Rogue One: A Star Wars Story

Rogue One is the movie we didn't asked for - but what we got was beyond any expectation. Excellent pacing of the movie. As the movie progresses it gets better and better. Culminates in one of the best finales seen in any of the Star Wars movies.

CGI on the past main character seemed odd. But worked well on pilots and scoundrels. Many Easter eggs trough the whole movie are appreciated. Humor from Alan Tudyk's K-2SO was spot on.

Empire Strikes Back is still king of the hill as the best SW movie till date. But Rogue One comes damn close near it.

Rogue One stands head and shoulders above every other Disney-era Star Wars film. While The Force Awakens, The Last Jedi, The Rise of Skywalker, and Solo struggled to find a fresh identity or narrative weight, Rogue One succeeds by doing exactly that, grounding the saga in the grit and gray of war.

The film boldly shifts perspective, focusing not on Jedi or chosen heroes, but on ordinary people caught in extraordinary circumstances. It masterfully fills a major plot gap: the Death Star's fatal weakness; while telling the gripping story of the Rebel Alliance's first true victory. With morally complex characters like Cassian Andor and Galen Erso, Rogue One paints a world where good and evil aren't so easily defined. Diego Luna brings depth and ambiguity to Cassian, while Mads Mikkelsen's Galen shows how even those within the Empire can resist in subtle, powerful ways.

Visually, the film is stunning, with rich, immersive worlds and breathtaking battle sequences. Michael Giacchino steps up to score the first Star Wars film without John Williams, and while the maestro is missed, Giacchino delivers a memorable soundtrack that captures the emotional core of the story.

Though the pace occasionally feels rushed, leaving some character arcs a bit underdeveloped, the film's grounded tone, compelling narrative, and bold, tragic ending elevate it far above its peers.

Rogue One dares to be different, and in doing so, it succeeds brilliantly. It's dark, emotional, smart, and unforgettable. A must-watch that proves Star Wars can evolve without losing its soul.

This is almost perfect Star Wars. By far the best Star Wars of the new era (including the prequels). Hard to find any fault with it. If only Abrams, Johnson and other took more note of this it might have saved us from some of the faults in those other movies.

Rogue One feels like a serious and grounded movie, with a plot that weighs a ton, that feels important on every scale from the very beginning and as the movie progresses it shows that it's on another level, much higher.

The plot is very well written. It's simple, but direct, without fillers or unnecessary diversions. The levels of politics are reduced to the minimum so that it remains a factor to consider, but from the farthest box possible. It has impressive action sequences supported by flawless visual effects, such as the battle of Scarif, the battles of the ships and the devastating power of the Death Star. As if that were not enough, the film has cameos that have a very important presence.

On the technical side, the soundtrack is very good as usual, but the sound editing also stands out tremendously. Photography is beautiful! Even from the first introductory scene of that ringed planet. The editing is also very efficient and its highest point is in the last third of the film, where there is a very fast pace as we get into the battles.

The few negative points are found in specific decisions regarding the performances and the non-existent development of some secondary characters.

This is a work that makes even those who most resist the fury of this old saga (like me) turn their eyes to this great action and science fiction show.

Rogue One is, by far, the best Star Wars film to be released since the original trilogy. A fantastic cast of original characters, still hitting on the popular characteristics from previous fan favourites, seek to complete a daring mission which ultimately sets up A New Hope and the whole Star Wars saga.

Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?

Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.

There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.

An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.

Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.