La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 24 vittorie e 85 candidature totali
Recensioni in evidenza
What has made Star Wars into the internationally recognized genre that it is today? Two things in particular - original material and a touch of humor/wit. Rogue One is a plethora of both. In addition, even in an area where previous Star Wars may have lacked (perhaps even overlooked, understandably), the acting is superb, top of the line. Forest Whitaker may be the most recognizable name in the entire cast, and he kills it every moment as his brilliant, rebellious character, Saw Gerrera. But he is merely the tip of the iceberg in what becomes an epic, near-perfectly written plot that connects episodes III and IV. It is haunting, it is funny, devastating, cheesy, and it is wonderful. It IS Star Wars.
This is almost perfect Star Wars. By far the best Star Wars of the new era (including the prequels). Hard to find any fault with it. If only Abrams, Johnson and other took more note of this it might have saved us from some of the faults in those other movies.
Without exaggeration, this is easily the best offering in the franchise since 'Return of the Jedi'. Yes, it is a spin-off of a simple set-up line from the original film, but it manages to really craft it's own story around the demands of where the plot has to go by the end. While it's definitely not a character driven movie, I was surprised with the amount of time given to our key protagonists and the effort to at least make them intriguing.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
Rogue One is the movie we didn't asked for - but what we got was beyond any expectation. Excellent pacing of the movie. As the movie progresses it gets better and better. Culminates in one of the best finales seen in any of the Star Wars movies.
CGI on the past main character seemed odd. But worked well on pilots and scoundrels. Many Easter eggs trough the whole movie are appreciated. Humor from Alan Tudyk's K-2SO was spot on.
Empire Strikes Back is still king of the hill as the best SW movie till date. But Rogue One comes damn close near it.
CGI on the past main character seemed odd. But worked well on pilots and scoundrels. Many Easter eggs trough the whole movie are appreciated. Humor from Alan Tudyk's K-2SO was spot on.
Empire Strikes Back is still king of the hill as the best SW movie till date. But Rogue One comes damn close near it.
Rogue One stands head and shoulders above every other Disney-era Star Wars film. While The Force Awakens, The Last Jedi, The Rise of Skywalker, and Solo struggled to find a fresh identity or narrative weight, Rogue One succeeds by doing exactly that, grounding the saga in the grit and gray of war.
The film boldly shifts perspective, focusing not on Jedi or chosen heroes, but on ordinary people caught in extraordinary circumstances. It masterfully fills a major plot gap: the Death Star's fatal weakness; while telling the gripping story of the Rebel Alliance's first true victory. With morally complex characters like Cassian Andor and Galen Erso, Rogue One paints a world where good and evil aren't so easily defined. Diego Luna brings depth and ambiguity to Cassian, while Mads Mikkelsen's Galen shows how even those within the Empire can resist in subtle, powerful ways.
Visually, the film is stunning, with rich, immersive worlds and breathtaking battle sequences. Michael Giacchino steps up to score the first Star Wars film without John Williams, and while the maestro is missed, Giacchino delivers a memorable soundtrack that captures the emotional core of the story.
Though the pace occasionally feels rushed, leaving some character arcs a bit underdeveloped, the film's grounded tone, compelling narrative, and bold, tragic ending elevate it far above its peers.
Rogue One dares to be different, and in doing so, it succeeds brilliantly. It's dark, emotional, smart, and unforgettable. A must-watch that proves Star Wars can evolve without losing its soul.
The film boldly shifts perspective, focusing not on Jedi or chosen heroes, but on ordinary people caught in extraordinary circumstances. It masterfully fills a major plot gap: the Death Star's fatal weakness; while telling the gripping story of the Rebel Alliance's first true victory. With morally complex characters like Cassian Andor and Galen Erso, Rogue One paints a world where good and evil aren't so easily defined. Diego Luna brings depth and ambiguity to Cassian, while Mads Mikkelsen's Galen shows how even those within the Empire can resist in subtle, powerful ways.
Visually, the film is stunning, with rich, immersive worlds and breathtaking battle sequences. Michael Giacchino steps up to score the first Star Wars film without John Williams, and while the maestro is missed, Giacchino delivers a memorable soundtrack that captures the emotional core of the story.
Though the pace occasionally feels rushed, leaving some character arcs a bit underdeveloped, the film's grounded tone, compelling narrative, and bold, tragic ending elevate it far above its peers.
Rogue One dares to be different, and in doing so, it succeeds brilliantly. It's dark, emotional, smart, and unforgettable. A must-watch that proves Star Wars can evolve without losing its soul.
Lo sapevi?
- QuizGareth Edwards and his creative team discovered some old film canisters while rummaging around the Lucasfilm warehouses. When he asked what they were, an employee said they were old Guerre stellari (1977) footage. The discovery led to the inclusion of unused Episode IV material featuring Red Leader and Gold Leader in this movie.
- BlooperDuring the space battle over Scarif, in one shot of Gold Leader's Y-Wing cockpit, the edge of the Death Star's equatorial trench can be seen through the back window of the cockpit behind him. This is reused footage from the rebel attack on the Death Star from Guerre stellari (1977). Actually, while it is re-used footage, the background has been digitally altered to be the shield gate.
- Citazioni
[repeated line]
Chirrut Îmwe: I'm one with the Force, and the Force is with me.
- Curiosità sui creditiHidden in the credits is the title "Keeper of the Holocron." A Holocron is a cube-like artifact used by the Jedi to store information that were first mentioned in the Dark Horse comic book series 'Dark Empire. On the official Star Wars site Leland Chee was in charge of continuity and received the honorary title of 'Keeper of the Holocron'.
- ConnessioniEdited into If Star Wars Wasn't Serious (2014)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Rogue One: Una historia de Star Wars
- Luoghi delle riprese
- Reynisfjara, Islanda(Planet Lah'mu - opening scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 200.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 533.539.991 USD
- Fine settimana di apertura Stati Uniti e Canada
- 155.081.681 USD
- 18 dic 2016
- Lordo in tutto il mondo
- 1.058.684.742 USD
- Tempo di esecuzione
- 2h 13min(133 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti