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Aru yasashiki satsujinsha no kiroku

  • 2014
  • 1h 26min
VALUTAZIONE IMDb
6,3/10
654
LA TUA VALUTAZIONE
Aru yasashiki satsujinsha no kiroku (2014)
Horror found footageOrrore

Aggiungi una trama nella tua linguaA South Korean journalist and a Japanese cameraman in South Korea are invited to an abandoned apartment one day.A South Korean journalist and a Japanese cameraman in South Korea are invited to an abandoned apartment one day.A South Korean journalist and a Japanese cameraman in South Korea are invited to an abandoned apartment one day.

  • Regia
    • Kôji Shiraishi
  • Sceneggiatura
    • Kôji Shiraishi
  • Star
    • Yeon Je-wook
    • Kim Kkobbi
    • Tsukasa Aoi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,3/10
    654
    LA TUA VALUTAZIONE
    • Regia
      • Kôji Shiraishi
    • Sceneggiatura
      • Kôji Shiraishi
    • Star
      • Yeon Je-wook
      • Kim Kkobbi
      • Tsukasa Aoi
    • 9Recensioni degli utenti
    • 11Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto22

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    Interpreti principali10

    Modifica
    Yeon Je-wook
    • Sangjoon
    • (as Je-wook Yeon)
    Kim Kkobbi
    Kim Kkobbi
    • Soyeon, Reportar
    • (as Kkobbi Kim)
    Tsukasa Aoi
    • Tsukasa
    Ryôtarô Yonemura
    • Ryota
    Kôji Shiraishi
    • Tashiro, Cameraman
    Park Jeong-Yoon
    • Go Yoon-Jin
    Park Jung-Yoon
    • Go Yoon-Jin
    Yeo Min-Jeong
    Yeo Min-Jung
    Sonfeya
    • Regia
      • Kôji Shiraishi
    • Sceneggiatura
      • Kôji Shiraishi
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti9

    6,3654
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    10

    Recensioni in evidenza

    7PedroPires90

    A good/different found-footage.

    The genre is a bit overused, but this is a good one with an interesting twist. Some crazy things (reminding Sono's movies) in there, a bit over-the-top sometimes, but very recommendable.
    1editorkaepjjang

    A steaming pile of booboo

    This film is so awful. The premise is so good which is what makes it all the more disappointing. The main antagonist is so annoying and insufferable. They had many chances to stand up to him but did not. The pacing felt very off and repetitive. The ending was actually the worst part, and everything became even more unbearable. I just couldn't wait for it to end. If you are a lover of found footage and were looking for something here, you will not find it. It'll be added to the long list of found footage films you've seen but would never watch again. I wasted my time trying to give it the benefit of the doubt. Save yourself.
    jonathancupp66

    Unusual and Arty Found Footage Movie

    Maintaining the appearance of being a single, unbroken shot, A Record of Sweet murder is almost like a very bloody stage play. The real-time device brings to mind Hitchcock's Rope, with some cleverly hidden edits and sparing, but effective, special effects shots. The bulk of the movie really seems to happen all at once, drawing the viewer in to it's compelling and unusual story.

    A Korean reporter brings a Japanese cameraman to meet a serial killer, who also happens to have once been a childhood friend. The killer traps them and, nervously wielding a knife, begins to explain that he needs them in order to enact some grander plan, an insane-sounding conspiracy theory. He explains that he needs them to wait for two other characters to show up, and when by some miracle they do, things start getting really crazy.

    A Record of Sweet Murder has some fine performances, leaning into an odd, slightly surreal tone as it maintains its hyper real structure. This was something writer/director did very well in his horror classic Noroi: The Curse. While Sweet Murder is smaller in scope, it has a thematic energy, creates an interesting dialogue about fate and madness and the struggle between good and evil.

    Found footage movies have a tendency to end abruptly or fall apart in the end and, thankfully, Sweet Murder brings it all back together and sticks the landing. A treat for foreign found footage fans and a thoughtful horror art film.
    9kannibalcorpsegrinder

    Solid Japanese/South Korean found-footage effort

    Journeying together with her cameraman, a Korean reporter finds herself tasked with following a former childhood friend who's now a ravenous serial killer leaving a trail of bodies behind him in his quest to conduct a specific ritual in order to bring back a childhood friend of theirs.

    This one was quite an enjoyable effort. One of the better features here is the fact that there's a strong storyline at play here which brings a lot to the table. The familiarity they have with each other from their past gives them a rather strong and unique connection for her to be sought out for his rampage and has a big starting point to the point of his rampage. His intent with the rampage, to kill a select number of individuals in order to carry out a special prophecy told to him in an asylum, is told rather well and is quite original in the realm of following lunatics on a seemingly divine message. That plays a large part of what makes the middle of the film so intriguing. Knowing that he's intent on finishing his quest, the fact that his manic outbursts and psychotic ramblings about the need to follow the seemingly random clues he sees in the magazine article provide a grounding for that story that gets utilized here. When the clues in the story start to emerge and he forces them into more dangerous situations, the story becomes somewhat more intriguing and uncomfortable with what he puts them through later on. That the tables are further turned in the encounter when the final piece of the puzzle is revealed offers up a solid finale that makes this one get wilder in the finale offering up plenty of stellar gore and a crazy finish that's patently unpredictable. These here manage to hold this one up considerably over the few flaws as there are a few issues to be had with the film. The main problem is the seemingly random bit in the final half where the new couple involved in the events are way too eager to have the killer seemingly think they're under his control but instead turn the tables on him. While it's indeed a stellar surprise to have the couple become their true selves with their perverted nature egging him on to rape the girl for his delight, it's another thing entirely to have them all sit around listening to the entire story about his rampage and the intent behind it without voicing any objections about it and just going along with it. That's entirely unrealistic, especially after all the damage he had inflicted upon them earlier in the day which is rather tough to believe. Along with some goofy banter that makes this one somewhat difficult to follow at times, there's not much else really wrong here.

    Rated Unrated/R: Graphic Language, Graphic Violence, Nudity, a sex scene and a rape scene.
    1mohaniyer-69032

    Dafuq did I just watch?

    Seriously that was my reaction to several scenes in this movie. At the end, I felt as if my IQ levels have dropped drastically. That's how dumb this film was.

    Now where to begin? Let's start with the plot of the movie. Whoever wrote the script was definitely high on something.

    In the first place, you cannot have all your characters being phenomenally stupid and/or taking several decisions which are highly dangerous to their lives. But that is what every character in this film does, right from the start till the very end.

    If the main character had an iota of self-preservation instinct, she would not have gone alone (OK she takes a cameraman with her) to interview a crazed serial-killer in an unknown location. And if she had refused then this movie would never have been made. But Koji Shirashi wanted to make this movie, so that is how it starts. And then it goes downhill in a spectacular fashion.

    The lead character keeps provoking and challenging the crazed lunatic serial killer and pushing him over the edge. Basically it is shown as if she is trying to talk some sense in him. And she is supposed to be a trained reporter.

    Then two extremely unlikely characters enter the fray and the absurdity of the plot plummets further by several notches. The movie then disintegrates in an orgy of sex and violence, which is so surrealistic that I wondered if I had slept off and was experiencing a strange dream. Everybody kills each other as if it is no big deal at all. It is extremely disgusting and voyeuristic, not to mention unrealistic.

    The ending was good. That is the only positive thing that I can say about the film. One star for that.

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    Trama

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    Lo sapevi?

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    • Connessioni
      References La vita è meravigliosa (1946)
    • Colonne sonore
      Home on the range
      Composed by Daniel E. Kelley

      Heard from outside the apartment

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    Domande frequenti10

    • How long is A Record of Sweet Murder?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 6 settembre 2014 (Giappone)
    • Paesi di origine
      • Giappone
      • Corea del Sud
    • Lingue
      • Giapponese
      • Coreano
    • Celebre anche come
      • A Record of Sweet Murder
    • Aziende produttrici
      • Nikkatsu
      • Zoa Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 26min(86 min)
    • Colore
      • Color
    • Mix di suoni
      • D-Cinema 48kHz 5.1
    • Proporzioni
      • 1.78 : 1

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