Un adattamento del musical del 1957 che esplora l'amore proibito e la rivalità tra bande di strada di adolescenti di diverse etnie, i Jets e gli Sharks.Un adattamento del musical del 1957 che esplora l'amore proibito e la rivalità tra bande di strada di adolescenti di diverse etnie, i Jets e gli Sharks.Un adattamento del musical del 1957 che esplora l'amore proibito e la rivalità tra bande di strada di adolescenti di diverse etnie, i Jets e gli Sharks.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 72 vittorie e 298 candidature totali
Josh Rivera
- Chino
- (as Josh Andrés Rivera)
David Aviles Morales
- Aníbal
- (as David Avilés Morales)
Ricardo Zayas
- Chago
- (as Ricardo A. Zayas)
Recensioni in evidenza
Watching west Side Stiry in a cold theatre with a mask, I was having a difficult time warming up to the movie. I kept thinking "why bother" with a remake. Then I realized the movie was still set in the 60's. And Spielberg wanted to set the record straight. The new West Side Story is about race.
In this production the Puerto Ricans were really Latino and spoke Spanish (no subtitles). The white kids were mostly sort of clueless, without much reason for being there. The Puerto Ricans had all the good lines, the believability, the energy.
I actually liked the performances a lot. Rachel Zegler as Maria was stunningly pure, almost unrealistically romanticized like a virgin princess. Ariana DeBose was tormented and fiery, and David Alvarez was the stealth show stealer of the production with his sexy, macho Bernardo.
The singing was outstanding. Rita Moreno sang and she still has a decent voice. But in retrospect, I was mist impressed with Ansel Elbert as Tony, who has been getting mediocre reviews for his lack of "soul". Ansel Elbert was hot! Elbert was singing tenor, sweet, clear and very emotional singing from his heart. What a concept.
It's not a common occurrence for a young person to sing so innocently these days, about true love, and Elbert, with his pouty lips and lanky working class presentation was so much fun to watch! Nobody believes in true love anymore. So it was a bit anachronistic to see this production based on the idea of true love. At the end when Maria cries her heart out over Tony laying in the street she is not only crying about the loss of her love. She also seems to be crying to the gang members looking on snd crying about their loss of innocence. In that regard she was crying for the audience, for me, Who cries about true love these days? True Love? It's actually counterrevolutionary.
In this production the Puerto Ricans were really Latino and spoke Spanish (no subtitles). The white kids were mostly sort of clueless, without much reason for being there. The Puerto Ricans had all the good lines, the believability, the energy.
I actually liked the performances a lot. Rachel Zegler as Maria was stunningly pure, almost unrealistically romanticized like a virgin princess. Ariana DeBose was tormented and fiery, and David Alvarez was the stealth show stealer of the production with his sexy, macho Bernardo.
The singing was outstanding. Rita Moreno sang and she still has a decent voice. But in retrospect, I was mist impressed with Ansel Elbert as Tony, who has been getting mediocre reviews for his lack of "soul". Ansel Elbert was hot! Elbert was singing tenor, sweet, clear and very emotional singing from his heart. What a concept.
It's not a common occurrence for a young person to sing so innocently these days, about true love, and Elbert, with his pouty lips and lanky working class presentation was so much fun to watch! Nobody believes in true love anymore. So it was a bit anachronistic to see this production based on the idea of true love. At the end when Maria cries her heart out over Tony laying in the street she is not only crying about the loss of her love. She also seems to be crying to the gang members looking on snd crying about their loss of innocence. In that regard she was crying for the audience, for me, Who cries about true love these days? True Love? It's actually counterrevolutionary.
I absolutely loved the movie - I had a lot of high expectations. I grew up rewatching the borrowed DVD of the 1961 version from the library. I have the 2009 Broadway version memorized by heart. But this adaptation?? It did everything so, so much justice. The acting, the singing, the dancing. There was a tension that you should feel throughout. And so many Performances with a capital P - ESP Ariana, Mike and David. The shots were absolutely BEAUTIFUL. The orchestra - EXQUISITE. This version of WSS actually broke me.
I want to watch it again. I look forward to owning this version on DVD.
I want to watch it again. I look forward to owning this version on DVD.
Spielberg does it again! Another outstanding production under his direction. The cast was great, the singing was great but one major thing that stood out to me was the choreography. It couldn't have been any better, and I can't imagine the amount of training and dance practice that each actor had to go through. Job well done by every member of the cast and crew!
Living up to the highly praised 1961 movie musical of the same name, you'd think it would be hard for a reimagining to capture the same type of amazement that the original West Side Story movie had. But the 2021 version of this film is just as amazing as the original! Having director Steven Spielberg doing what he does best, you know you're in for a treat!
This one had a very talented cast as well from Ansel Elgort, Rachel Zegler, Mike Faist to name a few, and of course Rita Moreno herself! This version wasn't afraid to explore the inner workings of these characters. Which made for a very captivating experience.
Although it's not without it faults, the pacing felt a little strange in a few places. But it wasn't super noticeable as the story continued.
A benefit that this version has over the now 60-year-old original, there's more cultural awareness for the Puerto Rican characters that don't feel caricatures of what Hollywood believes all Puerto Ricans should appear. The use of Spanish dialogue allowed for a more authentic view into the lives of those characters when they weren't surrounded by members of the Jet's gang. Since this movie has been made well after the days of the strict guidelines of the Hays production code that took over Hollywood films from the 1930's to the late 60's, it allowed for this version to take more creative freedom and allow swearing, address racial issues, portray harsher violence, and display an emotionally darker tone that the 1961 version was unable to explore.
If you're "on the fence" about seeing this in theatres and waiting until it comes out on home video or streaming services, I suggested you should see it in theatres. This will give the most spectacular experience possible!
This one had a very talented cast as well from Ansel Elgort, Rachel Zegler, Mike Faist to name a few, and of course Rita Moreno herself! This version wasn't afraid to explore the inner workings of these characters. Which made for a very captivating experience.
Although it's not without it faults, the pacing felt a little strange in a few places. But it wasn't super noticeable as the story continued.
A benefit that this version has over the now 60-year-old original, there's more cultural awareness for the Puerto Rican characters that don't feel caricatures of what Hollywood believes all Puerto Ricans should appear. The use of Spanish dialogue allowed for a more authentic view into the lives of those characters when they weren't surrounded by members of the Jet's gang. Since this movie has been made well after the days of the strict guidelines of the Hays production code that took over Hollywood films from the 1930's to the late 60's, it allowed for this version to take more creative freedom and allow swearing, address racial issues, portray harsher violence, and display an emotionally darker tone that the 1961 version was unable to explore.
If you're "on the fence" about seeing this in theatres and waiting until it comes out on home video or streaming services, I suggested you should see it in theatres. This will give the most spectacular experience possible!
My first thought in hearing about this ... a thought I'm sure was shared by many ... was WHY? Why remake a movie that was done so well the first time. Still, I went to the theater and found a wonderful, well-made movie. I hadn't read anything about the movie before seeing it and I went in wondering if they would update it to present day. They didn't, but I think that might have worked too.
Discussing the movie with my twenty-something son, I brought up the "why remake a nearly perfect film" question and his response was ... for a new generation. People his age were never going to see the 1961 version in the theater and most would never see a 60 year old movie at all. This movie allows a new generation (or two or three) to experience the magic on the big screen. Ultimately, the appeal of the movie lies in the music and the dance ... even more than the story. But the story is still powerful even after there have been so very many Romeo and Juliet adaptations.
A fun movie to see on the big screen.
Discussing the movie with my twenty-something son, I brought up the "why remake a nearly perfect film" question and his response was ... for a new generation. People his age were never going to see the 1961 version in the theater and most would never see a 60 year old movie at all. This movie allows a new generation (or two or three) to experience the magic on the big screen. Ultimately, the appeal of the movie lies in the music and the dance ... even more than the story. But the story is still powerful even after there have been so very many Romeo and Juliet adaptations.
A fun movie to see on the big screen.
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno breaks down 6 of her most iconic roles, discusses the struggles she's faced in Hollywood, and shares what it felt like to return to West Side Story 60 years later. She also dives into her revealing documentary Rita Moreno: Just a Girl Who Decided to Go for It.
Lo sapevi?
- QuizThe songs "One Hand, One Heart" and "A Boy Like That/I Have a Love" were performed live on set by Ansel Elgort and Rachel Zegler & Ariana DeBose and Zegler respectively. Sections of "Maria" were also sung live on set by Elgort, as per his request. All other songs were filmed to the more traditional playback technique. "Somewhere" was also sung live on set by Rita Moreno.
- BlooperThe 9th (Columbus) Ave elevated train tracks in the Upper West Side were removed after their closure in 1940.
- Curiosità sui creditiThe end credits feature a dedication to Steven Spielberg's father Arnold Spielberg with a simple "For Dad".
- ConnessioniAlternate-language version of West Side Story (1961)
- Colonne sonorePrologue
Music by Leonard Bernstein
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Amor sin barreras
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 38.530.322 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.574.618 USD
- 12 dic 2021
- Lordo in tutto il mondo
- 76.016.171 USD
- Tempo di esecuzione
- 2h 36min(156 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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