Aggiungi una trama nella tua linguaAfter losing his rare genetic disorder--or the incredible ability--to be impervious to hurt, a hired assassin discovers the direct and immortal beauty of pain.After losing his rare genetic disorder--or the incredible ability--to be impervious to hurt, a hired assassin discovers the direct and immortal beauty of pain.After losing his rare genetic disorder--or the incredible ability--to be impervious to hurt, a hired assassin discovers the direct and immortal beauty of pain.
Recensioni in evidenza
I sit through an awful lot of terrible movies looking for the unknown gems such as this movie.
this movie was original, it was funny, it was clever and just an enjoyable watch.
I don't want to go into detail about the movie and spoil it for you, but I highly recommend you give it a chance.
I have no affiliation with this movie other than watching it, so I'm not a shill for the movie, I just really enjoyed it! This is a movie I will definitely watch again, just a good old fun assassin movie!
This 10 line limit thing is silly, sometimes you just don't have anything more to say...
this movie was original, it was funny, it was clever and just an enjoyable watch.
I don't want to go into detail about the movie and spoil it for you, but I highly recommend you give it a chance.
I have no affiliation with this movie other than watching it, so I'm not a shill for the movie, I just really enjoyed it! This is a movie I will definitely watch again, just a good old fun assassin movie!
This 10 line limit thing is silly, sometimes you just don't have anything more to say...
The Midnight Man is a reasonable B-Grade action flick.The background story includes some genuine originality too.
An assassin who cannot feel pain or sensory pleasures, such as touch. Its a rather different premise, that's turned on its head, with interesting results.
The selection of a good cast of seasoned, mostly television based actors really lifts this film. There's a decent amount of moderately funny, mostly gallows humour, on offer from the lead and supporting cast to off set the action scenes.
Perhaps the only downside to this film is it does languish somewhat in the middle. There is a discernible loss of the pace which could have been fixed with a more considered storyline and a little more action and less idle chat.
All in all, I liked The Midnight Man. Its in no way exceptional but it is watchable and for the most part, entertaining. Six out of ten from me.
An assassin who cannot feel pain or sensory pleasures, such as touch. Its a rather different premise, that's turned on its head, with interesting results.
The selection of a good cast of seasoned, mostly television based actors really lifts this film. There's a decent amount of moderately funny, mostly gallows humour, on offer from the lead and supporting cast to off set the action scenes.
Perhaps the only downside to this film is it does languish somewhat in the middle. There is a discernible loss of the pace which could have been fixed with a more considered storyline and a little more action and less idle chat.
All in all, I liked The Midnight Man. Its in no way exceptional but it is watchable and for the most part, entertaining. Six out of ten from me.
I can't see any reason why DC Hamilton and Brinna Kelly aren't household names yet. Both of the films I've seen that they've worked on together - this and "The Fare" - are outstanding in both writing and low-budget directing. I'm sold; they are both the real deal. This is an excellent little crime drama with a cool, unusual hook to it.
Hamilton knows how to get good performances out of actors, which is not as easy as it seems. And the art of making a tiny budget look great on screen is pretty rare too. This film definitely pulls that off.
Finally, let's especially hope that Brinna Kelly gets a lot more writing work before she's pulled in to full-time acting. She's obviously good at that, with a glamorous look and compelling personality, but she's an even better writer. Original story ideas combined with compelling characters - that's a rare thing to come by these days. This is highly recommended.
Hamilton knows how to get good performances out of actors, which is not as easy as it seems. And the art of making a tiny budget look great on screen is pretty rare too. This film definitely pulls that off.
Finally, let's especially hope that Brinna Kelly gets a lot more writing work before she's pulled in to full-time acting. She's obviously good at that, with a glamorous look and compelling personality, but she's an even better writer. Original story ideas combined with compelling characters - that's a rare thing to come by these days. This is highly recommended.
I was drawn to this film by the actress Brinna Kelly after watching her in 'The Fare'. I'm not quite sure that she's much of an actress yet I find her intriguing. She has an oriental attractiveness with an alluring presence. Grady, the assassin, seemed quite inept at times. Bungling his hits and getting out of scrapes by the mistakes of his captors. The film was entertaining and fun in a sort of B-movie way.
I was expecting a weak thriller also-ran, but instead I got a very entertaining, unusual drama. A lot of movies are challenged by how to inform the viewer about what's going on, but the addition of a hostage is well engineered and gives us our everyman for exposition. She also provides a fantastic foil for a somewhat complex idea and has great chemistry with the protagonist.
A very unusual concept sets the movie apart but doesn't mire us down in overlong explanations or monologues. In fact many ideas that might have been over-dramatic in other movies are efficiently dispatched with a few lines. For example, establishing that our hostage has a young daughter (and thus a vulnerability) is handled in about three lines of dialog. I say this as a compliment, as the screenwriter has expertly relied on the audience to pick up on things instead of spelling out every single detail. This gives the dialog (and the movie) a very comfortable, natural feel.
The biggest twist of all was learning who wrote and produced the movie - a fantastic first outing for a pretty talented actress. I hope we see a lot more from her in the future.
A very unusual concept sets the movie apart but doesn't mire us down in overlong explanations or monologues. In fact many ideas that might have been over-dramatic in other movies are efficiently dispatched with a few lines. For example, establishing that our hostage has a young daughter (and thus a vulnerability) is handled in about three lines of dialog. I say this as a compliment, as the screenwriter has expertly relied on the audience to pick up on things instead of spelling out every single detail. This gives the dialog (and the movie) a very comfortable, natural feel.
The biggest twist of all was learning who wrote and produced the movie - a fantastic first outing for a pretty talented actress. I hope we see a lot more from her in the future.
Lo sapevi?
- QuizCongenital Insensitivity to Pain Anhidrosis (CIPA), the condition Grady suffers from, is a real (though extremely rare) medical condition that, like in the film, means the person cannot process sensations. Naloxone, the drug that is used to cause Grady to feel, can have a similar effect on CIPA patients in real life, but unlike in the film, the effect only lasts a very short period.
- Colonne sonorePunch You in the Face
Written by Konata Small, Gabriel Azucena, Amanda Small, Juan Vidal, Israel Mercedes, Xavier Adams, Martin Santiago, Fernando Miranda
Performed by Rhema Soul feat. Gawyim Rey King, Social Club, Spazzy Rocket
Courtesy by Lyric House Publishing
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Dettagli
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Proporzioni
- 2.35 : 1
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