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Let's Be Evil

  • 2016
  • Not Rated
  • 1h 22min
VALUTAZIONE IMDb
3,8/10
5625
LA TUA VALUTAZIONE
Let's Be Evil (2016)
Trailer for Let's Be Evil
Riproduci trailer1:36
2 video
5 foto
FantascienzaOrroreThriller

Aggiungi una trama nella tua linguaA vision of augmented reality.A vision of augmented reality.A vision of augmented reality.

  • Regia
    • Martin Owen
  • Sceneggiatura
    • Martin Owen
    • Elizabeth Morris
    • Jonathan Willis
  • Star
    • Sophie Willis
    • Jules Brown
    • Elizabeth Morris
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    3,8/10
    5625
    LA TUA VALUTAZIONE
    • Regia
      • Martin Owen
    • Sceneggiatura
      • Martin Owen
      • Elizabeth Morris
      • Jonathan Willis
    • Star
      • Sophie Willis
      • Jules Brown
      • Elizabeth Morris
    • 51Recensioni degli utenti
    • 25Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video2

    Let's Be Evil
    Trailer 1:36
    Let's Be Evil
    Let's Be Evil: Don't Sneak Up On Me
    Clip 2:37
    Let's Be Evil: Don't Sneak Up On Me
    Let's Be Evil: Don't Sneak Up On Me
    Clip 2:37
    Let's Be Evil: Don't Sneak Up On Me

    Foto4

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali41

    Modifica
    Sophie Willis
    • Young Jenny
    Jules Brown
    • Jenny's Father
    Elizabeth Morris
    Elizabeth Morris
    • Jenny
    Chase Bowman
    Chase Bowman
    • Telephone Caller
    • (voce)
    Helene Maksoud
    Helene Maksoud
    • Nina
    • (as Helene Wilson)
    Shirley Clemmet
    • Jenny's Mother
    Jonathan Willis
    • Voice of the Facility
    • (voce)
    Brooke Johnston
    Brooke Johnston
    • TV Host
    James McNeill
    James McNeill
    • TV Guest
    Paul Casar
    Paul Casar
    • Freddy
    Elliot James Langridge
    Elliot James Langridge
    • Darby
    Kara Tointon
    Kara Tointon
    • Tiggs
    Natasha Moore
    • Arial
    • (voce)
    Jamie Bernadette
    Jamie Bernadette
    • Body of Arial
    Isabelle Allen
    Isabelle Allen
    • Cassandra
    Bobby Williams
    • Male Candidate
    Billie Wilson
    • Crying Candidate
    Anamaria Tafur
    • Candidate
    • Regia
      • Martin Owen
    • Sceneggiatura
      • Martin Owen
      • Elizabeth Morris
      • Jonathan Willis
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti51

    3,85.6K
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    Recensioni in evidenza

    1VeganVag

    Noooooo....

    The only way anyone didn't end this mind numbing mess before it was over was if they passed out from boredom, then awoke when it was over because it was that baaaaaaaaaaad.
    3Kamurai25

    Let's Not

    Decent watch, if forgettable, at best, won't watch again, and can't recommend.

    (Please keep in mind that the mobile app erased my original review, so I'm a little peeved.)

    My biggest concern with this movie is that it concentrates on fear mongering against technology more than creating a good movie. I understand that it's supposed to be a psychological thriller, but that should be what you're concentrating on and not teaching the audience to fear technology: just tell the story.

    In fairness, it did do a lot with a clearly low budget: low level actors you won't recognize and (mostly) kids for background characters, Google Glass (or similar) tech, an underground bunker setting, and not particularly great cg effects, but they managed to get by.

    The real crux of the story is that isolated in a bunker, they kind of think they're going mad, so "what's real" comes into play, and then it becomes the inevitable question of "is it me or is the technology out to get me", and when that tech is a virtual OS (think Cortana), then there is no telling what is going to happen so there is no expectation, thus nothing to subvert. Its a rule in both Horror and Comedy to play with the audience's tension / expectation (Rules of 3) to establish a pattern, and then break/deliver on it in a surprising manner.

    The camera work also messed with me quite a bit. Not only do you have a switch between natural 3rd person camera work and 1st person perspective, the camera work alternatives between almost imperceptively still and wildly jerk about as the audience was intended to experience an earthquake. It feels like the movie was trying to be "Hardcore Henry" esque, but didn't actually do anything special with the camera angles and distracted with the Head's Up Display (HUD).

    There's a movie here, you might even like it, but I'm willing to bet that the movie is too unique without much spectacular happening for most people to enjoy it.
    2mjsreg

    stupid and illogical movie

    I am fairly easily pleased when it comes to movies, but this one became frustrating to watch with in the first 10 minutes.

    What is wrong with it? The story. Everything else about the film was OK like the acting etc. but the story was just plain stupid.

    When it started it was OK and logical, but it soon descended into a very poor storyline that seemed was financed because it could be made cheaply, regardless of content.

    Really you would be better off watching the commercials.
    1peterp-450-298716

    Well, this is the first time this year I said "Wtf was that?"

    "The past can define our future. But I won't let it."

    The opening scene of this sci-fi horror was promising. Even better, it was a snapshot that instantly caught my attention. A sublime and fascinating scene after which I snuggled in my cozy chair in anticipation for something magnificent. I was immediately convinced that this was going to be a hell of a movie. What did you expect? With a score like that on IMDb, this couldn't go wrong. The frozen image of a puzzled looking girl smeared with blood, seamlessly merged with a TV-show where we get the melancholic picture of a generation with no future. The education system needs to be changed so a new generation of intelligent young kids is being produced instead of a generation of obese and hopeless youngsters . The images looked futuristic with a suitable graphic design. And then the flashy google glass lookalike is introduced. A gadget we'll be watching through the rest of the film.

    Just recently I've seen "Jeruzalem" where they used the same kind of glasses. A disappointing film though. The only feat I was excited about was that high-tech device. Unfortunately this facet of "Let's be evil" became a rather annoying element to me. Even worse. I got so sick of it that I wanted to give up already halfway the movie. The rickety soundtrack was perhaps an omen. Admit it. If you want to create a futuristic movie, you shouldn't be using those stale Jean Michelle-Jarre polyphonic sounds. It felt as if I was watching a third-rate SF from the 80s. Unfortunately these weren't the only disturbing elements. When the end credits rolled over the screen I made my final conclusion. This was probably the worst thing I've seen this year.

    First, the overall picture you get to see almost the whole movie. The fact that it all happens in a virtual environment (the three selected candidates can only see by making use of the spectacles) was at first an exciting and interesting display. It all looked great and well-known (especially for those who sometimes sit behind a screen to have fun with some PC games), but it has one major drawback. After half an hour of hazy and swirling images, you gradually start to hate it. Biggest advantage is that a not so talented cameraman with virtually no experience gets away with it when some blurry and out of focus fragments appear in between. Combine this with a dark underground bunker where the lighting consists of pulsating lights in all sorts of colors and your irritation level is reached very quickly. It looked as if the whole story was set in a concrete submarine.

    And then you have the actors who were recruited based on some unknown requirements and who are participating in the Posterity Project. Judging from the conversations they have, the requirements concerning the level of intelligence needed for this job wasn't very high. Their ultimate function is to observe the group of teenagers that are also present in this underground facility (spending their days waving their hands in the air). And when necessary they accompany a lost teenager back to the group. Not exactly intriguing and exciting. The fact that the group of children organize a sort of artificial uprising afterwards in which they manipulate the electronic system in an incomprehensible way, was the start of a confusing outcome and a ridiculous denouement.

    Finally, the part that frustrated me the most. I had no idea what the theme of this movie was about. And in the end, I still didn't know it. Perhaps it's me getting older and a mild version of dementia sneaked in my system, but I couldn't make head nor tail of it. What was the opening sequence about and how did this correlate with the rest of the movie? And the end didn't clarify anything either. In a subtle way they tried to demonstrate the dangers of technologies and the way it's intertwined in our everyday lives. Kind of obvious. But eventually I still had a few questions about the film. Occasionally I like to watch a sophisticated film with a not so simple story line. But this was a level too high for me apparently. I suggest however that the creators of the IMDb website check their algorithms, because the score given to "Let's be Evil" is totally irrational. Or was there an artificial intervention by the makers of this movie? Well, that's a spooky thought!

    More reviews here : http://bit.ly/1KIdQMT
    5hi_im_manic

    A Fair and Unbiased Review

    IMDb must find a way to quell these deliberately manipulated movie ratings. Find out how the rating system is being exploited and put an end to it before users lose all confidence in it. Those who cheat the system should know there's backlash, for every false 10...their film will receive numerous 1's, and neither fairly assesses the movie being reviewed.

    Is this an 8 star or higher film? In my eyes, no. A few may believe so, but I believe the vast majority of honest opinions would place it between 4-6. The premise is intriguing and executed moderately. The acting is mediocre. Mostly though, we aren't observing performances, but observing scenes and listening to the accompanying dialogue instead. Thus the editing, CGI and set are of primary importance and I believe the filmmakers did a decent job of it, earning a solid B-.

    It's primarily seen through the eyes of our protagonist. She's one of three young adults (in financial straights) who accepts a mysterious assignment to supervise a group of highly gifted children in a top secret advanced learning program. She enters an underground facility which is completely pitch and is given a set of glasses which operates much like Google Glass, only then is she able to see her surroundings and receive any information. This alone kept me questioning what was truly real throughout the film since technology of this nature can control ones perception of reality. It can be programmed and designed to manipulate a person so I was never certain who or what was really happening. The feeling was much like watching films like Black Swan, Vanilla Sky or Inception in that it is somewhat disorientating and one cannot be certain about what's experienced. To be clear, this film is absolutely nothing like the 3 films I've mentioned and it cannot compare; the air of disorientation and uncertainty is all that is in common. At its' core, this is the best thing about the film.

    Our protagonist soon realizes that the children are far from average. They are mentally and intellectually far more advanced than most adults who may be considered genius and these prodigy's only pause from their studies to eat a highly regulated diet and sleep a precise amount of time. She alone feels pity for them, voicing it by saying that children should be allowed time to be children, to have recess and play. Her opinion proves to be a critical point to the plot.

    I think that more tantalizing visuals and dialogue would have done absolute wonders for the production value of this film. The set was too claustrophobic and lacked ambiance. It reminded me a bit of the lower levels seen on the set of Ex Machina, except a bit more like (as one reviewer stated) "a concrete submarine" meets inner city raver nightclub. Some imagination, space, and attention to detail would have gone a long way since the set was such a critical part of the production. There's no background on the female protagonist nor her co-protagonists which leaves the audience with no concern about their plight. They are nondescript and we learn nothing about them, it didn't even benefit the story to have the co's present. A backstory and some amount of character development was critically missing.

    There were some tense moments, more of them would have made the film somewhat thrilling but the run time is fairly short and there's not much in the way of building suspense. One freak-out occurrence and our protagonist is already exiting the facility. She's compelled to stay however, then there's only the second occurrence which is our climax. Throughout the climax you are on a POV trip through darkness and confusion. Terror is intended, but it's mild since it's not conveyed as well as it could have been. I loved the ending. It was a bit confusing but if you're paying close enough attention and processing it then I think you'll appreciate it to. Is it brilliant? No, but it's satisfactory.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This is MoistCr1tikal's (penguinz0's) most hated movie ever.
    • Citazioni

      Cassandra: [revealing her true colors to Jenny] A hunter doesn't just go in hunting the prey shooting indiscriminately. They stalk their intended target, learn it's behavior, bid their time before they strike

    • Connessioni
      References Star Trek II - L'ira di Khan (1982)
    • Colonne sonore
      Kids in America
      Songwriter Ricki Wilde, Marty Wilde

      Recording Artist Kim Wilde (Warner Records)

      Publisher Rickim Music/Rak Publishing

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    • How long is Let's Be Evil?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 28 ottobre 2016 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • Давай будем плохими
    • Luoghi delle riprese
      • Kelvedon Hatch Nuclear Bunker, Kelvedon Hatch, Brentwood, Essex, Inghilterra, Regno Unito
    • Aziende produttrici
      • Let's Be Evil
      • Posterity Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 10.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 22min(82 min)
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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