Una ragazza che non ha nulla da perdere si unisce all'equipe itinerante di rappresentati commerciali di riviste e si ritrova immersa in un turbinio di feste sfrenate, esperienze al limite de... Leggi tuttoUna ragazza che non ha nulla da perdere si unisce all'equipe itinerante di rappresentati commerciali di riviste e si ritrova immersa in un turbinio di feste sfrenate, esperienze al limite della legalità e giovani amori, mentre attraversa il Midwest con una banda di disadattati.Una ragazza che non ha nulla da perdere si unisce all'equipe itinerante di rappresentati commerciali di riviste e si ritrova immersa in un turbinio di feste sfrenate, esperienze al limite della legalità e giovani amori, mentre attraversa il Midwest con una banda di disadattati.
- Nominato ai 1 BAFTA Award
- 13 vittorie e 43 candidature totali
- Katness
- (as Crystal B. Ice)
- QT
- (as Verronikah Ezell)
Recensioni in evidenza
The film has some other really beautiful scenes. Star and Jake sitting on top of the car as the wind blows and the bright lights pass by; its so wonderful. The stage is set in southern America and you get a real sense of that world on every pit-stop. Not all the character's in the gang are fleshed out in this near three hour film but its hardly a detriment as not many of them are necessarily memorable. The film is heavy on soundtrack which makes sense as you take a car trip through the eyes of Star as she goes from place to place. The scenes during the day always look like its almost sunset. I think it adds to the grittiness and roughness of the American South. The camera is mostly personal and very zoomed on Star so you get to see the world through her first hand experience. I saw a message of how tough it is to set your life straight in a hard world and having to do whatever it takes to get by on a day to day basis. I think at its heart Andrea Arnold's film can be interpreted in a few ways but I saw it as the story of a down out of luck girl who will do whatever it takes to survive. Star potentially puts herself in dangerous situations in the film but she's just fearless throughout. Which takes me back to the curiosity of her past. To me, she's unfazed with what she's exposed to and can adapt very well. Once she realizes she can make it there's a moment of beauty as she takes whatever comes her way. She's always setting animals (and other people) free in this film because she seeks to set herself free.
The first thing I'd recommend is not to be daunted by the running length of the film. Also be prepared for more of a visual, sonic, and spiritual experience over a film that's plot heavy and focused. I enjoyed it just as much as I thought I would.
8/10
Sasha Lane as the protagonist Star gave a great performance. Her anger and sadness come to the surface even when she's silent. I've always liked Shia LaBeouf but I've usually felt like the films he's done don't interest me so I don't get to see his performances that much.
I realize that the film is long, but I think it's part of what makes this film special. It takes time to develop and meanders a bit in the process but again it's part of what makes the film seem so genuine. Though the premise of the story is a bit ridiculous in itself it's really just a vehicle to let us in on the behavior of these young people. What makes them tick. What kind of music they like. How they relate to each other.
Clearly this film isn't for everyone. You should have an idea what it is about before you partake in the investment of watching it. But if you are like me and enjoy the sociological aspect of feeling like you are eavesdropping on the life of these young people then it's a great film.
I'm not familiar with this director but now I'd like to see her other films. Hopefully her hand is on the pulse of a lot of different subsets of culture.
Synopsis: A teenage girl, living in extreme poverty, is recruited into a traveling sales crew filled with other teens in her same situation. The group travels cross-country, scamming people into buying magazine subscriptions by day and partying incredibly hard by night.
Arnold's hand-held camera work only helped immerse me into this lesser known subculture, watching these economically disadvantaged teens make sketchy life choices as they come of age inside a van sized commune of their peers. But it's the stellar performance from newcomer Sasha Lane which gives major credibility to this film and justifies some of its more minor flaws as well as the run-time. Much of the satisfaction I received from "American Honey" came from watching Lane's character evolve throughout.
Final Thought: There are a few misplaced lines of dialogue, which seem to force-feed a bit more than I would have liked, and at a nearly three hour run-time, this Indie will be perceived as an intimidating venture for some, but boy is it worth your time. The genuine atmosphere of "American Honey" speaks to this generation like not many movies do, and will stay with you for days after viewing.
Hungry after living the life of a teenager she gets attracted to a group of young people at a supermarket with high spirit and a bad attitude. She leaves her siblings behind and joins the group who lives from day to day selling magazines to whomever they meet. The common denominator is the selling of magazines. How to do it? How to manipulate the potential buyer with different kind of stories up the sleeve that is supposed to impose sympathy? As Oliver Twist is lured into Fagins lair and is taught to pick pockets without knowing what he is doing so is Star initially. At the point where she understands the rules and laws of the group, she is involved in such a way that she accepts the game and takes some very big risks and further compromises her own moral values.
The force of the movie is the depiction of the life on the road, the interaction between our marginalized young people and slowly getting to know our protagonist, who in the beginning is the silent observer and little by little starts to unfold her personality.
I can see that the movie is being criticized for being very long and not having a story that develops from a start- to an endpoint. I agree that some of the scenes are prolonged to a point that seems unnecessary. Besides this I think that this movie is a perfect example of how the truth often lies in the detail. This means that we need to dwell in some of the scenes and that the artistic challenge is to let this happen in a way that gets the audience involved.
Again I must express my deepest respect for director Andrea Arnold who has the rare ability to show a milieu in such a convincing way that it at certain points seems as if you are not watching a movie but instead a documentary but without losing the storytelling.
Regards Simon
Ps. When you read reviews that gives max score check to see if the user has made more than one review. If not consider the possibility of a lobbyist. If you agree consider putting this post scriptum at the bottom at your own reviews.
Lo sapevi?
- QuizDirector Andrea Arnold wanted to work with unknown actors. She would often approach teenagers on the street whom she thought would be good for the movie, and hold impromptu auditions in parking lots.
- BlooperWhen Star reacts to stepping into the pool of blood in the field next to the road, she removes her satchel. The satchel reappears in its original position towards the end of the scene.
- Curiosità sui creditiThe closing credits, after the lead actor names, consist of a list of names, alphabetized by first name, with no indication of whether they are crew or cast -- no job titles or character names. And there are no opening credits.
- ConnessioniFeatured in Breakfast: Episodio datato 16 ottobre 2016 (2016)
- Colonne sonoreBounce It
Written by Wale (as Olubowale Victor Akantimehin), Trey Songz (as Tremaine Neverson), Dr. Luke (as Lukasz Gottwald), Jacob Kasher (as Jacob Kasher Hindlin), Cirkut (as Henry Russell Walter), Ethan Lowery and Juicy J (as Jordan Houston)
Published by WB Music CORP. (ASCAP), Dead Stock Music (ASCAP), WarnerTamerlane Publishing CORP. (BMI and April's Boy Music, LLC (BMI) - All rights on behalf of itself and Dead Stock Music (Admin. by WB Music CORP)
All rights on behalf of itself and April's Boy Music, LLC (Admin. by Warner-Tamerlane Publishing CORP) / Prescription Songs LLC, Cirkut Breaker LLC, Kasz Money Publishing and Kobalt Music Publishing Ltd (Admin. by Kobalt Music Publishing Ltd) / BMG Rights Management
(c) 2013
Performed by Juicy J featuring Wale and Trey Songz
Courtesy of Sony Music Entertainment Inc.
Used with permission. All rights reserved.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Dulzura americana
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 663.246 USD
- Fine settimana di apertura Stati Uniti e Canada
- 71.203 USD
- 2 ott 2016
- Lordo in tutto il mondo
- 2.888.927 USD
- Tempo di esecuzione
- 2h 43min(163 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1