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IMDbPro

Elle

  • 2016
  • VM14
  • 2h 10min
VALUTAZIONE IMDb
7,1/10
73.323
LA TUA VALUTAZIONE
POPOLARITÀ
4378
191
Isabelle Huppert in Elle (2016)
Theatrical Trailer
Riproduci trailer2: 10
18 video
99+ foto
AzioneCrimineDrama sul postoDrammaMisteroRomanticismoThrillerTragedia

Una donna d'affari di successo si trova intrappolata nel gioco del gatto col topo nel rintracciare l'uomo sconosciuto che l'ha stuprata.Una donna d'affari di successo si trova intrappolata nel gioco del gatto col topo nel rintracciare l'uomo sconosciuto che l'ha stuprata.Una donna d'affari di successo si trova intrappolata nel gioco del gatto col topo nel rintracciare l'uomo sconosciuto che l'ha stuprata.

  • Regia
    • Paul Verhoeven
  • Sceneggiatura
    • Philippe Djian
    • David Birke
  • Star
    • Isabelle Huppert
    • Laurent Lafitte
    • Anne Consigny
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    73.323
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4378
    191
    • Regia
      • Paul Verhoeven
    • Sceneggiatura
      • Philippe Djian
      • David Birke
    • Star
      • Isabelle Huppert
      • Laurent Lafitte
      • Anne Consigny
    • 216Recensioni degli utenti
    • 384Recensioni della critica
    • 89Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 70 vittorie e 97 candidature totali

    Video18

    Elle
    Trailer 2:10
    Elle
    Elle
    Trailer 2:10
    Elle
    Elle
    Trailer 2:10
    Elle
    Official US Trailer
    Trailer 2:09
    Official US Trailer
    International Teaser Trailer
    Trailer 1:51
    International Teaser Trailer
    Stalker
    Clip 2:44
    Stalker
    Senseless Acts
    Clip 0:46
    Senseless Acts

    Foto132

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 126
    Visualizza poster

    Interpreti principali39

    Modifica
    Isabelle Huppert
    Isabelle Huppert
    • Michèle
    Laurent Lafitte
    Laurent Lafitte
    • Patrick
    • (as Laurent Lafitte de la Comédie Française)
    Anne Consigny
    Anne Consigny
    • Anna
    Charles Berling
    Charles Berling
    • Richard
    Virginie Efira
    Virginie Efira
    • Rebecca
    Judith Magre
    Judith Magre
    • Irène
    Christian Berkel
    Christian Berkel
    • Robert
    Jonas Bloquet
    Jonas Bloquet
    • Vincent
    Alice Isaaz
    Alice Isaaz
    • Josie
    Vimala Pons
    Vimala Pons
    • Hélène
    Raphaël Lenglet
    Raphaël Lenglet
    • Ralf
    Arthur Mazet
    Arthur Mazet
    • Kevin
    Lucas Prisor
    Lucas Prisor
    • Kurt
    Hugo Conzelmann
    • Philipp Kwan
    Stéphane Bak
    Stéphane Bak
    • Omar
    Hugues Martel
    • Directeur adjoint
    Anne Loiret
    Anne Loiret
    • Médecin
    Nicolas Beaucaire
    • Agent immobilier
    • Regia
      • Paul Verhoeven
    • Sceneggiatura
      • Philippe Djian
      • David Birke
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti216

    7,173.3K
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    Recensioni in evidenza

    8I_Ailurophile

    Fierce, dark, and compelling, and a fine credit to all involved

    One can't help but note the decidedly brusque tone and pacing with which this operates, pointedly matching the strident personality of the title character, and the uncomfortable curtness of every social interaction. Between these two facets, the picture sits at a peculiar place of seeming to fly past while it's actually moving quite slowly - I was altogether surprised to look at the digital timer at one point to see that I was only halfway through the runtime. All the while, it's hard to get an exact beat on what 'Elle' is doing. It definitely carries itself in some measure as a psychological drama, or at least a character study, with major thriller airs; Michèle Leblanc is plainly fascinating, and the character writing generally is without question the sharpest aspect of these 130 minutes. The scene writing is ferocious and downright ugly, and the narrative at large is as indescribable as it is compelling. Only: what is it that I should be taking away from the viewing experience, especially in regards to dynamics between men and women? That I surely don't know, but it's safe to say that one way or another I'll be thinking about this for a long time.

    I'm not familiar with Philippe Djian's novel, and I can't say I've seen other films that David Birke wrote - excepting 2021's superb 'Benedetta' that he co-wrote with director Paul Verhoeven. Wherever the credit belongs, the screenplay is tremendous: a maelstrom of strong emotions, very complicated characters, and horrid violence (a content warning is obviously extremely necessary for depictions of rape), with additional tidbits including not just those gender dynamics but also how we experience and react to violence at different times or in different ways, parent-child relationships, and more. As to any Big Ideas or themes that Djian, Birke, and/or Verhoeven were hoping to communicate, well, I'll need to turn this over in my head a bit more to discover what's hidden within. Even without such considerations, however, the movie is a stark, vivid ride, roundly absorbing and well worth exploring for the sheer excellence it represents. Beyond the writing, that absolutely includes Verhoeven's direction, steady and reliable as it's always been. For as forceful as the proceedings here are in many ways, he nonetheless demonstrates a dexterous, delicate hand in orchestrating shots and scenes that lets them sink in their claws instead of just landing with blunt impact; I shudder to think how poorly this material may have been treated in the hands of anyone less capable.

    Everyone behind the scenes turned in great work, too, including fetching production design, costume design, hair, and makeup, and finely executed stunts and effects that are jarring as they present. Yet it's the folks in front of the camera who might be most readily striking of all. It's certainly noteworthy that star Isabelle Huppert received many nominations and awards for her portrayal of Michèle. Yet even in her case, it's not that any of the acting is singular and revelatory, specifically making a huge impression. Rather, it's more that like the broad tenor of 'Elle,' there's an unmistakably fierce, terse edge to the performances (Huppert's above all, by all means) that does much to harness and maintain the vibrant, harsh energy of the feature, propel the plot, and keep we viewers locked in. And really, all these elements work in tandem to achieve that vivid spark, which surely means Verhoeven deserves commendations once again for maintaining such a tight, dark vision over the whole affair, if not also producers Saïd Ben Saïd and Michel Merkt.

    Even setting aside the important content warnings this won't necessarily appeal to everyone, least of all for some of the ideas that it plays with and the dire atmosphere. Even for a filmmaker who gleefully dances across extremities and taboos this is a bit of an oddity for his oeuvre, hard to particularly pin down. One way or another, however, the fact remains that 'Elle' is pretty fantastic all around, benefiting from the substantial skill and intelligence of all involved. Whether you're a diehard fan of someone involved or just looking for something good to watch this is well worth checking out. Be aware of the nature of the content, but otherwise just strap yourself in and watch the fireworks.
    8ferguson-6

    Unconventional story, powerful performance

    Greetings again from the darkness. It's best not to pre-judge what to expect in a new Paul Verhoeven directed film. We haven't seen or heard much from him in the past decade (the underrated Black Book, 2006), but we know surprises and twists and entertainment will be part of his work given his track record of Robocop, Total Recall, Basic Instinct, and Showgirls. Factor in that he is now working with one of the best actresses on the planet in Isabelle Huppert, and we walk into the theatre with no assumptions but a high level of anticipation.

    The phrase 'tour de force' is no exaggeration for Ms. Huppert's performance here. No time is provided for settling into one's seat as the opening scene stuns us with a brutal sexual attack by a masked intruder. Afterwards, the bloodied victim calmly cleans the house, soaks in a tub and orders takeout. This is our introduction to Michele (Huppert) and begins our two hour mission of trying to figure her out.

    Is she the ultimate feminist? She is the co-owner (with her best friend Anna) of a video game company that specializes in highly stylized and violent fantasy games (no subtle irony in that). Is she demented? She fools around with the husbands of her best friend and neighbor. Is she simply off-center? She scolds her mother for wanting to marry a much younger man, and her son for living with his selfish girlfriend who has a new baby via another man. She is not a good friend, business partner, mother, daughter, wife or person. This is no sympathetic character, yet thanks to Ms. Huppert, we simply can't take our eyes off of her or stop wondering how she will handle the next situation (of which there are many).

    Based on the novel "Oh …" by Phillipe Dijan, with a screenplay from David Birke (who has a similar theme in much of his work), the film spares us little from the daily life of Michele. We see her as a confident business person, a sexual being – whether peering through binoculars at a neighbor or trysting with a married man - and a somewhat devious and devilish person intent on revenge. It's not until later in the film that we learn the family history that has been the driving force behind her rebuilding her life while also being unable to escape the past.

    Ms. Huppert is in most if not every scene. It's a powerful and rare performance that is complemented by some fine supporting actors: Anne Consigny as Anna (Michele's friend and business partner), Christian Berkel as Robert (Anna's husband and Michele's play toy), Charles Berling as Richard (Michele's ex-husband), Judith Magre as Michele's mom, Laurent Lafitte as Patrick (the neighbor), and Jonas Bloquet as Vincent (the dim bulb son). Michele has interactions with each of these characters … none better than the Christmas dinner party where all are in attendance.

    Verhoeven's film can be viewed as a slightly sleazy guilty pleasure, or as a profile of a strong, independent woman with a flawed moral compass. It's a reminder that we never fully escape the shadow cast by our parents, and some pay a greater price than others. It's rumored that no major American actress would take on the role, which in the end, benefits the film greatly … no other actress could have provided what was needed (except perhaps Barbara Stanwyck, who died more than 25 years ago). Ms. Huppert's performance allows this to cross many genres, and it is undoubtedly the best of the year in this category: a comically mean rape-revenge psychological thriller centered on consent and desire. Should you doubt this, perhaps Michele's own words will convince: "Shame isn't a strong enough emotion to stop us from doing anything at all." It's a pleasure to meet you ma'am.
    7SkullScreamerReturns

    Profound thriller-drama...Verhoeven still got it

    Paul Verhoeven got famous with Robocop and other action-packed sci-fi films. A while ago I watched a couple of his early films which were completely different in style; dramas with a lot to do with sexuality. Now I got to see one of his newer ones. In some way "Elle" goes back towards his roots of love/sex themed drama, but it also more mature compared to his wild youthful early films.

    From what I had read I expected a "revenge flick" but that wasn't entirely the case. There is some of that thematic but more than that it's a drama with complicated relations between the characters. To be honest, I didn't entirely understand all of their motivations but I still liked the way it made me ask questions and think about psychology.

    Isabelle Huppert is the lead actress and she literally leads the show. She acts very good, and the character she plays is interesting and surprising, and you never really know what she's up to. There is a theme of not agreeing to be seen a victim, and that is pretty much what the main character is about. She can be seen as an empowerment figure, though I also had a feeling that the character had some minor screw loose too. Anyway, however you interpret things the movie probably makes you think things in some new ways too. That's always a good thing that makes movies stand out.

    Ps. The hatchet in still images did not have that much use. So if you are looking for a violent action film, then it's probably not going to be this one.
    CalRhys

    A Convoluted, Yet Well-Executed Premise!

    After seeing this film at Cannes, it left me with rather mixed emotions, and I continued thinking about it for quite some time after; so after much thought, I decided it was time to write a review of this new French new flick. 'Elle' is a thought-provoking thriller from the hands of Dutch auteur Paul Verhoeven that is definitely not suitable for the younger audiences. Verhoeven has a tendency to venture down more explicit routes (think of 'Showgirls'), but this time took a psychological approach creating a film that will definitely leave you thinking.

    Now, the plot can be rather convoluted. The film runs several plot lines alongside each other and at times, you can lose track of certain characters, but if you pay close enough attention, you'll fully appreciate the complex, yet original structure Verhoeven has created. The performances in the film are all fantastic, and the direction is magnificent (Verhoeven actually took to learning French as a new language so he could utilise an entire French crew), the cinematography and soundtrack both make great accompaniments, but I personally think the film's structure was the only downside to the film.

    The subject matter is rather grim, revolving around sexual assault and the estranged relationship between the main character and her parents, but there are instances of humour that just give that little hint of lightheartedness to a relatively dark premise. All-in- all I would definitely recommend this film if you're a fan of dark thrillers along the lines of 'The Girl With the Dragon Tattoo' etc, but be prepared for a no-holds brazen thriller. Nonetheless, Verhoeven has made a sincere thriller that kept me thinking well after the credits had finished, so congratulations to him for that, and for undertaking the somewhat "risky" subject matter.
    7Pjtaylor-96-138044

    An enthralling exploration of the taboo desires of slightly sociopathic people.

    Apparently so controversial that several American actors passed up on the opportunity to play the lead part and Paul Verhoeven had to take his long-awaited return (to form at least) out of the US entirely, this subversive pseudo psycho-sexual thriller represents a rather unique take on the tried and tested rape-revenge genre, moving far away from pure exploitation and instead heading into an enthralling exploration of the taboo desires of slightly sociopathic people. There's nothing really conventional about 'Elle (2017)' and that might be what makes it so compelling, with the absolutely phenomenal screenplay brought to life by equally engaging, rivetingly realistic power-house performances, and the fact that each intriguing new layer just feels so natural despite the brazenly bizarre tone and inconsistent pacing is a testament to the rich character development and world building that makes the piece seem so wholly believable. 7/10

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Isabelle Huppert was 63 when this movie was made.
    • Blooper
      At the firing range, Michèle grossly mishandles the gun, pointing the loaded weapon directly at Kevin standing next to her. She then fires the gun while neither of them are wearing hearing protection.
    • Citazioni

      Michèle Leblanc: Shame isn't a strong enough emotion to stop us from doing anything at all. Believe me.

    • Connessioni
      Featured in Verhoeven Versus Verhoeven (2016)
    • Colonne sonore
      Lust For Life
      Written by David Bowie and Iggy Pop

      Performed by Iggy Pop

    I più visti

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    Dettagli

    Modifica
    • Data di uscita
      • 23 marzo 2017 (Italia)
    • Paesi di origine
      • Francia
      • Germania
      • Belgio
    • Siti ufficiali
      • Entre Chien et Loup (Belgium)
      • Frenetic Films (Switzerland)
    • Lingua
      • Francese
    • Celebre anche come
      • Elle: Abuso y seducción
    • Luoghi delle riprese
      • 11bis Rue Charles Rhôné, Saint-Germain-en-Laye, Yvelines, Francia(Leblanc's house)
    • Aziende produttrici
      • SBS Productions
      • Twenty Twenty Vision Filmproduktion GmbH
      • France 2 Cinéma
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 9.000.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 2.341.534 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 50.934 USD
      • 13 nov 2016
    • Lordo in tutto il mondo
      • 12.449.281 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 10 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.39 : 1

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