Aggiungi una trama nella tua linguaParis, 1940. 17-year-old Lili joins the Resistance after encountering war before love in occupied France. Through interconnected teenage heroes, their story of defending their country emerge... Leggi tuttoParis, 1940. 17-year-old Lili joins the Resistance after encountering war before love in occupied France. Through interconnected teenage heroes, their story of defending their country emerges.Paris, 1940. 17-year-old Lili joins the Resistance after encountering war before love in occupied France. Through interconnected teenage heroes, their story of defending their country emerges.
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I watched my dvd of this in 2 sessions and am very glad I did.
I had forgotten how good and how moving it was.
I don't get the hipsters on here not liking this,nobody says France won World War 2 but while there are resistance myths the resistance was not a myth.
I borrowed that from historian Julian Jackson.
In 1940 it looked like France was finished and Germany was going to win the war but some people swam against the tide of opinion.
Thousands of french people were killed by the Germans and their fascist allies between 1940-1944.
This drama was well done because it makes a virtue of its limitations of budget,it uses still standing Paris streets,there are few action scenes.
I can't find much to fault with this series,it is a bit sentimental at times but I can accept that.
I.
I had forgotten how good and how moving it was.
I don't get the hipsters on here not liking this,nobody says France won World War 2 but while there are resistance myths the resistance was not a myth.
I borrowed that from historian Julian Jackson.
In 1940 it looked like France was finished and Germany was going to win the war but some people swam against the tide of opinion.
Thousands of french people were killed by the Germans and their fascist allies between 1940-1944.
This drama was well done because it makes a virtue of its limitations of budget,it uses still standing Paris streets,there are few action scenes.
I can't find much to fault with this series,it is a bit sentimental at times but I can accept that.
I.
Given the excellent reviews this series has received, I must be missing something.
Yes, the production values were good, but the script was terrible.
For the first few episodes I kept wondering whether the writers were deliberately making the resistance workers seem incompetent, but eventually I realized that it was the writers themselves that must have lost contact with reality.
Some of the ignorance was simply a lack of research (e.g. even a casual look on Wikipedia would show that rather than exploding, Molotov cocktails work by spreading burning gasoline when the glass container shatters, but the characters simply rolled the bottle under a truck without even attempting to break it. Similarly, hand grenades have a lever that, when released, automatically opens and starts a timed fuse, but the characters were told to count to three *before* releasing the lever).
By far though, the worst writing was the way the characters would continually tell each other what they and others had done and were going to be doing. It seemed like they were trying really hard to ensure that no matter which one of them got caught, that person would know all the secrets of the whole organization. Can you imagine in real life someone telling you something like "Joe Smith is going to meet Herman Perkins, the secret head of the resistance, tomorrow at noon at Granny's Café so they can discuss the border tunnel they're digging in Smallville"? That conversation wouldn't have been out of place in this program. No underground organization could work like that, at least not for long. If someone doesn't need to know something, they shouldn't.
Yes, the production values were good, but the script was terrible.
For the first few episodes I kept wondering whether the writers were deliberately making the resistance workers seem incompetent, but eventually I realized that it was the writers themselves that must have lost contact with reality.
Some of the ignorance was simply a lack of research (e.g. even a casual look on Wikipedia would show that rather than exploding, Molotov cocktails work by spreading burning gasoline when the glass container shatters, but the characters simply rolled the bottle under a truck without even attempting to break it. Similarly, hand grenades have a lever that, when released, automatically opens and starts a timed fuse, but the characters were told to count to three *before* releasing the lever).
By far though, the worst writing was the way the characters would continually tell each other what they and others had done and were going to be doing. It seemed like they were trying really hard to ensure that no matter which one of them got caught, that person would know all the secrets of the whole organization. Can you imagine in real life someone telling you something like "Joe Smith is going to meet Herman Perkins, the secret head of the resistance, tomorrow at noon at Granny's Café so they can discuss the border tunnel they're digging in Smallville"? That conversation wouldn't have been out of place in this program. No underground organization could work like that, at least not for long. If someone doesn't need to know something, they shouldn't.
We loved this beautifully acted and filmed series. Everyone was cast perfectly. The cinematography fabulous and the story so very interesting. Would love to see more series this well done!
This is a six part dramatisation of the fledgling resistance movement that grew up in France after the German invasion in 1940. It is told through the eyes of Lili (Pauline Burlet 'The Past') and her close friend and 'brother' Jeannot - Tom Hudson.
It deals with the escalation as the atrocities grow so too does the resolve of those fighting to free themselves from it. It covers the entire period of the War too so you can see the progress of what took place.
This is a very realistic portrayal, as far as I can tell, in that it does not romanticise the terrible struggle but shows how desperate it can be. 'Army of Shadows' is arguably the most graphic at doing this and some could, rightly, argue that this is deliberately softer. Still the point is made that there were many losers and some who lost in different ways – even the 'traitors'.
It is very well made too with some great period pieces and some wonderful cars. The limits of the production budget can be seen in the limitation of some of location shoots but none of that will detract from what is a commendable piece of television.
It deals with the escalation as the atrocities grow so too does the resolve of those fighting to free themselves from it. It covers the entire period of the War too so you can see the progress of what took place.
This is a very realistic portrayal, as far as I can tell, in that it does not romanticise the terrible struggle but shows how desperate it can be. 'Army of Shadows' is arguably the most graphic at doing this and some could, rightly, argue that this is deliberately softer. Still the point is made that there were many losers and some who lost in different ways – even the 'traitors'.
It is very well made too with some great period pieces and some wonderful cars. The limits of the production budget can be seen in the limitation of some of location shoots but none of that will detract from what is a commendable piece of television.
Good solid drama.
For some reason we don't get a lot of French TV in the UK; so it was great to get this mini series. I'm not too au fait with the French resistance movement during the Second World War (I only knew of the French Maquis because of Star trek DS9!), but have learnt a lot from this show, for example: I was amazed at the ages of the most of the characters in the underground movement; would the youth of today be up for it?
It's not spectacular or particularly dramatic, but instead paints a picture of what I imagine life would have been like then. It pulls on your heart strings towards the end; but the rest is quite straight forward, matter of fact and life-like. That is except for the lead role: she seems natural in front of the camera and is very pretty and all that but plays it a bit smiley and vapid for the character that she is portraying. The rest of the cast is universally solid.
I would recommend it to anyone who wants to learn more about France in the Second World War, it's the sort of thing I imagine that would be useful for educators.
For some reason we don't get a lot of French TV in the UK; so it was great to get this mini series. I'm not too au fait with the French resistance movement during the Second World War (I only knew of the French Maquis because of Star trek DS9!), but have learnt a lot from this show, for example: I was amazed at the ages of the most of the characters in the underground movement; would the youth of today be up for it?
It's not spectacular or particularly dramatic, but instead paints a picture of what I imagine life would have been like then. It pulls on your heart strings towards the end; but the rest is quite straight forward, matter of fact and life-like. That is except for the lead role: she seems natural in front of the camera and is very pretty and all that but plays it a bit smiley and vapid for the character that she is portraying. The rest of the cast is universally solid.
I would recommend it to anyone who wants to learn more about France in the Second World War, it's the sort of thing I imagine that would be useful for educators.
Lo sapevi?
- QuizWhile the opening credits proclaim that the series is "Based on a true story.", the disclaimer in the end credits state that, "This story is purely a work of fiction. Any resemblance to a real event, a character, a group or a company, whether past or present, would be coincidental and involuntary."
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