VALUTAZIONE IMDb
7,1/10
15.172
LA TUA VALUTAZIONE
Diga Kajaki 2006. Una compagnia di giovani soldati britannici ha un nemico inaspettato e terrificante. Sotto il letto di un fiume in secca, a ogni passo c'è il pericolo di una mina antiuomo ... Leggi tuttoDiga Kajaki 2006. Una compagnia di giovani soldati britannici ha un nemico inaspettato e terrificante. Sotto il letto di un fiume in secca, a ogni passo c'è il pericolo di una mina antiuomo che potrebbe costargli una gamba o la vita.Diga Kajaki 2006. Una compagnia di giovani soldati britannici ha un nemico inaspettato e terrificante. Sotto il letto di un fiume in secca, a ogni passo c'è il pericolo di una mina antiuomo che potrebbe costargli una gamba o la vita.
- Nominato ai 1 BAFTA Award
- 4 vittorie e 7 candidature totali
Hazem Alagha
- Bomb Head
- (as Hazem Al-agha)
Recensioni in evidenza
I can highly recommend this film to anyone who can handle the intensity of a gruesome war film. The film starts slow and is filled with typical tough guy war banter and then the intensity jumps dramatically as the film re-creates a real story for Afganistan where soldiers are trapped in a minefield. Gripping, intense, sad, fierce and powerful. It is not a political film, but will get you to think deeply about the wars of the middle East and how we fight them.
A very well made film that often feels like a documentary. Flawless filming and acting to make you feel there.
This film is NOT for everyone. This film is quite gruesome and captures the reality of land mines.
NOTE: The heavy British accents required us to turn on captions.
I wanted to score the film an 8.5, but upgraded to a 9 based on powerful filming, intensity, real-ness and solid acting.
A very well made film that often feels like a documentary. Flawless filming and acting to make you feel there.
This film is NOT for everyone. This film is quite gruesome and captures the reality of land mines.
NOTE: The heavy British accents required us to turn on captions.
I wanted to score the film an 8.5, but upgraded to a 9 based on powerful filming, intensity, real-ness and solid acting.
The other reviews are all correct, Kajaki is honest, illuminating, and brilliantly delivered. I only point out for the sake of other people deciding whether to watch this, it really is harrowing. If you don't have a specific interest in the realities of war, you might find yourself wishing you hadn't started it.
Does this story need to be told? Absolutely Do I wish I'd watched a comedy instead? Yes
Does this story need to be told? Absolutely Do I wish I'd watched a comedy instead? Yes
Like most people with military experience I find conventional war films a bit irritating – Implausible plot lines and ridiculous dialogue along with inaccurate uniforms and weapons tend to detract from the overall impression. The recently released movie Kajaki – the true story is, in the exception to this trend, and an important contribution to the national mood of reflection on the Afghan conflict.
Every aspect of the film is grittily authentic, right down to the banter between the blokes, the detail on the T shirts and the tattoos.
The incident will be familiar to many – in 2006 a patrol from 3 Para stationed at the Kajaki dam wander inadvertently into a legacy minefield from the soviet era with the inevitable unpleasant consequences. What sets this film apart from the crowd is the complete lack of sanitised pastiche violence and a storyline that sticks as closely as possible to the known facts, having had access and co-operation from the surviving members of the patrol, if not from the MOD itself. The movie scrupulously avoids being drawn into discussions about the controversies of the Afghan campaign and the level of resources supplied to the deployed forces, preferring instead to focus completely on the individual soldiers and the events of the day.
As a surgeon with extensive experience of landmine injuries, I was hugely impressed with the level of detail in the depiction and treatment of the injuries and the completely unsentimental depiction of the actions that day. Writing in the Sun, Jeremy Clarkson explained that even though he had taken an interest in the Afghan conflict and had been out to see soldiers on deployment, he had absolutely no idea what the reality of battle and injury entailed until he saw the film. I am certain that many civilians and even some serving servicemen will feel the same after seeing the Kajaki movie.
Having been released at the same time as the annual ceremonies of remembrance and, co-incidentally, at the same time as the centenary of the First world war and the draw-down from Afghanistan, it is important to remind the UK population that war is not all about artistic installations at the Tower of London, beautiful though those may be. With the Army having the lowest headcount in over a century, the population it serves is more disconnected than ever from the military – Kajaki conveniently reminds everyone about the realities of conflict.
Dan Jarvis MP, himself a former Parachute Regiment officer brought up this very point at Defence Questions in the House of Commons and secured an assurance from the Defence Secretary that he would see the film in person. It should be required viewing for a far wider audience.
Every aspect of the film is grittily authentic, right down to the banter between the blokes, the detail on the T shirts and the tattoos.
The incident will be familiar to many – in 2006 a patrol from 3 Para stationed at the Kajaki dam wander inadvertently into a legacy minefield from the soviet era with the inevitable unpleasant consequences. What sets this film apart from the crowd is the complete lack of sanitised pastiche violence and a storyline that sticks as closely as possible to the known facts, having had access and co-operation from the surviving members of the patrol, if not from the MOD itself. The movie scrupulously avoids being drawn into discussions about the controversies of the Afghan campaign and the level of resources supplied to the deployed forces, preferring instead to focus completely on the individual soldiers and the events of the day.
As a surgeon with extensive experience of landmine injuries, I was hugely impressed with the level of detail in the depiction and treatment of the injuries and the completely unsentimental depiction of the actions that day. Writing in the Sun, Jeremy Clarkson explained that even though he had taken an interest in the Afghan conflict and had been out to see soldiers on deployment, he had absolutely no idea what the reality of battle and injury entailed until he saw the film. I am certain that many civilians and even some serving servicemen will feel the same after seeing the Kajaki movie.
Having been released at the same time as the annual ceremonies of remembrance and, co-incidentally, at the same time as the centenary of the First world war and the draw-down from Afghanistan, it is important to remind the UK population that war is not all about artistic installations at the Tower of London, beautiful though those may be. With the Army having the lowest headcount in over a century, the population it serves is more disconnected than ever from the military – Kajaki conveniently reminds everyone about the realities of conflict.
Dan Jarvis MP, himself a former Parachute Regiment officer brought up this very point at Defence Questions in the House of Commons and secured an assurance from the Defence Secretary that he would see the film in person. It should be required viewing for a far wider audience.
Having served this film is often too painful to watch (the reason for my giving it a 9/10). It expresses the suffering and comradeship of warfare.
This isn't just a film it's an education for a society disassociated from war. For those critics war isn't glorious or romantic. It's dirty and boring, and yes, people screw up. If you're stuck in a minefield without all the Gucci kit it's a bayonet and you're belt buckle, and it's hot and tiring and you make mistakes. Soldiers (at least the Toms) don't speak received English (so maybe you might have to pay more attention to what is being said)and yes they swear, live with it!
There are plenty of wonderful war films where the (usually American) protagonists win the day with either a fashionable injury or glorious death; this isn't one of them. There is however humour and pathos in war and this expressed in loads. If everyone knew what war was really like nobody would want anything to do with one.
This isn't just a film it's an education for a society disassociated from war. For those critics war isn't glorious or romantic. It's dirty and boring, and yes, people screw up. If you're stuck in a minefield without all the Gucci kit it's a bayonet and you're belt buckle, and it's hot and tiring and you make mistakes. Soldiers (at least the Toms) don't speak received English (so maybe you might have to pay more attention to what is being said)and yes they swear, live with it!
There are plenty of wonderful war films where the (usually American) protagonists win the day with either a fashionable injury or glorious death; this isn't one of them. There is however humour and pathos in war and this expressed in loads. If everyone knew what war was really like nobody would want anything to do with one.
There's only a handful of so called "war films" I consider to be films about the actual reality of war. HBO's mini-series 'Generation Kill' is probably the most realistic when it comes to the depiction of modern warfare - but 'Kajaki' (also known as 'Kilo Two Bravo') gives it a run for its money: this criminally under-seen masterpiece should be considered a modern classic. The production values are fantastic; the cinematography, the script and the direction are absolutely flawless - but you won't notice them. What you will notice is the outstanding ensemble of actors, portraying characters in a way you forget you're watching a movie. They will make you cringe, laugh, cry and hold your breath in shocked disbelief and utter horror.
This film had me literally on the edge of my seat the entire time, but what really grabs you by the gut is not just the suspense and the horror; it's the relationships between these soldiers and how they look out for each other. How close men become when their lives depend on each other has probably rarely been depicted on screen with the intensity and no-bullshît, keep-it-real attitude as is the case here. And knowing that what you're seeing actually happened only adds to the experience (for this film IS an experience). Definitely not the kind of war film that you come across very often. Superb. 9 stars out of 10.
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/
This film had me literally on the edge of my seat the entire time, but what really grabs you by the gut is not just the suspense and the horror; it's the relationships between these soldiers and how they look out for each other. How close men become when their lives depend on each other has probably rarely been depicted on screen with the intensity and no-bullshît, keep-it-real attitude as is the case here. And knowing that what you're seeing actually happened only adds to the experience (for this film IS an experience). Definitely not the kind of war film that you come across very often. Superb. 9 stars out of 10.
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/
Lo sapevi?
- QuizAt the film's first test screening, director Paul Katis was initially depressed as the audience traipsed out without saying a word. He thought that they didn't like the film, when in fact they were traumatized by what they had just seen.
- BlooperWhen the initial patrol approach the minefield, an SA80 rifle is seen with both the SUSAT sight fitted and the Iron Sights Fore Sight also fitted. This is incorrect, if the rifle has a SUSAT sight, the Iron Sight Fore Sight is always removed.
- CitazioniTutte le opzioni contengono spoiler
- Curiosità sui creditiAfter the song is heard in the credits, the soundtrack changes to a recording of radio communications of an action in Afghanistan.
- ConnessioniFeatured in The EE British Academy Film Awards (2015)
- Colonne sonoreAll Of My Life
Written and Performed by Phoebe Katis
Arranged by Anthony Leung and Phoebe Katis
Recorded at The Crypt Studios
Produced by Anthony Leung and Ricky Barber
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Kilo Two Bravo
- Luoghi delle riprese
- Giordania(Kajaki Dam)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 7891 USD
- Lordo in tutto il mondo
- 34.017 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Proporzioni
- 2.35 : 1
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