She's Gotta Have It

Corny is word I hate using but it sums up Spike Lee's attempt at- whatever it was he was trying to achieve with this reboot. Now, it was not completely terrible, it was easy to watch in the background while I worked on my laptop. However, I think I would have turned it off sooner had I been fully paying attention. The acting was overall quite bland. There weren't many fully realized characters in the cast, almost everyone was a shell of clichés. The close ups, especially towards the end were eye rolling. And that finale- I suppose I would've been disappointed if I was expecting something more.

I have a lot of respect for the arts but I didn't need to see this portrayal of another self righteous "starving" Brooklyn artist, who if they spent 5% of the time working some other job as they do pontificating about how the world NEEDS their art... give me a break. Nola is getting a steep discount from her godmother to stay in the gentrified neighborhood she grew up in, and she still doesn't manage to get the rent on time. They constantly talk about her hustle, yet she really isn't ever truly desperate or truly hustling. Now maybe that wasn't the show they wanted to make, but don't pretend putting 5 paintings on your stoop and walking some dogs to continue living solo in a gorgeous brownstone is roughing it. Gentrification is a legitimate issue, and I see the commentary Spike was going for but it fell quite short.

I'm sure some people will enjoy the show, as I said it is not all bad, just was not for me.

The music gave it a 2 star rating... and I'll chuck an extra 1 star because they rip on Trump.

Was turned off by the first episode but pressed on as I had heard good reviews. But in short, this show is garbage. And most upsetting is the fact that it has been characterized as "bold", "honest", and "fresh". Unfortunately, the show's "heroine" is a smug, narcissistic, irresponsible and confused mess. It's hard to watch, and disappointing to think that with this kind of material, Spike Lee fancies himself a voice for black Americans everywhere. The characters remain mostly undeveloped and the story, while it has its high points, is largely pointless and unresolved. And I guess the critics are too polite to call it "trash" so instead they praise Spike Lee's genius. Overall, I guess if you enjoy a show like Issa Rae's Insecure with its portrayal of confused, "sexually liberated", black women — along with a couple sassy "black girl-isms" thrown in (yaasss girl) — then you'll enjoy this too. But so as not to encourage more of this tripe content from Netflix, I'd suggest that you pass.

Everyone who hates on this show doesn't understand its true meaning. It's not about a woman juggling with 3 lovers. Her lovers represent the time in her life she's in. She's confused and scared to be her true self and get close to any of these guys in the beginning. Season 2 makes more sense that this show is about a young black woman coming into adulthood a little later than many, but we all have different timelines. It is a journey of growth and self discovery and when you see the ending it will all make sense (or not, if you don't get it lol). It's about learning from your life experiences. Of course she is not the perfect character, she is a real one. Because people in real life are just as confused, if not more. But we all get through periods of growth in our own way and unique situations and experiences. This is a thought provoking series and not everyone will get it, hence a lot of negative feedback. Why hate on something you don't understand? See it again and maybe you'll learn something. I'm giving it a 5 because of the negative way the character is portrayed in the beginning, she's contradicting her own words and views in life and my thought in the beginning was like many of the negative reviews on here but then I got the meaning of the show later on.

Spike Lee plus Brooklyn plus his breakout story had the potential to be really good. Unfortunately, it wasn't.

First, the positive. The soundtrack to this series is amazing! Spike really did his thing with the song selection. Second, the shots and cinematography were great. Spike and his crew really make Brooklyn come alive in this series. Third, Dewanda Wise is gorgeous to look at. At times I was able to overlook the ridiculousness of Nola Darling because I was looking a Wise's pretty brown face.

Now the negative. The concept is dated now. Women having more sexual agency is not new in film or TV. Even worse her preaching about it so much makes her character come off as selfish and even detached from reality. In one scene she tells the therapist the men in her life are trying to control her. That made me laugh. Because up to that point in the series the only person who ever required anything of her was her female lover, Opal. The men were all content with just sex.

And the men in this series were a sore point. These guys don't exist in real life. As a result it makes Nola's character seem even more hollow. Her power is derived from "living her truth" with these men. But their characters are so weak it makes her unbelievable. Mars Blackmon is like a teenager. Asserting your sexual reality against him is no accomplishment.

Finally, the messages in the series are too heavy handed. At times it seemed like Spike wanted to preach a message about gentrification so he built a TV series around it. Also, the random monologues got in the way of the story. Nola breaking the 4th wall always seemed forced and fake deep. Shamecka was more interesting as a character than Nola.