Jedi'. Yes, it is a spin-off of a simple set-up line from the original film, but it manages to really craft it's own story around the demands of where the plot has to go by the end. While it's definitely not a character driven movie, I was surprised with the amount of time given to our key protagonists and the effort to at least make them intriguing.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
Rogue One feels like a serious and grounded movie, with a plot that weighs a ton, that feels important on every scale from the very beginning and as the movie progresses it shows that it's on another level, much higher.
The plot is very well written. It's simple, but direct, without fillers or unnecessary diversions. The levels of politics are reduced to the minimum so that it remains a factor to consider, but from the farthest box possible. It has impressive action sequences supported by flawless visual effects, such as the battle of Scarif, the battles of the ships and the devastating power of the Death Star. As if that were not enough, the film has cameos that have a very important presence.
On the technical side, the soundtrack is very good as usual, but the sound editing also stands out tremendously. Photography is beautiful! Even from the first introductory scene of that ringed planet. The editing is also very efficient and its highest point is in the last third of the film, where there is a very fast pace as we get into the battles.
The few negative points are found in specific decisions regarding the performances and the non-existent development of some secondary characters.
This is a work that makes even those who most resist the fury of this old saga (like me) turn their eyes to this great action and science fiction show.
The plot is very well written. It's simple, but direct, without fillers or unnecessary diversions. The levels of politics are reduced to the minimum so that it remains a factor to consider, but from the farthest box possible. It has impressive action sequences supported by flawless visual effects, such as the battle of Scarif, the battles of the ships and the devastating power of the Death Star. As if that were not enough, the film has cameos that have a very important presence.
On the technical side, the soundtrack is very good as usual, but the sound editing also stands out tremendously. Photography is beautiful! Even from the first introductory scene of that ringed planet. The editing is also very efficient and its highest point is in the last third of the film, where there is a very fast pace as we get into the battles.
The few negative points are found in specific decisions regarding the performances and the non-existent development of some secondary characters.
This is a work that makes even those who most resist the fury of this old saga (like me) turn their eyes to this great action and science fiction show.
Lo sapevi?
- QuizGareth Edwards and his creative team discovered some old film canisters while rummaging around the Lucasfilm warehouses. When he asked what they were, an employee said they were old Guerre stellari (1977) footage. The discovery led to the inclusion of unused Episode IV material featuring Red Leader and Gold Leader in this movie.
- BlooperDuring the space battle over Scarif, in one shot of Gold Leader's Y-Wing cockpit, the edge of the Death Star's equatorial trench can be seen through the back window of the cockpit behind him. This is reused footage from the rebel attack on the Death Star from Guerre stellari (1977). Actually, while it is re-used footage, the background has been digitally altered to be the shield gate.
- Citazioni
[repeated line]
Chirrut Îmwe: I'm one with the Force, and the Force is with me.
- Curiosità sui creditiHidden in the credits is the title "Keeper of the Holocron." A Holocron is a cube-like artifact used by the Jedi to store information that were first mentioned in the Dark Horse comic book series 'Dark Empire. On the official Star Wars site Leland Chee was in charge of continuity and received the honorary title of 'Keeper of the Holocron'.
- ConnessioniEdited into If Star Wars Wasn't Serious (2014)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Rogue One: Una historia de Star Wars
- Luoghi delle riprese
- Reynisfjara, Islanda(Planet Lah'mu - opening scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 200.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 533.539.991 USD
- Fine settimana di apertura Stati Uniti e Canada
- 155.081.681 USD
- 18 dic 2016
- Lordo in tutto il mondo
- 1.058.684.742 USD
- Tempo di esecuzione
- 2h 13min(133 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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