Pay the Ghost - Il male cammina tra noi

I strongly suspect that, around 2009-2010 or so, Nicolas Cage participated in a secret scientific experiment to have himself cloned, and that since then there are at least three of four Nicks walking around in Hollywood! How else would you explain the large number of Nick Cage vehicles that is getting released each year? I seems that, every time I blink my eyes, two or three titles are added to Cage's filmography here on IMDb. I don't mind, though, and it's even quite clever because I (and surely many others with me) will pretty much watch everything that Nicolas Cage stars in, regardless of the quality. And, granted, a lot of the B-type action/horror movies that he starred in lately are bad. Take "Pay the Ghost", for instance. I probably never would have bothered to continue watching if it weren't for Cage's name prominently decorating the opening credits, as it looks like just another derivative and predictable ghost story with a weak plot and an overload of fake scares. Make no mistake, "Pay the Ghost" IS a forgettable and weak supernatural horror entry, but hey, maybe I was in an exceptionally good mood because I nevertheless enjoyed it. The script is obviously trying to cash in on "Insidious", "Sinister" and every other recently released thrillers featuring ghost children, and Cage strictly acts on automatic pilot, but I was still interested in the plot of his missing son. Charlie mysteriously vanished during last year's Halloween parade and, nearly one year later, his father discovers that several children go missing every year on All Hallows Eve without ever getting found. Mike reunites with his estranged wife and together they stumble upon a harrowing tragedy that occurred nearly three centuries ago. Being a sucker for folklore/urban legend stories involving witchery and burning at the stake, I really dug the tale of Annie Sawquin, and director Uli Edel ("Christiane F.") did his best to insert a creepy atmosphere, decent special effects and eerie scenery. Certain scenes are quite brutal, like the fade of the spiritual medium, and the happy ending doesn't feel too forced. But, like I said, I was in a good mood and Cage himself probably already doesn't remember "Pay the Ghost" anymore.

After about five minutes into the movie I thought, "Oh no, not another child that sees ghosts." Then, as though the writers heard my plea, the movie changed directions. Now, to be fair, it didn't go into unchartered territory. In fact, the movie revisited a well established premise.

Professor Mike Lawford (Nicholas Cage) loses his child at a Halloween fair right under his nose. This leads to a split between he and his wife, Kristen (Sarah Wayne Callies), as she blames him for their son's abduction. Shortly before Charlie's (Jack Fulton) abduction he had strange visions and even heard something tell him to "Pay the Ghost". All of that plays a major role in Mike's subsequent search for his son as it takes him to stranger and stranger locations.

I would call the movie eerie and ominous even but not quite scary. There is a particular frustration when a terrible thing happens to you in a desolate location because no one is around to help you. There is another, more intensified frustration when a terrible thing happens to you in New York City and there are literally thousands of people around you. That's precisely what Mike was dealing with. "Pay the Ghost" was entertaining and it held my interest but nothing groundbreaking.

Having enjoyed 'vintage Cage' in The Rock, Con Air, Face-Off, Captain Correli etc, frankly, I was hoping for a comeback, but, I didn't find it. Scripting at times is woefully simple, used to stitch the scenes, 'we need to discover xyz', 'how will we do that' and into the next scene! It feels predictable, it doesn't go deep, on the plus side, there were a couple of goose-bump scares, so I was submerged well enough at points and certainly the pace picks up during the final third. If there was a blackout power cut during the film, I wouldn't even consider to go back to finish it, it is not a good film, but, its not a bad one. Sunday evening B grade fodder.

Pay the Ghost is pretty much as mediocre or average as they come. It's not bad, it's not good. It's just there in the middle. Right in the middle.

(In Norway we have a saying that directly translates to "in the middle of the tree", that expression describes this movie perfectly. I don't know what word in English is most suitable though)

Pay the Ghost had one jump scare that definitely did the job for me. I jumped, and got that cold chill inside my chest. But that was also the only time the movie was remotely scary. Not that it is much horror anyway. It's way more thriller/drama than horror, really.

Nick Cage is usually entertaining to watch, and also here. Sara Tancredi (you know, Prison Break) does an alright job, her character is a little annoying, but that's the scripts fault. The kid, well, he's.. OK. he has a couple of lines that sound out of place, but hey.

The effects are mostly good, except a couple of small problems here and there. The story is just interesting enough for me to wanna watch it through. But like I said, the main keyword here is mediocre. Meh. Commonplace. Average. Call it what you will. There are a couple of problems with the script, doesn't seem like a whole lot of thought went into it, at least not into all of it. But that was as I expected, really.

The movie looks pretty good. I don't know the budget, but it doesn't have that low budget-feel to it. I like it when movies look, you know, at least a little expensive.

This is one of those horror movies you can watch in the evening on a Sunday or whatever, not the kind you build a movie night around, see what I mean? It's right there smack-dab in the middle.

The best part of this movie was that it was basing the intensity of the story in suspense. Most current movies of this genre seem to be based on over the top violence. Whereas this film it is kept to the bare minimum. This is definitely in the style of the good old fashioned ghost stories