Nel 1942, un ufficiale dei servizi segreti canadesi in Nord Africa incontra una donna delle milizie della Resistenza Francese in una missione letale oltre le linee nemiche. Quando si riunisc... Leggi tuttoNel 1942, un ufficiale dei servizi segreti canadesi in Nord Africa incontra una donna delle milizie della Resistenza Francese in una missione letale oltre le linee nemiche. Quando si riuniscono a Londra, la loro relazione è messa alla prova dalla pressione della guerra.Nel 1942, un ufficiale dei servizi segreti canadesi in Nord Africa incontra una donna delle milizie della Resistenza Francese in una missione letale oltre le linee nemiche. Quando si riuniscono a Londra, la loro relazione è messa alla prova dalla pressione della guerra.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 10 candidature totali
- Vincent
- (as Vincent La Torre)
- German Ambassador
- (as Anton Blake)
Recensioni in evidenza
I just love the style of the picture. Generally that World War 2 era has that glamorous style to it, and leave it to Robert Zemeckis to add that extra kick.
Although I've Seen better costumes but this maybe because Canada did not have the best uniforms out of the WWII crowd.
And that made this movie strangely interesting. The 1st movie I ever seen about Canada's involvement in the War. Maybe I have seen others but it's so rare that it makes this movie seem unique that the story is about a Canadian wing commander who falls in love and builds a life with a woman who may not be all that she claims.
Speaking of which, The best part of the movie is that drama. Though I love the art direction as it puts me in That WWII setting, the visual effects do a good job of placing you right there, but the drama coming from Brad Pitt and Marion Cotillard's connection on camera. It's this connection that's the most important and makes the movie what it is, and the emotion baggage is well worth it.
So not much of a war epic or an espionage movie as I went to see if for but it's a great love story set perfectly and beautifully in a different time and place worthy of checking out.
There is a lot to like about 'Allied'. Visually, it is a gorgeous film. The cinematography is rich in atmosphere and colour and is quite poetic too, while the sets, scenery and costumes are evocative and eye-catching. The music by Alan Silvestri is neither too intrusive or too low-key, instead stirring when it needs to be and understated again when needed. There are some thrilling and harrowing moments as well as some poignant ones in the more intimate scenes, personally thought the controversial ending was quite emotional but can definitely see why it won't work for some.
Marion Cotillard gives a nuanced and deeply felt turn, nothing short of sensational. Brad Pitt's performance has been criticised (as well as defended), to me it was appropriately stoic, despite his character being nowhere near as meaty as Cotillard's, and he was a worthy partner for Cotillard, a little cold in places but mostly fiery. The supporting cast are fine.
On the other hand, the script and pacing are uneven. The script is 'Allied's' biggest flaw, lacking plausibility in places, especially in the mission scenes, having too much padding that's overlong and adds little to nothing and some of the parts intended to be emotional laid it on too thick with the treacle and sentimentality. Much more could have been done with the psychological subtext, which would have made Pitt's character more interesting and given the story more consistent suspense and thrills.
Pacing does drag badly frequently, primarily due to having superfluous scenes that lacked momentum and went on too long and also due to Robert Zemeckis' quite disappointing direction. There are moments, but it is a case of getting the job done but in a workmanlike and tame fashion, not the thrills and cleverness one expects from Zemeckis that is present in the best of his work.
In summary, had potential to be epic as a wartime romance, but doesn't quite make it. Many great things, but a few big things that got in the way of fulfilling full potential. 6/10 Bethany Cox
A very good script, with some great plot turns, and superior acting from both Marion Cotillard and Brad Pitt in complex, challenging roles. My favorite bit: when they make love in a car in the Moroccan desert with a sandstorm going on all around them. It is a good metaphor for their love story in the midst of the great chaos of World War II. And it has a realistic feel, for the most part--for the sets in Casablanca (some good homage to the Bogart film, I would say also some Brando homage in parts of Pitt's performance), and the time back in the UK (second favorite bit is during a party in London). One does get the sense of the all-out effort demanded to win the war, something we do well to commemorate in these days when the last veterans of that most epic event in history are at death's door.
It is a Zemeckis film, from the school of film-making of Steven Spielberg, and that means your emotions are subject to the whim and whimsy of the director's manipulation. Sometimes you are aware of that, but oftentimes you are not, and that makes it better (than, say, Forrest Gump).
I will take the movie as a whole and suggest Oscar nominations for original screenplay and both leading roles.
In an age where special effects have taken over, it's refreshing to watch a film that mainly cares about characters and complex human situations. Yet for anyone wanting to see war action, you'll get plenty of that as well.
The stars themselves and the costumes all look stunning. Yes almost too stunning at times, but it's so glorious to look at you can forgive the film-makers for that. Some ridiculous negative reviews prevented me from seeing this in theatres, which I now regret. Tosh from Marvel keeps scoring high on RT, but then you see it and it's complete garbage about crystals (every movie, seriously). Films like Allied deserve more serious attention.
Overall, well worth a look!
Lo sapevi?
- QuizMarion Cotillard tutored Brad Pitt for his limited French dialogue.
- BlooperThe British Colonel states that the traitor has to be executed immediately by the hand of her husband. Yet, when he is arguing with Max in front of the airplane Max just tried to steal, he bitterly complains that Max should not have killed the German spy network ("we could have interrogated them," he says). The same would apply to Marianne: she has much to say. Incidentally, during World War II, the British routinely "turned" all agents they captured on British soil. Those who refused to cooperate were either executed or imprisoned.
- Citazioni
Marianne Beausejour: Je t'aime, Mon Québécois.
- Curiosità sui creditiAs the opening title of "Allied" fades to black, the three middle letters reading "lie" remain on-screen for just a moment longer. Blink and you'll miss it.
- ConnessioniFeatured in Lorraine: Episodio datato 19 ottobre 2016 (2016)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Aliados
- Luoghi delle riprese
- Parque Natural de Corralejo, Fuerteventura, Canary Islands, Spagna(Dunes of the Sahara Desert)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 85.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 40.098.064 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.701.743 USD
- 27 nov 2016
- Lordo in tutto il mondo
- 119.520.023 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1