Blå ögon

Tragi-drama that sees an abused young mother and her doting younger brother pushed into a world of terrorism, working for neo-nazis and terminating the lives of hostages.

Their feeble life choices arise from the dreadful killing of their politician mother and the fake sympathy of a handsome, charismatic young fascist who exerts a powerful influence.

Never lacking in suspense, the story even conjures an occasional surprise as matters unfold. The character flaws and motives of some of the cast do however stretch the bounds of credibility. 7.3/10

I can usually handle some brutality and violence (in context), but I was squirming for far too much in this series. The Millennium trilogy and The Killing had some graphic violence but this tops them both. Despite some really solid acting and a few interesting political storylines, there was just such an overwhelming sense of foreboding, nastiness and just plain negativity that it was hard to focus on what was happening. Scandinavian dramas and shows are mostly far superior to most comparable series and movies out there, but this one has gone too far for me. There were some interesting relationships and social commentary and the 'noir' aspect of this genre certainly played out, but you will have a hard time finding it 'enjoyable'. Unless you like horror films. A pretty bleak representation of the racism, political back-stabbing and general malaise of Swedish society. At least Wallander had a bit of levity now and then. It's got a good pace and is definitely a 'thriller' but not for late night viewing I'd say.

This could have been really classy but you need to tie up numerous plot lines. Hoping for a second series but not really going to happen after four years. At least then Olin could get a change of trousers and we could rid of the red bra that never seemed to make the washing machine!

The actors: Madelene Jacobsson, Marie Richardson, Louise Peterhoff, Cecilia Frode, Niklas Hjulström, Karin Franz Körloff & the stunt performer: Madelene Barwén Trollvik really gets visible according to my view of things.

The scriptwriters and the directing is great from my Point of view. One of few productions in modern-history of Swedish TV that succeeds as in making things interesting, money and so on!

/Joel Kullberg

Imagine this: A writer comes into his boss' office - he has been told to come up with pitch for a new Swedish series, since Lord knows they're booming at the moment. The two exchange pleasantries and the boss asks what he has come up with. "Well", the writer fumbles with his papers, "I have three different ideas. How do these sound?"

• The story of intrigue and betrayal at the highest levels of the Swedish government as a disgraced staffer returns to her job to help the Minister of Justice get to the bottom of a conspiracy involving big business.
• The story of the co-founder of a nationalist party accused of racism, and how during election season his humanity slowly starts to alienate him from the cold and calculating demeanor of his spindoctors and co-workers, as he feels the party is turning into something else and becoming a heartless machinery.
• The story of the two children of a controversial right-wing politician, who, after their mother is killed by (presumably) extreme leftists, become involved with a far-right neo-nazi terror group, and how it impacts their relationship to each other.

The boss beams - "they sound great! Let's do this!". "Uhh... which one?", the writer replies meekly. "Well, why not all of them?" "I... think maybe we should stick to..." "Nonsense! I have decided! Now go out there and make me a series with all of those elements!" The writer sighed and left the room, knowing full well the impossibility of the task before him.

Blå Ögon has **so many good ideas** and it comes **so close** to realising their potential, but in the end it seemingly cannot keep up with the multitude of things going on, and the subplots never intertwine in any way whatsoever, thus leaving you with a sense that these three plots either were meant to be in entirely separate series, or that the final, brilliant plot twist that tied it all together got accidentally deleted during post-production. And it's a damn shame, because the potential is right there in front of you - you'll keep watching through the entire series eagerly waiting for the big reveal that will answer the questions that keep piling up. Why did that person die? Why is she helping him? Who was behind the attack? Why did he do that? etc. etc. and just as the plot is ramping up to the explosive finale... it ends. You're left sitting confused for a bit and then deeply disappointed in the inability of the writers to tie these otherwise excellently directed and acted scenarios together into a coherent plot. Another part where the writing struggles is with the characters. The actors do a masterful job and make them feel like real persons, but since the writing can't figure out how to do proper pacing, everybody ends up being immensely unlikeable - essentially, everyone in the entire series end up looking like either a bigot, a coward, an asshole, a turncoat or an idiot.

I'm accustomed to disappointment when it comes to TV series, but this one hit extra hard as it had all the right ingredients - brilliant ideas, brilliant acting, brilliant directing - and still managed to accomplish absolutely nothing from them. I'd say don't watch this - not because it's bad, but because the sheer amount of wasted potential will sadden you to no end.