Holding the Man

I wasn't searching for a movie about aids. The subject usually gives me a very uneasy feeling. I don't want to remember those days when some very good friends of mine died in agony in front of my eyes. I was quite young back then, and did I really understand what happened? No, when you're young life looks endless. So when this movie, unexpectedly for me, because I had not read anything about it, brought up the aids subject, I had to take a deep breath. But the movie is so well executed that it is much more than an aids drama. This movie is a piece of human history and every high school student should see it. I am in my 50s and now aids is something of the past, thanks to great medicine. It cuts through my heart that young men like ones in this film had no chance at all. Especially in the 80s gay liberation wasn't that far, and so much human needs have been denied to these men. Thank god society has improved on these levels, and it only could by telling these important stories.

Having seen a rather heavy-handed and pretentious play version of 'Holding the man' a few years ago, I had trepidations about seeing the film. I need not have worried as Neil Armfield's direction brings a truthful and touching reality to Timothy Conigrave's memoir. The slightly non-linear structure to the storytelling brings a cautious prescience to the audience that J.B. Priestley would be proud of, highlighting the sombre future awaiting our ill-fated protagonists. There are a few insightful parallels throughout the movie that deftly highlight the truths hidden between fact and fiction – there's a harrowing mirroring of grief portrayed in an audition to the agonising reality of death that will stay with you long after the credits have rolled. The cinematography and music are judiciously time-specific as we travel through three decades with the characters. Each time-frame is beautifully evoked by film styles of the period and there's an accompanying soundtrack that is gloriously nostalgic. Both of the lead actors, Ryan Corr and Craig Stott, are perfectly cast as Tim and John respectively – each bringing a depth to these characters that makes them feel like family. The supporting cast are also superb; particularly Anthony LaPaglia, Camilla Ah Kin, Kerry Fox and Guy Pearce as the boys' parents. Special mention to Sarah Snook as their friend Pepe who resides on the periphery faithfully and staunchly. Also, there's a superb cameo from Geoffrey Rush as Tim's drama teacher at NIDA. It's graphic in places as it holds a powerful light over the passion of love and the bleakness of illness but the film is all the better for that; it shies away from nothing. Many fans of the original memoir should not be disappointed with this long-awaited adaptation and I am sure that if Timothy Conigrave was alive today, he'd be proud of this achievement in prolonging the legacy of his much-loved book.

I am a bit of a hard ash when it comes to rating and reviewing movies, and this movie hit all of the marks for me. It was sublime, and had me literally sobbing toward the end.

Being from America, I was not familiar with the book or the story, and in fact, only got the movie because of the cover art. I wasn't really looking for a movie that dealt with the early days of HIV/AIDS, and in fact, tend to steer clear of them because they are usually done so poorly, but HTM deals with it not only realistically, but with great humanity. In the end, the movie isn't about the disease, but the love these two men shared.

And what a love it must have been. Most of us could only ever hope for a love like that, and never actually find it. In that regard, it reminds me of Bridegroom. Both of those films leave you with the hope that fairy tale love really can exist in the real world.

We saw it last night and I was crying within the first five minutes!!!!

I've read the book and absolutely loved (and hated) it. It was such a powerful book for that time in my life and slapped me silly with the raging emotions it evoked within me.

I loved it so much because of the story telling, the characters, the connections and the relevance to my life as a young sexually active man coming to terms with his sexuality. I hated it because it made me cry so bloody much and I fell in love with both of them and it was so gut wrenching. It touched me in a way I will never forget and the film does that experience justice.

The acting is spot on and the chemistry between the two is perfect. It was an interesting choice to use the same actors for the early school years, but given the importance of the connection between Tim & John I and understand why this was done and I don't think it hurts the film in any way. The surrounding cast is equally exceptional and Anthony Lapaglia's performance was wonderful.

This is an exceptional love story that is released at the perfect time, when marriage equality and same sex relationship rights is at the forefront of society again.

I was given the book by a friend from Australia in about '97,I have read it countless times through the years.

I never thought anyone would be able to bring the story to the screen, as Tim had written a remarkable story.

Finally seeing the movie, I can only say that it does indeed do the book justice. No movie can wholly compete with a brilliant and beautifully crafted book, the best it can hope to do is convey the story and the spirit of the book - this movie does just that.

I fell in love with John and Tim all over again, 19 years later. The love they shared, the pain they endured both John's physical and Tim's emotional came back to me as emotionally as it had in the book. (I wept through the end of the book) Was my emotional response a reaction to the movie on it's own, or in part to the memory of the book? I do not know. I do know that Craig Stott's portrayal of John was, for me, spot on, as was Ryan Corr's portrayal of Tim. The story, the spirit and the essence of these two beautiful men is definitely captured and resonate through this film.