A Deadly American Marriage: il caso Jason Corbett
Titolo originale: A Deadly American Marriage
Una drammatica chiamata al 911 e una scena del crimine scioccante circondano la morte di Jason Corbett. La famiglia rivela ricordi e verità nascoste dietro una facciata apparentemente perfet... Leggi tuttoUna drammatica chiamata al 911 e una scena del crimine scioccante circondano la morte di Jason Corbett. La famiglia rivela ricordi e verità nascoste dietro una facciata apparentemente perfetta.Una drammatica chiamata al 911 e una scena del crimine scioccante circondano la morte di Jason Corbett. La famiglia rivela ricordi e verità nascoste dietro una facciata apparentemente perfetta.
Jason Corbett
- Self - Murder Victim
- (filmato d'archivio)
Recensioni in evidenza
Two very opposing versions of a married life and two kids forever damaged by what ultimately happened. The brutality of the death speaks volumes. Not self-defence. It was murder as the baseball bat blows kept going even when he was incapacitated. Molly Martens is clearly guilty and is likely a sociopath, assisted by her ex FBI doting father who deserves an oscar for his nonsense testimonies that do not make any sense. The Martens are evidently dangerous and manipulative. The courts have said so. I hope the kids are able to move on now from from the Martens poison they had to endure. What do I hope for the Martens? Nothing but relentless and swift karma. The documentary was excellent. It did portray both sides, but it showed that any bit of ambiguity (not in this case) or lack of corroboration as to how a violent event occurred could cause people to query matters. Then, instead, you have to look at the graphic crime scene evidence. Not for the faint hearted and not some attempt but somebody to subdued anyone that may have been, in any way, aggressive. This was a brutal and sustained assault in someone who could not defend themselves. If such alleged aggressor is no longer a threat, it stops there. To keep going...that's murder. No two ways about it. Full stop.
In A Deadly American Marriage, the crime is the spark, but the real spectacle is Molly. A woman so determined to become a mother that she adopted not just children, but also narrative - and manipulation - as extensions of motherhood. The production follows the traditional true crime formula: reenactments with dramatic music, tearful witnesses, furrowed-brow prosecutors, and that kind of editing that feels a little too edited. But while the format may be familiar, the content gains weight from something rarer: the defendants are present. Flesh, bone, and rehearsed answers. And that alone made me watch with a different level of attention.
And what a character Molly is. A sort of Amy Dunne without the literary gloss, but with a camera rolling and a microphone at the ready. If in Gone Girl fiction was the weapon, here it's home videos and secretly recorded audio - where the truth isn't revealed, it's assembled. Molly records everything. Shapes everything. And in the end, her version survives not because it's convincing, but because it's the only one with a soundtrack. It's unsettling to realize how much she controlled the narrative with meticulous calm. The documentary doesn't truly confront her - and perhaps that's both its flaw and its greatest strength. Because the discomfort comes precisely from what isn't said to her.
The direction tries to be impartial, but it's not blind. The camera knows where to focus - and the enigma lives in her eyes. There's an inevitable fascination with a woman who talks about miscarriage with the same coldness with which she denies ruining someone's life. There's no doubt the marriage was tense. But self-defense bleeds too much to support any thesis. The crime scene speaks, and it speaks loudly. She, however, walks away almost clean, accompanied by her father - a former FBI agent and both literal and emotional accomplice. A man so ready to protect her he seems more like a reputation bodyguard than a parent. Their relationship is unsettling, shrouded in a kind of protection that feels more like narrative armor.
But what truly breaks the heart are the children - orphaned of a father, kidnapped from stability, and used as pawns on an emotional chessboard. Deceived kids, forced to spin 360° on a carousel of versions and accusations. And even with so many testimonies, what weighs most is what was never said to them. It's hard not to feel pity. It's hard not to feel outraged. The narrative focuses on them at moments, but always circles back to the involuntary protagonist who never relinquishes the spotlight. They are the real victims. And in this legal drama, the courtroom is just the backdrop for a custody battle - not only for the children, but for the truth itself.
In the end, it's not so much about the crime, but about who gets the privilege of telling the story. And Molly, with all the spotlights and improvised scripts, didn't just tell it - she directed it. A deadly American marriage - or perhaps, a toxic motherhood disguised as eternal love.
And what a character Molly is. A sort of Amy Dunne without the literary gloss, but with a camera rolling and a microphone at the ready. If in Gone Girl fiction was the weapon, here it's home videos and secretly recorded audio - where the truth isn't revealed, it's assembled. Molly records everything. Shapes everything. And in the end, her version survives not because it's convincing, but because it's the only one with a soundtrack. It's unsettling to realize how much she controlled the narrative with meticulous calm. The documentary doesn't truly confront her - and perhaps that's both its flaw and its greatest strength. Because the discomfort comes precisely from what isn't said to her.
The direction tries to be impartial, but it's not blind. The camera knows where to focus - and the enigma lives in her eyes. There's an inevitable fascination with a woman who talks about miscarriage with the same coldness with which she denies ruining someone's life. There's no doubt the marriage was tense. But self-defense bleeds too much to support any thesis. The crime scene speaks, and it speaks loudly. She, however, walks away almost clean, accompanied by her father - a former FBI agent and both literal and emotional accomplice. A man so ready to protect her he seems more like a reputation bodyguard than a parent. Their relationship is unsettling, shrouded in a kind of protection that feels more like narrative armor.
But what truly breaks the heart are the children - orphaned of a father, kidnapped from stability, and used as pawns on an emotional chessboard. Deceived kids, forced to spin 360° on a carousel of versions and accusations. And even with so many testimonies, what weighs most is what was never said to them. It's hard not to feel pity. It's hard not to feel outraged. The narrative focuses on them at moments, but always circles back to the involuntary protagonist who never relinquishes the spotlight. They are the real victims. And in this legal drama, the courtroom is just the backdrop for a custody battle - not only for the children, but for the truth itself.
In the end, it's not so much about the crime, but about who gets the privilege of telling the story. And Molly, with all the spotlights and improvised scripts, didn't just tell it - she directed it. A deadly American marriage - or perhaps, a toxic motherhood disguised as eternal love.
The fact they allowed 2 murderers and a lawyer lie over and over again is disgraceful. It s very obvious she manipulated thise kids. Even in the videos of her with the kids she bullies him about crying.
The american justice system is ridiculous if it thinks those 2 are innocent. This film is heartbreaking and shows what damage can be done by a poor system.
The heartbreaking of the kids especially the daughter is overwhelming. To tell a child that both her parents are dead because of her is just pure cruelty. The film shows this so well and it's impossible to watch this and not know that a serious injustice has been carried out.
The american justice system is ridiculous if it thinks those 2 are innocent. This film is heartbreaking and shows what damage can be done by a poor system.
The heartbreaking of the kids especially the daughter is overwhelming. To tell a child that both her parents are dead because of her is just pure cruelty. The film shows this so well and it's impossible to watch this and not know that a serious injustice has been carried out.
I don't even know where to start. Just look at the crime scene and the brutality of that murder. Self defense does not make you bash someone's head in that bad.
I never believed anything that Molly or Tom said, especially Molly. She is a manipulative liar and an awful person. Sitting there, with her crocodile tears, saying how she is the victim! Jason and his kids are the real victims here! And Tom was as cold as the deepest ice in Antarctica.
Why did they not question Molly's mother more? She was asleep when the murder took place and she said that she heard "something" but fell back to sleep. Considering the brutality of the murder that took place I doubt that. She probably knows more about what happened.
And then we have the audio recordings from the hidden devices that Molly placed around the house. All you could ever hear on those recordings were Molly and Jason arguing and discussing, like EVERY couple do. Not a single time did we hear Jason abusing Molly. And why did we get to hear so little from these recordings? Maybe because there was nothing more to hear, because Molly is a liar.
I feel so sorry for Jack and Sarah and I hope they get real justice one day. I can't believe these two murderers get to walk free when the evidence is so clear. Shame on the justice system.
A good documentary, but left too many questions unanswered.
I never believed anything that Molly or Tom said, especially Molly. She is a manipulative liar and an awful person. Sitting there, with her crocodile tears, saying how she is the victim! Jason and his kids are the real victims here! And Tom was as cold as the deepest ice in Antarctica.
Why did they not question Molly's mother more? She was asleep when the murder took place and she said that she heard "something" but fell back to sleep. Considering the brutality of the murder that took place I doubt that. She probably knows more about what happened.
And then we have the audio recordings from the hidden devices that Molly placed around the house. All you could ever hear on those recordings were Molly and Jason arguing and discussing, like EVERY couple do. Not a single time did we hear Jason abusing Molly. And why did we get to hear so little from these recordings? Maybe because there was nothing more to hear, because Molly is a liar.
I feel so sorry for Jack and Sarah and I hope they get real justice one day. I can't believe these two murderers get to walk free when the evidence is so clear. Shame on the justice system.
A good documentary, but left too many questions unanswered.
An FBI agent who trained others to detect lies. His daughter, a model who lied for a living. And yet again, she lied, this time claiming her husband abused her. How do you verify such a claim? By trusting the liars.
I was genuinely disturbed by how convincingly she played the victim. Having known people like this in real life, those who lie so thoroughly they start to believe it themselves, this hit especially hard. It's a chilling reminder of how dangerous manipulation can be.
Surprisingly solid work from Netflix, especially given their recent track record with documentaries. And thank God it wasn't dragged out into three unnecessary episodes.
I was genuinely disturbed by how convincingly she played the victim. Having known people like this in real life, those who lie so thoroughly they start to believe it themselves, this hit especially hard. It's a chilling reminder of how dangerous manipulation can be.
Surprisingly solid work from Netflix, especially given their recent track record with documentaries. And thank God it wasn't dragged out into three unnecessary episodes.
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- Tempo di esecuzione1 ora 42 minuti
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