VALUTAZIONE IMDb
5,0/10
3663
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA New York City crooner plots his comeback.A New York City crooner plots his comeback.A New York City crooner plots his comeback.
- Premi
- 1 vittoria in totale
Recensioni in evidenza
"I'm expecting too much on this movie, i think it's gonna be a prouding success story with great song, but suprisingly it's not a full music movie, it's a family problem story, and i still can't believe they ended just like that, even they did what i want it's maybe still a terrible movie because to be honest the acting is too boring, even Christopher Walken himself, i don't know it just unexpected"
I love Christopher Walken but I can't finish this garbage. I've skipped most of the first 40 minutes of this and can't torture myself any further.
The main actress cannot act and fails miserably at embracing her character. All other actors also leave much to be desired, except for Walken, who does what he can with his character.
Much of the first 40 minutes is a lot of talking about nothing, pretending to be one of those movies where the dialogue is actually good and worthy of filling up 40 minutes of anything.
The main actress cannot act and fails miserably at embracing her character. All other actors also leave much to be desired, except for Walken, who does what he can with his character.
Much of the first 40 minutes is a lot of talking about nothing, pretending to be one of those movies where the dialogue is actually good and worthy of filling up 40 minutes of anything.
It was not that it was really bad, as much as it was bland and stale.
I've seen Christopher Walken give a more lively performance in much worse movies. This was Definitely not his finest performance.
Amber Heard was not interesting enough to hold down this movie at all, and the chemistry between her and Walken was pretty weak.
It was suppose to be a coming-of-age story, but there is no heart behind it, and it really needs that heart.
And it felt like the actors were just dictating the script, not acting.
the music was pretty lame too. The song that went through the film, that was suppose to capture the moment, failed to do so.
Could not recommence seeing this flick as it did nothing for me.
I've seen Christopher Walken give a more lively performance in much worse movies. This was Definitely not his finest performance.
Amber Heard was not interesting enough to hold down this movie at all, and the chemistry between her and Walken was pretty weak.
It was suppose to be a coming-of-age story, but there is no heart behind it, and it really needs that heart.
And it felt like the actors were just dictating the script, not acting.
the music was pretty lame too. The song that went through the film, that was suppose to capture the moment, failed to do so.
Could not recommence seeing this flick as it did nothing for me.
In an era of recycled comic book sequel films and films praised more for their technical aspects than their substance, 'When I Live My Life Over Again' is very refreshing. First of all, Amber Heard is great in this breakout role for her, and I have no significant qualms with her performance, or really, anything in the film. Christopher Walken, however, steals the show, delivering his best performance in years, and is probably my personal favorite of his. He perfectly personifies the aging, listless, dad, and his low key style blends perfectly with Amber Heard's more loud and reckless style. Ultimately, this film, without giving away too much, is everything an independent film should be, and seeing it at the TriBeCa Film Festival was quite the treat.
...or, how my thirty-one year-old teenage daughter cinched up her borscht belt, moved to California, joined Hadassah, and married an entertainment lawyer in Sherman Oaks, or a dentist from Oxnard.
Mr. Walken once again demonstrates that he never met a camera he couldn't beguile, and if he can be a Lippman, there is no reason why Mel Gibson shouldn't have his scalp circumcised. (There are a number of good moils who would be happy to do the honors.)
I've always loved Nantucket in February, when the wind off the Atlantic is as cold and hard as the Puritan god, so the shots of clam shacks closed for the winter warmed me right up; straight out of the indie Playbill, but nicely done, nonetheless.
The very brief, scattered glimpses of Corinne's silent reactions to the exclusive bubble shared by Paul and Jude bespeak a lifetime of difficult experience. You don't need to wade through three hours of slush like The Aviator (2004) to know Kelli Garner is talented, and One More Time (2015) proves she has become a perceptive adult. Someone should really give her a prominent lead in something commensurate with her ability and maturity.
Oliver Platt is always a pleasure.
A couple of continuity issues that don't stand up to scrutiny, but nothing inexcusable.
A good job. Thank you.
XYZ
Mr. Walken once again demonstrates that he never met a camera he couldn't beguile, and if he can be a Lippman, there is no reason why Mel Gibson shouldn't have his scalp circumcised. (There are a number of good moils who would be happy to do the honors.)
I've always loved Nantucket in February, when the wind off the Atlantic is as cold and hard as the Puritan god, so the shots of clam shacks closed for the winter warmed me right up; straight out of the indie Playbill, but nicely done, nonetheless.
The very brief, scattered glimpses of Corinne's silent reactions to the exclusive bubble shared by Paul and Jude bespeak a lifetime of difficult experience. You don't need to wade through three hours of slush like The Aviator (2004) to know Kelli Garner is talented, and One More Time (2015) proves she has become a perceptive adult. Someone should really give her a prominent lead in something commensurate with her ability and maturity.
Oliver Platt is always a pleasure.
A couple of continuity issues that don't stand up to scrutiny, but nothing inexcusable.
A good job. Thank you.
XYZ
Lo sapevi?
- QuizThe birthday shown on Paul's Wikipedia page is Christopher Walken's actual birthday.
- BlooperPaul gives David an old nudie magazine whose cover says Playhouse, but when the boy is seen leafing through it, the Table of Contents clearly reads Playboy.
- Colonne sonoreYou Temptress You
Written by Joe McGinty and Robert Edwards
Performed by Sean Altman and The Joe McGinty 7
Arranged By Joe McGinty and Mike McGinnis
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 8317 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
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