Janis

An experienced documentarist who poses her eye on one of the greatest in the history of music. Very remarkable the amount of footage of Janis in her glory days. Presetns a lot of testimonials from people very close to her(both professionally, and personally), which allows us to feel a little more closely, both the achievements and thesuccesses, as well as the sorrows and sufferings of the genius of Janis. Another positive aspect is the letters or written records of Janis. IT also lets us enjoy many moments of live music, which is always good in a music documentary. Very exciting and entertaining.

Amy Berg's documentary charting the course that blues and rock singer Janis Joplin took from her childhood hometown of Port Arthur, Texas to San Francisco and then Los Angeles in the 1960s is filled with great clips and fantastic music (particularly the performance of the lesser-known "Little Girl Blue" shown at the conclusion). However, there's nothing here--not even the reading of letters Janis wrote home to her family--that will surprise anyone who has followed Joplin's career since her untimely demise in October 1970. Although she lived a wild, scattered but full-blooded life in her 27 years, Joplin's recording career was extremely brief (two albums, one with her first band, Big Brother and the Holding Company, followed by a solo album, released posthumously). Janis as a human being was anything but predictable, and yet the myriad of documentaries chronicling her life and stardom all seem to cover the same territory, the sex-drugs-and-rock and roll high-life. Berg insulates Joplin here, as Joplin was insulated by the yes-men in her life who were trying to steer her career. We do not hear about the books Janis read (she was a huge F. Scott Fitzgerald fan), the movies she saw, how she felt about the war in Vietnam or the hippie movement or her second-rate (for her) performance at Woodstock. She is, of course, a tragic figure in popular music, but fleshing out that figure--giving us some surprising, intimate insights into her quirky personality--has yet to be achieved. **1/2 from ****

Viewed at 2015 Venice Film Festival., "Janis, Little Girl Blue" by Amy Berg, With Alex Gibney, himself an outstanding documentarian acting as producer, is a Great Doc about a great American singer, Janis Joplin, who died too young on the verge of salvation.

Interviews with parents, sister, brother, surviving members of The Grateful Dead, Kris Kristofferson, and most surprising, Dick Cavett (1970). In a year of many good documentaries, this was the best of all -- a marvelous reconstruction of a tragic young life. Janis sang the blues with such conviction and such black feeling that even afro-Americans though she was black -- She died on October 4, 1970 in a Hollywood motel of an accidental heroin overdose at age 27 -- only two weeks after another rock legend, Jimi Hendrix, also at age 27. The film traces her life from humble origins in the nondescript north Texas town of Port Arthur, constant humiliation by her schoolmates because of her extreme nonconformity and relatively plain looks, up through her rise to prominence as the lead singer of the acid/rock band Big Brother and the Holding Company --one of the leading San Francisco rock groups of the mid sixties -- reaching the pinnacle when recognized as the top white blues singer of the age, her difficulties dealing with fame, her loneliness in the midst of adoring crowds, her battle with drug addiction, and finally her tragic early death on the verge of even wider fame and general acceptance by the serious music world.

Needless to say, the film is liberally spiced with clips from her amazing stage appearances, which is an added enrichment, but this is far from a mere excuse to present her songs -- far more a penetrating probe into the life of an extremely complex personality ---a true artist who became the victim of her own profound talent. Myself more or less a product of the psychedelic sixties, I left the vast Venice theater thoroughly emotionally drained and realizing I had just witnessed a remarkable film about a most remarkable life. Alex, Budapest

The recent documentary Amy, depicting singer Amy Winehouse's rise and fall at about the same age as Janis Joplin reminds me that all rockers are not the same, especially females. Janis: Little Girl Blue depicts Joplin as much more focused than Amy and much more in control of her own life. Except for in death, where both succumb to substance abuse, even the relatively more stable Amy.

This Janis doc does an effective job showing the arc of her brief life, from a country girl in Texas to the rocker who led the way for women in the industry and eventually the world. Why the eventual failure given her great fame and fortune? It's simple, really: She wanted to be loved, and not always finding that devotion, she could turn to music and drugs for support and fulfillment.

Along the way, the doc gives insight into what makes this blues mama run: In her own words she says ambition is the desire to be loved. She's not a "Cry Baby" about not getting the love she wanted from some of her friends and family; actually family members talk to us and appear to have supported her through it all.

Her straight-laced parents couldn't be expected to wholly embrace the counter-culture queen, who began innocently singing folk tunes in her early teens and ended singing blues that reminded one critic of "desperate mating calls." Professionally she gets plenty of love from the likes of Khris Kristofferson, whose Me & Bobby Magee was her best-selling single ever and band mate David Goetz, who observed that she turned into a caricature of the blues mama that the media had helped to create. Dick Cavett interviews her with an unusual affection different from his usually detached persona. At one point he can't remember if they were intimate—a nice touch of amnesia that doesn't belie a bit his attachment to her.

Janis: Little Girl Blue informs about Joplin's career from folk to hard blues, gives insight into the driving emotions of her ambition, and amply shows her singing talents that made her a child of Aretha Franklin and her own person.

A greatly satisfying bio of a great singer.

Janis Joplin was sadly one of many rock stars to die young after overdosing on drugs. Unfortunately, this documentary is rather short on insight into who she was and why her life turned out the way it did. We're told she had a tough childhood, and then quickly, we're told how as a very young woman she ran away to San Francisco, became a singer and an addict, and nearly died. Yet all this is covered in just fifteen minutes; her career once famous fills out the rest of the programme, yet it might seem arguable that in a sense, the most important things in her life had already taken place before this began. There's also little discussion of her musical abilities; a lot about her personality and how she gave herself to her singing, but if her music doesn't move you, there's not a lot of dispassionate explanation here. A string of talking heads tell us how extraordinary, how full-of-life Janis was; but having watched them all, I still didn't feel like I knew her at all.