City Lights

I would certainly rate City Lights at par with Shahid as far as the intensity of the film goes.. Hansal Mehta returns with Rajkumar Rao.. to deliver yet another spectacular film experience.. the atrocities.. the hurdles .. that a poor family has to bear .. all of them have been shown wonderfully (in a sad way in fact) ..to put it simply the film shows how fortunate how lucky some of us really are that we haven't been touched by the harsh realities of life.. the conditions unimaginable which the people coming to big cities have to experience and live in..

I was left speechless at some of the scenes where the drama is so real that .. you don't even know whether you're watching a film or not. acting was out of this world.. Rajkumar Rao hands down !! another national award is awaited for this one.. Patralekha was superb.. Manav Kaul (Kai PO Che fame)another revelation and actor to look out for i feel this movie deserves as much as Queen did.

the only reason why i am cutting 1 mark is that some of the songs in the background were unnecessary !!

9 cheers!! go for this one

Definitely not a bad film, watch it for the acting by everyone.

This is a film of the downtrodden families and the helplessness of the people living that life. There are lot many compulsions and obligations they shall be having. Mostly, they are in forced circumstances making them go for desperate measures to improve their life style. The protagonist Deepak Singh is one such poor should who is driven to take desperate steps to improve the living of his family.

Rajkumar Yadav becomes Deepak Singh literally. From the Rajasthani accent to the demeanor, to the attire and even body language, everything is pitch perfect with him. Its good to find a new-age actor who becomes the characters rather than just playing the part. Rajkumar Yadav has gone way beyond many of his contemporaries. The next best part was of Manav Kaul who played the tight security guard "Vishnu". Manav was damn good in his role, just refreshing to see a new face play a character with such conviction. Also, the heroine of the film Patralekha was commendable. While others did their job well. So this film was a lot about acting above all else.

This is an official remake of the British-Filipino film "Metro Manila". It's heartening to see a lot of credit being given to the original film. Never saw the original film, but this film was weak at places while it was brilliant at some places. Deepak comes back drunk and asks his wife, (who takes up the job of a bar dancer) to dance for him. That was a brilliantly performed scene I felt. Coming to the weakness, it lies in the writing that defies logic.

It's a film that tries hard to be as real as possible. Real locations, realistic characters and more-so the scenes that could have possibly happened. But, there are a few things that did not satisfy my logic. So I was a bit disappointed by what was offered by this team of "Shahid" which I think was a brilliant film.

Hansal Mehta did great job in extracting acting, but he stuck to the script so tightly, that he might have forgot to ask a few questions to the writers and producers. So thus, he had presented some flaws unintentionally. The editing should have been more precise. The film though 2 hours in length seems long with not much happening. The intimate scenes of the main leads could have been trimmed down is what I strongly felt.

It's a good film still, but not a thoroughly satisfying venture to me as a viewer. A 3/5 for a film that's good and could have been so better.

First observation is 6.6 rating under estimation for the movie review.

The movie is all about struggle of the village person moving into Mumbai for his survival, nothing more and nothing less. True to its spirit, the lead actor Rajkumar Rao delivers one of his best performances at least at par with Shahid, If nothing alteast watchable for this great acting. Arijit Singh's background one-liners and music adds onto its flavours and somehow you can't ignore those humming moments.

Some might feel that the movie is slow but whatever it may be, you won't regret watching this movie that's for sure.

Citylights re-unites the director actor duo Hansal Mehta & Rajkumar Rao after a superb "Shahid" which won each of them the National Award this year.CityLights Citylights is an adaptation of 2013 Award winning movie "METRO MANILA" directed by Sean Elllis and Hansal Mehta does complete justice to the original. The story is credited to Sean Ellis the original writer of METRO MANILA; the adapted screenplay is by Ritesh Shah. Ritesh stays true to the original but adapts it to the Indian context of people from smaller towns who migrate to the city of dreams Mumbai expecting to make a better living. Just a piece of advice if you are looking at an entertaining movie then this is definitely not the right choice.

Citylights is the story of Deepak (Rajkumar Rao) and Rakhee (Patralekha) who come to Mumbai from Rajasthan to make a better living but become victim of the shrewd reality of city life. The story by Sean Ellis captures the pathos of a small town guy well in his story and Ritesh's screenplay captures the nuances well. At times the movie's pace becomes sluggish especially during song sequences which was unnecessary. Some of the sequences are very well written albeit I felt the climax was a bit hurried and could have been presented well.

It is the performances which make the movie memorable. Rajkumar Rao gives another brilliant performance. His portrayal of Deepak Singh is so realistic that you wonder whether he is really acting. The Dialect to the body language is all up to the mark. Another superb performance is of Manav Kaul who plays Vishnu a friend of Deepak with ulterior motives. After "Kai Po Che" Manav again shows his caliber, this is an actor to look forward to. Sadia Siddique as Vishnu's wife is good albeit her role is small. Patralekha as Rakhee does show a spark but gets overshadowed by Rajkumar and Manav.

Production Design by Rajat Poddar is realistic. Editing by Apoorva Asrani could have been sharp. Jeet Ganguli's music is good but does not gel with the narration rather it hampers the pace.

Hansal Mehta's forte is to get the human emotions bang on and he succeeds in this movie as well but fails a bit in giving it a Thriller edge and finesse in the narration which was the highlight in the original METRO MANILA.

Rajkumar Rao once again scores high in this film. Really gripping story and cinematography with a flavour of excellent acting makes this movie worth watching.