La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.La figlia di uno scienziato imperiale si unisce all'Alleanza Ribelle in una mossa azzardata per rubare i piani della Morte Nera.
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- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 24 vittorie e 85 candidature totali
Recensioni in evidenza
Rogue One is, by far, the best Star Wars film to be released since the original trilogy. A fantastic cast of original characters, still hitting on the popular characteristics from previous fan favourites, seek to complete a daring mission which ultimately sets up A New Hope and the whole Star Wars saga.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
This is almost perfect Star Wars. By far the best Star Wars of the new era (including the prequels). Hard to find any fault with it. If only Abrams, Johnson and other took more note of this it might have saved us from some of the faults in those other movies.
What has made Star Wars into the internationally recognized genre that it is today? Two things in particular - original material and a touch of humor/wit. Rogue One is a plethora of both. In addition, even in an area where previous Star Wars may have lacked (perhaps even overlooked, understandably), the acting is superb, top of the line. Forest Whitaker may be the most recognizable name in the entire cast, and he kills it every moment as his brilliant, rebellious character, Saw Gerrera. But he is merely the tip of the iceberg in what becomes an epic, near-perfectly written plot that connects episodes III and IV. It is haunting, it is funny, devastating, cheesy, and it is wonderful. It IS Star Wars.
Rogue One feels like a serious and grounded movie, with a plot that weighs a ton, that feels important on every scale from the very beginning and as the movie progresses it shows that it's on another level, much higher.
The plot is very well written. It's simple, but direct, without fillers or unnecessary diversions. The levels of politics are reduced to the minimum so that it remains a factor to consider, but from the farthest box possible. It has impressive action sequences supported by flawless visual effects, such as the battle of Scarif, the battles of the ships and the devastating power of the Death Star. As if that were not enough, the film has cameos that have a very important presence.
On the technical side, the soundtrack is very good as usual, but the sound editing also stands out tremendously. Photography is beautiful! Even from the first introductory scene of that ringed planet. The editing is also very efficient and its highest point is in the last third of the film, where there is a very fast pace as we get into the battles.
The few negative points are found in specific decisions regarding the performances and the non-existent development of some secondary characters.
This is a work that makes even those who most resist the fury of this old saga (like me) turn their eyes to this great action and science fiction show.
The plot is very well written. It's simple, but direct, without fillers or unnecessary diversions. The levels of politics are reduced to the minimum so that it remains a factor to consider, but from the farthest box possible. It has impressive action sequences supported by flawless visual effects, such as the battle of Scarif, the battles of the ships and the devastating power of the Death Star. As if that were not enough, the film has cameos that have a very important presence.
On the technical side, the soundtrack is very good as usual, but the sound editing also stands out tremendously. Photography is beautiful! Even from the first introductory scene of that ringed planet. The editing is also very efficient and its highest point is in the last third of the film, where there is a very fast pace as we get into the battles.
The few negative points are found in specific decisions regarding the performances and the non-existent development of some secondary characters.
This is a work that makes even those who most resist the fury of this old saga (like me) turn their eyes to this great action and science fiction show.
I am watching this movie for the first time after watching Andor's finale.
For me there is a new great trilogy, Andor S1, Andor S2 and Rogue One, which has rivalled the brilliance of the Original Trilogy.
The ending was devastating for me but definitely cemented Cassian Andor as one of the most memorable characters. K2SO was perfect in every way possible and Jyn Erso was also fairly a good character, along with the other supporting casts. The movie kept me hooked start to finish and I love that we start exactly where we left off in Andor's finale.
I would for sure suggest anyone else yet to watch; to watch these 3 chronologically, because the emotional investment I had in Cassian was what made this film great for me.
For me there is a new great trilogy, Andor S1, Andor S2 and Rogue One, which has rivalled the brilliance of the Original Trilogy.
The ending was devastating for me but definitely cemented Cassian Andor as one of the most memorable characters. K2SO was perfect in every way possible and Jyn Erso was also fairly a good character, along with the other supporting casts. The movie kept me hooked start to finish and I love that we start exactly where we left off in Andor's finale.
I would for sure suggest anyone else yet to watch; to watch these 3 chronologically, because the emotional investment I had in Cassian was what made this film great for me.
Lo sapevi?
- QuizGareth Edwards and his creative team discovered some old film canisters while rummaging around the Lucasfilm warehouses. When he asked what they were, an employee said they were old Guerre stellari (1977) footage. The discovery led to the inclusion of unused Episode IV material featuring Red Leader and Gold Leader in this movie.
- BlooperDuring the space battle over Scarif, in one shot of Gold Leader's Y-Wing cockpit, the edge of the Death Star's equatorial trench can be seen through the back window of the cockpit behind him. This is reused footage from the rebel attack on the Death Star from Guerre stellari (1977). Actually, while it is re-used footage, the background has been digitally altered to be the shield gate.
- Citazioni
[repeated line]
Chirrut Îmwe: I'm one with the Force, and the Force is with me.
- Curiosità sui creditiHidden in the credits is the title "Keeper of the Holocron." A Holocron is a cube-like artifact used by the Jedi to store information that were first mentioned in the Dark Horse comic book series 'Dark Empire. On the official Star Wars site Leland Chee was in charge of continuity and received the honorary title of 'Keeper of the Holocron'.
- ConnessioniEdited into If Star Wars Wasn't Serious (2014)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Rogue One: Una historia de Star Wars
- Luoghi delle riprese
- Reynisfjara, Islanda(Planet Lah'mu - opening scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 200.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 533.539.991 USD
- Fine settimana di apertura Stati Uniti e Canada
- 155.081.681 USD
- 18 dic 2016
- Lordo in tutto il mondo
- 1.058.684.742 USD
- Tempo di esecuzione
- 2h 13min(133 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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